- Corpus ID: 194954597
The Critical Image: Essays on Contemporary Photography
- Published 1 July 1990
- Art, History, Sociology
26 Citations
A cemetery of images: meditations on the burial of photographs, visions of the world, introduction: photographic interventions, visual codes of secrecy : photography of death and projective identification, producing/controlling spectacle: presidential speech in media reportage, visuality in teaching and research: activist art education, the sonderkommando photographs, contradictions in photography within the ira wolff collection, facing brazil: the problem of portraiture and a modernist sublime, gender, sport and the body politic, related papers.
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- Arts & Photography
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The Critical Image: Essays on Contemporary Photography Paperback – January 1, 1990
- Language English
- Publisher Bay Pr
- Publication date January 1, 1990
- Dimensions 7 x 0.75 x 9.5 inches
- ISBN-10 0941920151
- ISBN-13 978-0941920155
- See all details
Product details
- Publisher : Bay Pr; First Edition (January 1, 1990)
- Language : English
- ISBN-10 : 0941920151
- ISBN-13 : 978-0941920155
- Item Weight : 1.2 pounds
- Dimensions : 7 x 0.75 x 9.5 inches
- #53,050 in Photography & Video
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The Critical image : essays on contemporary photography
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The Critical Image: Essays on Contemporary Photography Paperback – 1 Jan. 1990
- Print length 242 pages
- Language English
- Publisher Lawrence & Wishart Ltd
- Publication date 1 Jan. 1990
- Dimensions 16.99 x 1.3 x 24.41 cm
- ISBN-10 0853157375
- ISBN-13 978-0853157373
- See all details
Product details
- Publisher : Lawrence & Wishart Ltd; First UK Edition (1 Jan. 1990)
- Language : English
- Paperback : 242 pages
- ISBN-10 : 0853157375
- ISBN-13 : 978-0853157373
- Dimensions : 16.99 x 1.3 x 24.41 cm
- 474 in Photography Criticism & Essays
- 281,099 in Social Sciences (Books)
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Collection Meeting of Frontiers
Collections from siberia and the russian far east, aleksandrovsk municipal history and literature museum "a.p. chekhov and sakhalin" (55 items).
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Ivan Nikolaevich Krasnov's Views of Sakhalin Island (55 items)
Sakhalin Island was used by imperial Russia as a penal colony and place of exile for criminals and political prisoners. Between 1869 and 1906, more than 30,000 inmates and exiles endured the difficult conditions of the forced-labor colony on the island. This collection, consisting of an album and individual photographs, is preserved in the Aleksandrovsk Municipal History and Literature Museum "A.P. Chekhov and Sakhalin" in Alekandrovsk-Sakhalinskiy, Sakhalin Island (off Russia’s southeast coast). The photographs were taken on the island during the late 19th and early 20th centuries and provide rare glimpses of its settlements, prisons, and inhabitants. Most of the photographs in the collection were taken by Sakhalin artist Ivan Nikolaevich Krasnov, although some are unattributed. The collection depicts public life and institutions in the town of Aleksandrovsk Post, convicts working under harsh conditions or in chains, and political prisoners. The photographs also show the daily life both of the Nivkh people, indigenous to the northern part of the island, and the Russian settler population. The predecessor of the Aleksandrovsk Municipal History and Literature Museum "A.P. Chekhov and Sakhalin" appears in some of the photographs. The name of the museum refers to a trip taken to Sakhalin Island by the Russian writer and medical doctor Anton Chekhov in 1890, during which Chekhov researched the plight of island’s prisoners and native populations. The publication of his Sakhalin Island in 1895 highlighted the depravity of the situation in this remote corner of Russia and led to public protests that helped bring about the closure of the penal colony.
View the collection
Altai State Regional Studies Museum (221 items)
Photographs by the topographer g. i. ivanov, gornaia shoria, 1913 (109 items).
This collection consists of 109 photographs taken by G. I. Ivanov (1876-192?) during a 1913 topographic expedition to the Gornaia Shoria in the Altai region. That same year, Ivanov participated in another topographic expedition--to the Mrasskii region, Kuznetskii District (central part of the Gornaia Shoria). The photographs reflect both expedition activities and the life of the people in this region. The negatives were transferred to the Altai State Museum of Regional History and Folklife in the 1920s; prints were made and sets from both expeditions were added to the museum’s collections.
Sergei Ivanovich Borisov's Color Photo-Cards of the Altai Mountains (52 items)
A collection of color postcards made from negatives taken by photographer Sergei Ivanovich Borisov (1859–1935) in the Altay, or Altai, Mountains region of southern Siberia early in the 20th century. Borisov was born into a family of serfs in Simbirsk (present-day Ulyanovsk) and was forced to work from an early age. In the late 1880s he moved to the city of Barnaul in Altayskiy Kray, where in 1894 he opened a photography studio. This studio later became the largest and most popular in the city. In 1907, Borisov began his expedition in the Altay Mountains, which lasted until 1911. He took around 1,500 photographs during this expedition, which, upon his return to Barnaul, he presented to the public through the use of a magic lantern. The photographs depict views of nature in remote corners of the Altay Mountains and the Altay and Kazakh peoples indigenous to this region. Borisov offered the photographs to various European publishers for the production of postcards. The collection includes two series of color postcards. The first series was issued by the Swedish printing company Granberg Society in Stockholm, but it is not known where the second series was published.
V.V. Sapozhnikov. Photo Materials from Expeditions in the Southern Altai Region, 1895-1899 (60 items)
A collection of 60 photos by V.V. Sapozhnikov (1861‒1924), a geographer, botanist, ethnographer, and professor at Tomsk State University (the first institution of higher education established in Siberia), who made significant contributions to the study of the South Siberian region. The photographs were taken by Sapozhnikov during his expeditions to the Altai Mountains in 1895‒99 and later reproduced from his negatives for the Altai State Regional Studies Museum in Barnaul. The explorer gave his photograph collection and related materials from his expeditions to the museum in 1904. Each photograph is accompanied by an annotation with a geographic reference written by Sapozhnikov. The collection is unique for its complex and spectacular views, covering a variety of geographic features of the South Siberian region. In many of the photos, Sapozhnikov or other members of the expeditions are shown, struggling with difficult terrain and swollen rivers. Sapozhnikov's scientific activity was closely connected with the Russian Geographical Society, to which he was elected in 1898.
Amur Oblast Museum of Regional History and Folklife (101 items)
Investigations of the zeya river in 1907-1909 (101 items).
Izyskaniia reki Zei v 1907-1909 gg. (Investigations of the Zeya River in 1907-1909) is a unique integrated collection of documentary photographs that presents a vivid picture of the state of the Amur region up to 1909. The album was prepared in 1909‒10 by the mechanical engineer Vladimir I. Fedorov (1876‒1956) on the instructions of the waterways administration of the Amur basin. Its 100 photographs show natural scenes, indigenous peoples, settlers, river transport, and Russian surveyors at work. The photographs are captioned. The Zeya River is one of the most important tributaries of the Amur River. It rises in the Stanovoy range in the Russian Far East and runs southward and slightly to the west for 1,242 kilometers before joining the Amur near Blagoveshchensk.
Berdsk Historical Art Museum (153 items)
Berdsk in siberia during the 19th and 20th centuries (153 items).
A collection of 153 photographs and documents held in the Berdsk Historical Art Museum, drawn from the personal archives of people who lived in the town of Berdsk in the late 19th and early 20th centuries. The collection offers glimpses into everyday life, the atmosphere, and the activities in Berdsk, a major center of grain processing at that time. The photographs show groups of students and teachers, local mills, people at work in agriculture and industry, soldiers, and children and youth. Most appear to date from the early Soviet era. The documents include tickets, ration cards, membership cards, and other items relating to farming, trade, crafts, mining, and so forth. Berdsk is located in Novosibirsk Oblast in central Russia, along the Novosibirsk Reservoir just south of Novosibirsk city. Founded at the beginning of the 18th century as a fortress, it became a city in 1944.
Center for Documentation of Tomsk Oblast Recent History (101 items)
Tomsk regional committee documents regarding deported baltic peoples (101 items).
A collection of 101 documents from the archives of the Tomsk Regional Committee of the Communist Party of the Soviet Union relating to the mass deportation to Siberia of Baltic peoples from Latvia, Lithuania, and Estonia. The documents, which date from the period 1941–60, are nearly all stamped "Secret." They shed light on such aspects of the deportations as the numbers of people involved, how the reception of deported peoples was organized, the resettlement and placement of deportees, material support, methods of ideological control and the assessment of the communist authorities of the ideological and political influences on the deportees, and the eventual lifting of legal restrictions on these population groups. The Soviet Union invaded the Baltic countries in the summer of 1940 and the deportations of Baltic peoples were carried out the following year, just before the Germany invaded the Soviet Union on June 22, 1941. Estimates of the numbers of deported citizens of the Baltic countries vary, but probably about 50,000 were sent to camps in Siberia in this period. The deportations were aimed out eliminating resistance to communist rule and targeted the political and intellectual elites in the Baltic countries. Deportations were halted following the Nazi invasion of the Soviet Union, but a second mass deportation of Baltic peoples to Siberia occurred after World War II, in March 1949, as the authorities sought to stamp out continued resistance to Soviet rule.
Igarka Museum of Permafrost (82 items)
Dead road: construction project 503 (82 items).
A collection of materials related to the Salekhard‒Igarka Railway, an unfinished Soviet railroad sometimes called the “Dead Road.” This railroad was intended to unite European Russia with the northern regions of Siberia and to facilitate the export of minerals from the industrial city of Noril’sk. Construction began in 1949 but was abandoned in 1953 after Stalin’s death. Stalin had ordered the construction of the railroad without heeding the advice of specialists, who knew that a railroad built on permafrost would be difficult to maintain. Stalin considered the railroad strategically necessary to facilitate the defense of Russia’s northern coast; however, actual demand for the railway was low. Construction was divided into two projects, number 501 and number 503, and was carried out by prisoners of the infamous gulag system. According to eyewitness accounts, conditions in the camps of these projects and in Yermakovo, the central settlement of construction project 503, were better than in most parts of the gulag system. This collection consists of photographs, documents, maps, letters, and memoirs housed in the Igarka Museum of Permafrost. Photographs depict daily life in Yermakovo, a settlement near Igarka, abandoned buildings and railroad equipment, and musicians and actors of the projects’ cultural and educational divisions. Many of the photographs were taken by Walter Ruge (1915–2011) and depict his wife Irina Andreevna Alferova. Ruge completed a ten-year sentence as a political prisoner in 1951 before he was released to live as an exile in Yermakovo, where he met Alferova, a fellow exile. The collection’s documents and maps provide information about the planning and construction of the railroad and the administration of the camps, while the memoirs and letters describe the experiences of prisoners, exiles, and civilian residents of Yermakovo and the camps.
Institute for the Study of Buddhism, Mongol, and Tibetan Culture of the Siberian Branch of the Russian Academy of Sciences (95 items)
Albazinskii prison. materials of archaeological research (95 items).
A collection of 95 drawings, color photographs, and slides documenting the results of the archaeological excavations at the fortress of Albazin, the first Russian settlement on the Amur River (at the present-day village of Albazino in the Amurskaya Oblast). The Russians established the fort at Albazin in 1651, and it soon became the largest fortified settlement of Russian pioneers in the Amur region. In 1686, after a long siege by Manchu troops, Russian Cossack troops surrendered the fortress. Under the terms of the Treaty of Nerchinsk, concluded in 1689 to establish peace between Russia and China, the fortress was demolished and the territory around it transferred to China. The photographs, slides, and drawings in the collection show views of the remains of the towers, walls, residential buildings, and household items discovered during the excavations. They offer insight into the economic activities, construction methods, and armament of the Russian soldiers and settlers of the 16th century.
Institute of History of the Siberian Branch of the Russian Academy of Sciences (405 items)
Photographs from archeographic expeditions to the schismatic monasteries on the upper malyi enisei river (tuva, 1966-75) (43 items).
The schismatic monasteries along the headwaters of the Little Yenisey River came into being in February 1917, when one of the splinter groups of the well-known monastery of Father Nifont moved to the Tuva (or Tyva) area, near the Mongolian-Russian border, from the Ural region. The Tuva copy of the Genealogy of the Schismatic Sect, composed by Father Nifont between 1887 and 1890, contains an appendix by Father Palladii, the head of monasteries in Tuva, laying out this succession of 20th-century monastic fathers-superior in Tuva: Nifont, Sergii, Ignatii and Palladii. Father Ignatii died in prison before World War II; shortly thereafter, Father Palladii’s brother committed suicide while under arrest by jumping into the frigid rapids of the Little Yenisey. Father Palladii was arrested three times, but he was able to escape (from exile in Krasnoyarsk and then from the camp near Vladivostok where the poet Osip Mandel’shtam is known to have perished). Toward the end of his life, Father Palladii was director of the Tuva monasteries, having gained the consent of the authorities to assume this position by promising that he no longer would object to military service for Old Believers. Father Palladii was a skilled transcriber and binder of manuscripts and early printed books who owned a large library of these materials. In 1966 he acquainted Novosibirsk archeographers with previously unknown and unstudied literary works composed in the Urals and Siberia from the 17th to the 20th centuries by Old Believer schismatic writers. The residents of these monasteries refuse to be photographed. They explain this refusal in the following way: upon christening, a person acquires an invisible aura around the head and, after death, this aura serves as a pass into heaven; the aura is diminished each time the person sins, and it is further weakened by photography. Outside monasteries, however, this prohibition is not enforced nearly as strictly, even in the families of spiritual teachers.
Photographs from Archeological Expeditions to Old Believer Monasteries (Rudnyi Altai, Headwaters of the Uba River, 1970-71) (42 items)
The monasteries of the Pomorskie Sect of Old Believers, visited by archeographers from Novosibirsk, were the successors to the Pokrovskii women’s monastery built there at the very beginning of the twentieth century with the financial support of Savva Morozov, a well-known textile mill owner who belonged to the Pomorskie Sect. (During this same period he was also financing underground Bolshevik-Leninist organizations.) Old photographs of the nuns at this monastery have been preserved.This monastery traditionally maintained close religious and economic ties with the local peasantry and the wealthy farming families of Old Believers in the Altai. The prosperous Altai peasantry offered stiff resistance (including armed resistance) to Soviet rule and the policy of “war communism” and collectivization. The harsh repression of this resistance took a toll on the Altai Old Believer communities and their book collections. For example, on the northern slopes of the Altai, in Uimon Valley, and on the Koksa River, where the richest Old Believer farms were devastated, a large collection of manuscripts and early printed books also was destroyed. A few miraculously spared sixteenth-century volumes were among the most valuable discoveries of the expeditions by the specialists from the Siberian Branch of the Russian Academy of Sciences. When Siberian archeographers began travelling to the Altai Old Believer communities in the late 1960s and early 1970s, they found that the former prosperity was long gone, and the other valleys that had flourished before 1917 had become nearly depopulated. This was an ideal location for the secretive settlements of hermits, many of whom had once been nuns of the Pokrovskii monastery, while others had come from all parts of the country, e.g., Kuban’, which had maintained intensive correspondence with the Pomorskie Sect.In their way of life, the adherents of the Pomorskie Sect in Altai were less closed than, for example, the Tuva schismatics. Many of the monastery residents were quite willing to be photographed. The photograph taken of the superior of the main monastery, Mother Afanasiia, was placed alongside the icons in the chapel after her death.
Photographs from the Trial of the Dubches Hermits (6 items)
A collection documenting the trial in the early 1950s of the Dubches hermits. The hermits were associated with Old Believer monasteries persecuted by the communist authorities in what was then the Soviet Union. In 1937‒40 these monasteries were secretly relocated from the Ural Mountains to the left bank of the Lower Yenisey River and the Dubches River and its tributaries. Playing a large role in this effort was the men’s monastery of Father Simeon, whose writings traced the history of the monastery beginning in the 18th century, when it was led by the famed Hegumen (father superior) Maksim, the author of numerous polemic works. Along with the monastery of Father Simeon, nuns from the Permskii convent (on the Sylva River) and Sungul’skii convent (near the city of Kasli, Southern Urals) also relocated to the Dubches region. This secret move took several years. At the new site, the taiga (coniferous evergreen forests) was cleared for buildings and vegetable gardens. Several families of peasant adherents who migrated with the monasteries helped to erect a chapel, along with a building to house a rich collection of old books (more than 500 volumes, including a parchment manuscript and some 16th-century printed books). In 1951 the monasteries were spotted from the air by the Soviet authorities and subsequently demolished by a punitive detachment. The hermits associated with the monasteries and the peasants who had supported them were arrested, and all the buildings, icons, and books were burned. The Krasnoyarsk Office of the Ministry of State Security conducted an investigation and put 33 persons on trial. All those indicted were convicted under Articles 58-10 part 2 and 58-11 of the Russian Soviet Federative Socialist Republic criminal code and sentenced to prison terms ranging from 10 to 25 years. Alexandr Isaevich Solzhenitsyn wrote about these events in his classic Gulag Archipelago. Two of those arrested perished in Soviet concentration camps: Father Simeon and Mother Margarita. After the death in 1953 of the dictator Joseph Stalin, the others were granted amnesty on November 12, 1954.
Special Settlers in West Siberia in the 1930s (311 items)
The commemorative album “Soviet Narym: Opening of the West-Siberian North by Labor Settlers, 1930-36” contains statistical, narrative, cartographic, and illustrated materials relating to the people who were forcibly settled in the Narym region by the Soviet authorities in the 1930s. The album, compiled in 1936 by the secret police of West Siberia as the result of a government investigation, sought to document for Moscow the opening of the Narym region by labor settlers. Housed for a time in police archives, the album later fell into private hands during a “purge” of these archives, but since 2002 has been in the custody of the Sector on the History of Sociocultural Development, Institute of History, Siberian Branch, Russian Academy of Sciences.
Irkutsk Municipal History Museum (572 items)
Materials from the ethnographic expedition of p.p. khoroshikh in 1927 (257 items).
Presented here is an album of 167 photographs and 89 drawings made during the 1927 expedition in the Balagansk District of the Irkutsk region by the famous Siberian ethnographer and archaeologist Pavel Khoroshikh and local history specialist Petr Trebukhovskii. The materials in the album detail the different aspects of the economic activities of the Russian and Buriat population, types of houses and farm buildings, tools and daily activities, and various aspects of children's upbringing. Together, these illustrations are the richest source of material for studying the life of the peasant population of the region before the kholkhoz (collective farm) period of the Soviet era; forced collectivization began in 1928. The Balagansk District is located in the south-central part of Irkutsk Oblast, on the left bank of the Angara River. It was settled by Russians from 1655 onward, and has long been inhabited by the Bulagat, a Buriat tribe whose name derives from the Buriat word for sable hunter.
Photography in Irkutsk (136 items)
This collection contains 136 photographs of Irkutsk from the late nineteenth and early twentieth centuries. The photographs show views of both the city of Irkutsk and countryside of Irkutsk Province; methods of transportation; and the citizenry--including their way of life, social activities, and forms of entertainment.
Russians in Harbin, 1920s-1940s (from the Archive of V. P. Ablamskii) (110 items)
Vladimir Pavlovich Ablamskii (1911-1994), a figure-skating champion from northern China, was also a famous Harbin photographer and photojournalist. This collection contains Ablamskii’s photographs depicting the life of the Russian immigrant community in Harbin.
The Baikal Region at the Beginning of the Twentieth Century in the Photographs of I. A. and V. I. Podgorbunskiih (69 items)
This collection presents a series of photographs taken by the Podgorbunskiis. The father, I. A. Podgorbunskii, was a priest, teacher, scientist, and local historian. The son, V. I. Podgorbunskii, was an archaeologist. Their photographs of the Baikal region depict the scenery as well as the way of life and culture of local residents.
Irkutsk State University (364 items)
Peoples of siberia: the buryats and yakuts (152 items).
This collection consists of two photograph albums from the early twentieth century, with pictures presumably taken by I. Popov. The album “Views of the Yakutsk Region” contains 151 photographs. Subjects include the Lena River shore; various forms of river transport--including boats, rafts, trade barges, and steamships; post offices along the Lena highway, and transport by horse and reindeer. The album “Peoples of Siberia” contains twenty-seven photographs depicting Yakuts and Buryats, everyday life, festivals, meetings, housing, utensils, and hunting accessories. Several of the photographs are signed with the initials “I. P.”
Views of Hunting Grounds in Irkutsk Oblast (72 items)
Vidy okhotugodii Irkutskoi oblasti (Views of hunting grounds in Irkutsk Oblast) is an unpublished album of photographs depicting hunting grounds along the Lena River in southeastern Siberia. Subjects shown include hunters, river scenes, hunting scenes, dogs, horses, and winter dwellings in the Kazachinsko-Lensky, Zhigalovsky, and Kachugsky Districts of the oblast, along with family photographs of the local Tungusic people. Each photograph is accompanied by a handwritten caption. Taken by the art critic V.N. Troitskii in 1930, the photographs offer insights into the nature, economic activities, and life of the indigenous and Russian populations of Siberia at the turn of the 1920s–1930s.
Views of the Akatuy Hard Labor Camp (48 items)
Presented here is an album of 47 views of convicts and structures at the Akatuy Prison, one of the main centers where political prisoners were held in the Russian Empire during the late-tsarist period. The album belonged to Isaiah Aronovich Shinkman, a physician and member of the Socialist Revolutionary Party, who was incarcerated at Akatuy from 1906 to 1911. The prison was located at the Akatuy silver mine in Nerchinsk okrug (district) in the Transbaikal Territory of Siberia. Thousands of political prisoners were exiled to Siberia from European Russia and from Poland, Finland, Latvia, and Estonia (all then part of the Russian Empire) following the repression of the Russian Revolution of 1905. Criminal labor convicts and political prisoners had long been sent to Nerchinsk to work in extracting lead-silver ores in the region’s mines. The American explorer and journalist George Kennan (1845–1924) visited Akatuy in 1885, and wrote about his experience in his book Siberia and the Exile System (1891), a scathing critique of the system of prisons and prison camps in Russia. The album is held by the Irkutsk State University in Irkutsk and was digitized for the Meeting of Frontiers digital library project in the early 2000s. The photographs it contains offer glimpses into the day-to-day existence and activities of the political prisoners in Siberia in the years before World War I and the outbreak of the Russian Revolution of 1917.
Views of the Trans-Baikal and Irkutsk, a Photo Album by N. A. Charushin (54 items)
This album consists of fifty-three photographs by the Siberian photographer N. A. Charushin. Most of the photographs were taken on the Udunginsk and Circumbaikal Roads and represent images of bridges, rail stations, quays, ferries, and other construction.
Jewish Autonomous Region Museum of Regional History and Folklife (35 items)
Materials of the collection of professor b.l. bruk (35 items).
A collection of documents, photographs, maps, and printed works relating to the life and work of Professor Boris L’vovich Bruk, a well-known Russian agronomist who did much to study and develop agriculture in the Russian Far East and the central regions of Russia. In 1927, Bruk headed the expedition of the Committee on the Land Management of Working Jews (KOMZET) to the thinly populated Birobidzhan region to study the possible resettlement there of Jews from European Russia. The collection also includes the report issued by KOZMET after the conclusion of the expedition. The materials in the collection reflect the life and career of Bruk, his scientific activities, and the propaganda activities of the Soviet state relating to the introduction of modern agricultural technologies into the peasant economy. They also provide information on the nature, climate, and economy of the Birobidzhan region. Located in the Russian Far East near the border with China, the Birobidzhan region was established in 1928 by Soviet leader Joseph Stalin as the Jewish Autonomous Region of the Soviet Union.
Kamchatka Regional Unified Museum (469 items)
Kamchatka in the early twentieth century (297 items).
This album contains 296 works by such photographers as René Malaise, S. I. Beinarovich, I. E. Larin, and other, unknown artists. Larin lived on Kamchatka from 1917 to 1934 and was a prominent communist and the first chairman of the regional soviet. Malaise was a member of a Swedish expedition to Kamchatka in 1922-23. The album itself belonged to Mikhail Petrovich Vol'skii, chairman of the Kamchatka regional soviet in the 1920s and 1930s. This album offers a glimpse of life in the Russian Far Northeast in the first third of the twentieth century. It includes nature scenes of Kamchatka, views of Petropavlovsk and other population centers, and images of the indigenous peoples of Kamchatka and neighboring territories--their occupations and their material culture.
Photographs from the Eastern Reaches of the Russian Empire (44 items)
This collection consists of forty-four photographs of Sakhalin Island and the city of Petropavlovsk-Kamchatskii in the late nineteenth and early twentieth centuries. The photographs depict streets, individual buildings, panoramas of populated areas, and local people, including convicts and prisoners. The collection offers insights into the economy, society, and way of life in this remote corner of the Russian Empire around the turn of the twentieth century. The identity of the photographer is unknown.
The Kamchatka Photo Album of B. I. Dybovskii (128 items)
This photo album belonged to Benedikt Ivanovich Dybovskii (Benedykt Dybowski), 1833-1930, a well-known Polish zoologist. Dybovskii was exiled to Siberia, for taking part in the Polish uprising of 1863-64; he remained there until 1877. He returned to Siberia in 1879 and served as the Kamchatka district physician until 1883. Dybovskii studied the environment and fauna of Baikal, Priamur'e, and Kamchatka. The album presents views of the port of Petropavlovsk and other settlements in Kamchatka as well as photographs of the people of Kamchatka--merchants, craftsmen, peasants, Cossacks, and Kamchadals. The album holds 127 unique photographs, which provide a clear image of the city of Petropavlovsk, the historical events associated with it, and its people in the second half of the nineteenth century.
Kemerovo Oblast Museum of Regional History and Folklife (302 items)
Civil war in the kuzbass (103 items).
This collection contains documents and photographs from more than thirty participants of the Russian Civil War in the Kuzbass, including commanders and commissars of the Red partisan movement. Among the unique items in the collection are materials relating to the circulation of money in Siberia (that is, the new currency introduced by the Kolchak government) and the photograph album, “Development of the Anzher Coal-Mine District in 1918-23.”
Documents and Photographs from the Kuzbass Autonomous Industrial Society (199 items)
The “Kuzbass” autonomous industrial colony was created in 1921. It was organized by American workers, who took on the obligation of inviting from the United States and Western Europe some eight thousand skilled workers and specialists to industrialize the Kuzbass. The Soviet government turned over to the colonists a number of Kemerovo mine shafts and an unfinished coking plant. To recruit volunteers to work in Siberia, a “Kuzbass Bureau” was opened in the middle of New York City, and an information bulletin began to be published in the United States. Between January 1922 and December 1923, however, only 566 persons arrived for work in the Kuzbass. The colonists included emigrants from America, Canada, the Netherlands, France, Australia, Jamaica, Indonesia, and other countries as well.
Krasnoiarsk Krai Museum of Regional History and Folklife (501 items)
Everyday life of yenisei province, late nineteenth-early twentieth centuries.
This collection includes more than four hundred photographs of daily life in Yenisei Province in the late tsarist period. Photographs include peasants, Cossacks, and high-ranking officials.
Letters from the Decembrist Revolt
Presented here is a collection of 78 letters written between 1838 and 1850 by Decembrists and their wives. The letters were written from places of hard labor and settlements in Siberia and are addressed to Iakov Dmitrievich Kazimirskii, a manager at the Petrovskii Factory. The writers include I.I. Pushchin, V.L. Davydov, A.I. Iakubovich, A.Z. Muraviev, N.A. Bestuzhev, V.V. Vadkovskii, A.P and M.K Iushnevskii, I.S. Povalo-Shveikovskii, E.I. Trubetskaia, S.G. Volkonskii, I.I. Gorbachevskii, M.F. Mit’kov, and E.P. Obolensky. The Decembrists were a group of Russian revolutionaries who led an unsuccessful uprising against tsarist authority in December 1825. They were primarily members of the upper classes with military backgrounds. After the suppression of the uprising, 289 Decembrists were put on trial. Five–the leaders –were executed; 31 were imprisoned; and the rest exiled to Siberia. Many wives of the Decembrists accompanied their husbands into banishment in Siberia. The collection is held in the Krasnoyarskskiy Krai Museum of Regional History and Folklife. The letters came to the museum in the 1930s from the Krasnoyarsk Regional Library as part of a collection of documents assembled by the famous bibliophile-merchant Gennadii Vasil’evich Iudin. Most of the letters were published in the book Sibirskie pis’ma dekabristov: 1838-1850 (Siberian letters of the Decembrists: 1838-1850), compiled by T.S. Komarova and published by the Krasnoyarsk Book Publishing House in 1987.
M. N. Khangalov Museum on the History of Buryatia (66 items)
Christianity in buryatia.
This collection consists of sixty-six photographs and documents that depict the history and activities of the Russian Orthodox Church in Buryatia in the nineteenth and early twentieth centuries. It includes the papers of Nikolai, Bishop of Alaska and the Aleutian Islands; views of Orthodox churches and cathedrals; church records; confessional lists; birth registers; music manuscripts, and other documents.
Memory of Kolyma Museum (42 items)
Materials on the history of sevvostlag (42 items).
A collection of photographs, drawings, newspapers, and documents gathered in the Kolyma region of Russia. Kolyma is a northeastern region that takes its name from the Kolyma River and includes parts of the present-day Chukotka Autonomous Okrug and present-day Magadan Oblast. This region contained deposits of gold and platinum and was home to Sevvostlag (Northeastern Corrective Labor Camps), one of the Soviet Union’s most infamous labor camp systems, which was administered by a government agency known as Dalstroy (Far North Construction Trust). These materials were collected by the Yagodnoye District public historical and educational organization “Search for the Unlawfully Repressed.” This organization was founded in 1990 with the goal of locating former prisoners of the Kolyma camps. It corresponds with more than 500 former prisoners and their relatives, publishes prisoners’ memoirs, conducts local history research, and carries out expeditions to the remains of camps. The materials collected by Search for the Unlawfully Repressed became the basis for the collections of the Memory of Kolyma Museum, where this collection is housed. The collection’s photographs depict ruins of camp buildings, daily life in Kolyma, and journalists traveling in the region. Other materials of the collection include a map of Kolyma’s camps, newspapers from the region, certificates, letters, records of criminal cases, and personal files.
Museum of the History of the Norilsk Industrial Region (212 items)
The last archipelago: investigation of severnaya zemlya in 1930-1932 (212 items).
A collection of materials, including manuscripts, photographs, and a photograph album, from the N.N. Urantsev Foundation devoted to the last major geographical discovery on earth: the exploration of Severnaya Zemlya in the expedition of 1930‒32 expedition under the leadership of G.A. Ushakov (1901‒63) and N.N. Urvantsev (1893‒1985). The manuscripts and photographs offer new and previously unknown information about the harsh conditions and limited plant and animal life of Severnaya Zemlya and document the history of the expedition. As characterized by N.N. Urvantsev, this was the last polar expedition of the Nansen-Amundsen era, in which success was achieved through human endurance and perseverance in pursuing a goal using a minimum of technical and material resources. Severnaya Zemlya (meaning “northern land” in Russian) is an archipelago of four large and many smaller islands located in the Arctic Ocean, immediately north of Cape Chelyuskin, the most northerly point in Siberia. Much of the territory is covered by ice and snow. The archipelago was first discovered only in 1913 and was not explored until the two-year Ushakov-Urvantsev expedition mapped and surveyed the territory.
National Research Tomsk State University (101 items)
Drawings and paintings by pavel mikhailovich kosharov (143 items).
The Research Library of Tomsk State University and the Tomsk Oblast Museum of Regional History and Folk Life hold a collection of about 150 works by the famous Siberian artist, teacher, and public educator Pavel Mikhailovich Kosharov (1824–1902). Siberia in all its diversity is the basic theme of this collection of paintings, lithographs, sketches, studies, and drawings, which capture various remote corners of the Siberian wilderness, spectacular vistas of the Altai, scenes of numerous Siberian cities and villages, and the faces and way of life of the indigenous peoples of Siberia.
Nikolaevsk-on-Amur Museum of Municipal History and Folklife (103 items)
Nikolaevsk-on-amur in postcards during the early 20th century (103 items).
Presented here is a collection of 103 postcards of the city of Nikolayevsk-on-Amur in the early 20th century. The collection provides a unique photographic record of the development of the city and of the lower Amur region in this period. The cards offer views of the architectural appearance of the old city (especially valuable, because during the Russian Civil War Nikolayevsk-on-Amur was destroyed and burnt), as well as of the culture, daily life, and occupations of residents, and of the different ethnic groups that made up the population of the region. The postcards all have printed labels on their front sides, in Russian or in both Russian and German. A few of the postcards contain written messages on the back, and have been digitized on both sides. The collection is housed in the Nikolayevsk-on-Amur Municipal Local History Museum. Formation of the collection began in the 1960s. Postcards came from former residents of the city of Nikolayevsk-on-Amur and from the exchange of collections with other museums and local history specialists.
Novosibirsk State Museum of Regional History and Folklife (526 items)
Boris smirnov print collection (99 items).
Boris Vasilievich Smirnov (1881–1954) was a Russian artist who in 1904 traveled by prisoner transport from western Russia across Siberia. Along the way he created a series of drawings and watercolors of the people and places he encountered. Best known as a portraitist, Smirnov focused on the faces of the men and women he met, who included exiles, prisoners, settlers from Ukraine and western Russia, local military and civilian officials, peasants and merchants. His works from this period also include a handful of drawings of houses and landscapes. The sketches were made in the Ural Mountains, Irkutsk, Omsk, Krasnoyarsk, and in villages along the route. The details of Smirnov’s journey are sketchy. Some accounts say that he traveled along the Great Siberian Road as a volunteer on the way to the front in the Russo-Japanese War. Other accounts say that he was an exile, possibly sent to Siberia for refusing to be conscripted into the army. The Great Siberian Road, depicted in several of Smirnov’s drawings, was the route from Moscow to China via Siberia. Smirnov’s collection of 99 graphic items is preserved in the Novosibirsk State Museum of Regional History and Folklife. The collection was acquired by the museum from the artist in 1950.
Ethnographic Artists' Sketches from the 1920s and 1930s (96 items)
The graphics collection of the Novosibirsk State Museum of Regional History and Folklife includes the works of such famous Siberian painters as Dmitrii Inokent’evich Karatanov, Natal’ia Nikolaevna Nagorskaia, Aleksei Vasil’evich Voshchakin, and Grigorii Gustavovich Likman. These lesser-known drawings and watercolors were done in the field in the 1920s and 1930s. They include both ethnographic sketches and first-hand depictions of the young, fast-growing Siberian megalopolis.
Native Peoples of Siberia (212 items)
This collection includes more than two hundred photographs taken during scientific expeditions into the most remote wilderness regions of Siberia at the end of the nineteenth and the beginning of the twentieth centuries. This selection illustrates the life of seven indigenous groups from East Siberia: Kets, Dolgans, Buryats, Yakuts, Even, Evenks, and Toffalars.
Photographs from the Ethnographic Expeditions of Natal'ia Nagorskaia (20 items)
The well-known Novosibirsk ethnographer and graphic artist Natal’ia Nikolaevna Nagorskaia (1895-1983), while on the staff of the Novosibirsk State Museum of Regional History and Folklife (NGKM), made a number of ethnographic expeditions to Khakasiia, Gornaia Shoriia, Turukhan krai, and the Altai. The NGKM collections preserve the materials from her expeditions, including field sketches, expedition journals, photographs, and artifacts of the material culture of the native peoples of Southern Siberia.
The Road Building Department of the Tomsk District. Railroad Construction in 1909 (49 items)
The road building department of the tomsk district. road construction in 1906-1908 (50 items).
Presented here are two albums preserved in the Novosibirsk State Museum of Regional History and Folklife containing photographs documenting various stages in the construction of dirt roads in the Tomsk region by workers and engineers of the road-building department of the Russian Resettlement Administration. The albums date from 1906–8 and 1909. The Russian state paid for the construction of roads, such as those depicted in the albums in order to connect settlers with a railroad line, a navigable river, or commercial-industrial centers. The overall purpose of the road-building program was to promote the colonization of the taiga (moist coniferous forest regions) of Siberia. The albums show the construction of roads in the region between the main line of the Trans-Siberian Railroad and the Chet’ and Kandat Rivers in Tomsk gubernia (governorate), a distance of 170 versts (about 182 kilometers).
Omsk State Museum of Regional History and Folklife (371 items)
The first western siberian agricultural, forestry, and commerical-industrial exhibition in omsk, 1911 (157 items).
A collection of photographs documenting the First West Siberian Agricultural, Forestry, and Industrial Trade Exhibition, which took place in Omsk in 1911. The exhibition was held from June 15 to August 1 of that year, and was a significant event in the life of the Siberian region. Nothing on this scale or this level of ambition had ever been staged in Siberia. The collection includes photographs of the exhibition organizers, general views, and images of pavilions, exhibits, prize-winning livestock, crowds at a musical event, and even an aviator and his airplane. Also included are drawings made by the engineers and architects for several of the pavilions. The photographs provide insights into the economic and social development of Siberia in the early 20th century and show a dynamic and self-confident region.
Types of Buildings in the Cossack Settlements (48 items)
Types of cossacks: siberian cossacks on duty and at home (74 items), views of the cossack territories (92 items).
Presented here are three albums depicting the territories, culture, and way of life of the Cossacks living in the steppe regions of western Siberia and present-day Kazakhstan. These albums were created for and exhibited at the First West Siberian Agricultural, Forestry, and Commercial-Industrial Exhibition in Omsk in 1911. The albums were part of a collection of photographs assembled between 1891 and 1918 by the museum of the West Siberian Branch of the Imperial Russian Geographic Society in Omsk. The photographs in the albums were taken in 1909 by N.G. Katanaev (son of Colonel G.E. Katanaev) during a journey to Cossack settlements in Stepnoi krai (later the oblasts of Ural’sk, Turgai, Akmola, and Semipalatinsk). The Cossacks began serving in garrisons in fortified Siberian towns from the late 16th century onward. In 1808 the Cossacks in these outposts were organized as the Siberian Cossack Host, a military force of mainly cavalry regiments that subsequently took part in the Russian conquest of Central Asia as well as in the Russo-Japanese War of 1904‒5 and in World War I. Omsk was the administrative center for the host, which was headed by an ataman appointed by the tsarist authorities. The host was abolished by the Soviet authorities in 1920.
Phototext Foundation (196 items)
Materials of the ethno-photo expedition: people on the frontier (196 items).
This collection contains photographs from the international photographic expedition, “People on the Frontier,” to the Saian-Altai region from June 12 to July 4, 2002. The photographs tell stories about such topics as the peoples of the region, their religions, steppe roads, and everyday life. Photographers who participated in the expedition included Heidi Bradner (Panos Pictures, London), Vladimir Dubrovskii (Novosibirsk), Sergei Il’nitskii (Moscow), Andrei Kobylko (Novokuznetsk), Aleksandr Kuznetsov (Krasnoiarsk), and Aleksandr Sorin (Moscow). The expedition, which began and ended in Novosibirsk, covered 7,000 kilometers and included stops in Biisk, Gorno-Altaisk, Ust-Koksa, Ust-Kan, Ongudai, Ulagan, Kosh-Agach, Tahsanta, Aktahs, Buiisk--Kemerovo, Abakan, Kazanovka, Askiz, Kyzyl and Maiskii, Talon, Tulesh, Kilinsk, and Belovo.
Private Archive of Sergei Nikolaevich Chashchin (85 items)
Firefighting in irkutsk province (85 items).
This collection of photographs and documents from the private archive of Sergei Mikhailovich Chashchin relates to the establishment of a firefighting service in eastern Siberia in the nineteenth and early twentieth centuries. It includes materials about early firefighting equipment, the organization of a Siberian firefighting team, and the leaders of Siberia’s first firefighting service.
Siberian Museum Agency (247 items)
The russian far east in modern photography (165 items).
A collection entitled “The Russian Far East in Modern Photography,” which documents several regions of the Russian Far East at the beginning of the 21st century. The Russian Far East encompasses a large geographical area that borders the Pacific Ocean and stretches from the Chukotka Autonomous Okrug in the northeast to Primorsky Krai in the southeast, along the borders with China and North Korea. The collection includes several photographs by the famed researcher and photographer Vitalii Aleksandrovich Nikolaenko (1938–2003), who spent more than 30 years observing and studying the brown bears of the Kamchatka Peninsula and was eventually killed by a bear while carrying out his work. Also included are photographs of Sakhalin Island by Moscow-based photographer Aleksandr Vladimirovich Sorin, of Kamchatka and the Kuril Islands by Aleksandr Mikhailovich Bermant, of Primorsky Krai by Vladimir Mikhailovich Kobzar’, and of Kamchatka by Irina Vladimirovna Stakhanova. The photographs depict the varied natural landscapes of the Russian Far East, including the geysers and volcanoes of Kamchatka and the coastlines of Russia’s Pacific islands. The collection also captures the work of the region’s fishermen, daily life and recreation in its settlements, and its wildlife, including Kamchatka bears and Amur tigers. The collection was gathered for the Meeting of Frontiers digital library project in the early 2000s.
Timeless Chukotka (82 items)
This collection entitled “Timeless Chukotka,” which was created by Moscow photographer Aleksandr Vladimirovich Sorin (born 1965) and Novosibirsk journalist Artem Gotlib. In June and July of 2003, Sorin and Gotlib undertook an expedition to the Chukotka Autonomous Okrug, the most northeasterly region of the Russian Federation. Chukotka is characterized by a low population density, an untouched and mostly mountainous natural landscape, and a harsh Arctic climate. About half of the region’s territory lies north of the Arctic Circle. Transportation by airplane is more efficient and more widespread than travel on the region’s few roads. Sorin and Gotlib initially planned to travel by barge along the Anadyr’ River, but the complications of transportation in Chukotka led them to alter their plans. Their eventual route took them from Anadyr’, the administrative center of the region, to the tundra settlement of Ust’-Belaya, and on to the settlements of Bukhta Provideniya, Sireniki, and Novoye Chaplino on the shores of the Bering Sea. Sorin and Gotlib concluded that conventional concepts of time and punctuality have little meaning in Chukotka, which explains the word “timeless” that they used in naming their collection. The photographs depict the daily lives of the people of Chukotka, as well as its settlements, coastlines, and natural landscapes. The collection was gathered for the Meeting of Frontiers digital library project in the early 2000s.
State Archives of Novosibirsk Oblast (130 items)
Construction and views of the circumbaikal railroad. 1900-1904 (58 items).
In the second half of the 19th century, Russia underwent a period of extensive rail development that culminated in the construction of the Trans-Siberian Railroad. Akin to the great railroads to the Pacific in both the United States and Canada, Russia's transcontinental line was intended to supply and populate Siberia as well as deliver raw materials to the rapidly developing industries west of the Urals. Working against an ambitious timetable and under severe conditions of climate and terrain, the Russians effectively united the European and Asian parts of the empire by completing this herculean project. The engineering plans provided for the sequential construction of six basic segments. The fourth of these was the Circum-Baikal Railroad from Irkutsk to the eastern side of Lake Baikal. This album of 56 photographs in the Collection of Documentary Materials on the History of the West-Siberian Railroad (1890s–1978) in the Novosibirsk Oblast State Archive documents the construction of this part of the line. The photographs focus on engineers and workmen building tunnels and trestles along the route.
Construction of the Middle-Siberian Railroad. 1893-1898 (20 items)
This photographic collage is from an 18-page album in the Collection of Documentary Materials on the History of the West-Siberian Railroad (1890s–1978) in the Novosibirsk Oblast State Archive that documents the construction of the Mid-Siberian Railroad from Novo-Nikolaevsk (present-day Novosibirsk) to Innokentievskaia near Irkutsk, with a spur line to Tomsk. The collage features portraits of the men responsible for the construction of the line, overlaid on photographs showing the construction process.
Views of the West-Siberian and Ekateringburg-Cheliabinsk Railroad (52 items)
This album of 50 photographs from the Collection of Documentary Materials on the History of the West-Siberian Railroad (1890s–1978) in the Novosibirsk Oblast State Archive documents the construction of the West Siberian railroad and the railroad between the cities of Ekaterinburg and Chelyabinsk. The images, by the artist and printer Artur Ivanovich Vil’borg (born 1856), include views of railroad bridges over the Ushaika, Tom’, and Lebiazh’ia Rivers, the passenger depots at the Tomsk, Ob', and Oiash stations, and portraits of engineers and other personnel involved in the railroad construction.
The State Public Scientific and Technical Library of the Siberian Branch of the Russian Academy of Sciences (113 items)
Tsarist patents, 1899-1917: urals, siberia, and the russian far east (113 items).
This collection consists of a selection of tsarist patents awarded to residents of the Urals, Siberia, and the Russian Far East in the final years of the empire. These documents are a valuable source of information about the opening of the Siberian and Far Eastern regions in the nineteenth and early twentieth centuries and technological progress in Russia--the state of industrial development, the organization of industry, and the extent of mining and mineral excavation.
Tobolsk Museum of History, Architecture, and Preservation (239 items)
Drawings and illustrations by mikhail stepanovich znamenskii, 1858-1891 (239 items).
A collection of 239 drawings and illustrations made by the 19th century Siberian artist Mikhail Stepanovich Znamenskii(1833–92) between 1858 and 1891. From the West Siberian city of Tobolsk, Znamenskii was a well-known local historian, archaeologist, ethnographer, artist, and master of satirical prints and drawings. The collection reflects almost all aspects of his work. It includes drawings of artifacts from archaeological finds in the territory of West Siberia, sketches of nature, people, and cities, a few maps, and several satirical albums with caricatures and humorous sketches of everyday life of the people. Together, the illustrations in the collection give a portrait of the people of and physical conditions in West Siberia in the second half of the 19th century.
Tomsk Oblast Museum of Regional History and Folklife (422 items)
Photographs by i. s. fateev: the tym river selkups in 1938 and 1940 (177 items).
This is a collection of prints from glass negatives shot by Ivan Stepanovich Fateev. The photos were taken in the Tym River region on two expeditions organized by the museum director, Petr Ivanovich Kutaf’evyi. Fateev captured the way of life of a group of Narym (southern) Selkups living in close proximity with their Evenki neighbors during the period of aggressive Sovietization of West Siberian native peoples.
The Civil War in West Siberia (45 items)
This collection contains unique documentary photographs relating to the Russian Civil War in Siberia. The photographs highlight the anti-Bolshevik (“White”) movements, underground and partisan activities in Tomsk Province, and the establishment of Soviet rule in Tomsk. The collection also includes material about the punitive expeditions of Admiral Aleksandr Kolchak. Most of the photographs were acquired by the Tomsk Oblast Museum of Regional History and Folklife in the 1920s and 1930s from the Research Commission on the History of the October Revolution and the Communist Party of the Soviet Union.
The Grigorii Nikolaevich Potanin and Nikolai Mikhailovich Iadrintsev Collection (110 items)
This collection consists of diverse materials belonging to Grigorii Nikolaevich Potanin (1835–1920) and Nikolai Mikhailovich Iadrintsev (1842–94), two prominent Siberian scholars, social and political activists, and leaders of the regional-studies movement. The materials include their correspondence with friends and social activists (eighty-five items), photographs from N. G. Potanin’s expedition to Mongolia in 1899 (seventeen items), and photographs from the journal of Nina Aleksandrovna Adrianova, who was the daughter of Aleksandr Vasil’evich Adrianov, a specialist in regional studies (eight items).
Maps from the Tomsk Oblast Museum of Regional History and Folklife (48 items)
The Tomsk Oblast Museum of Regional History and Folklife (TOKM) map collection represented in the Meeting of Frontiers project numbers forty-nine items on 117 pages. The collection was built quietly throughout the history of the museum. The bulk of the collection consists of nineteenth-century regional maps of Tomsk, Tobolsk, Irkutsk, and Enisei guberniias, land-use and road maps, and maps of Siberian cities.
V. I. Surikov Museum of Art in Krasnoiarsk (321 items)
Works of d. i. karatanov, a. g. vargin, and a. p. lekarenko from their expeditions to siberia (321 items).
This collection presents sketches, drawings, watercolors, and paintings by three well-known Krasnoiarsk artists, Dmitri Innokent’evich Karatanov, A. G. Vargin, and Andrei Prokofievich Lekarenko, produced during their expeditions to Siberia in the 1910s and 1920s. These works are located at two institutions: V. I. Surikov Museum of Art in Krasnoiarsk and Krasnoiarsk Krai Museum of Regional History and Folklife. Karatanov (1872-1952) studied at the St. Petersburg Academy of Fine Arts but left the Academy in 1896 before finishing his course of study to return to Krasnoiarsk. He began teaching at the High School of Arts in Krasnoiarsk in 1910; many well-known local artists studied under him. The main theme of his work was the Siberian landscape. He was named an “Honored Artist of the RSFSR (Russian Soviet Federated Socialist Republic)” in 1948. Very little is known about Vargin. The 110 drawings that he made during his trip to Siberia with A. A. Savel’ev are his only surviving works. Lekarenko (1895-1974) studied under Karatanov and V. A. Favorskii, and was one of the founders of the local artists union “New Siberia.” He also taught at the High School of the Arts in Krasnoiarsk as well as at the Surikov Academy of Arts in that city. In 1967 Lekarenko was awarded the “Order of Honor” and named “Honored Artist of the RSFSR” for his dedication to educational work.
V.A. Obruchev Museum of Kyakhta Regional History and Folklife (71 items)
Russian-chinese cross-border trade (71 items).
A collection of 71 items (photographs and negatives on glass) made in the late 19th century and early 20th century by the famous revolutionary-populist and social and political activist N.A. Charushin (1851–1937) and by N. Petrov. Charushin began serving a hard labor sentence in the Transbaikal Territory in 1878. The materials in the collection illustrate aspects of Transbaikal history in this period, with a particular emphasis on the tea trade with China, which at that time was one of the main branches of the economy of the region. The photographs show various technological processes of growing and preparing tea, sections of trade routes, as well as views of China, Mongolia, Buryatia, and various towns and villages of Transbaikal, as well as images of local people of different ethnicities and nationalities. Several of the photographs, including one of the large and imposing Russian consulate, were taken in Urga, at that time the capital of Outer Mongolia (and known today as Ulaanbaatar, the capital of Mongolia).
V.K. Arseniev Primorsky Regional Unified Museum (267 items)
Photo archive of geologist mikhail alekseevich pavlov (125 items).
A collection from the family archive of prominent geologist Mikhail Alekseevich Pavlov (1884–1938). Pavlov was born near Ekaterinburg and completed his schooling at the Nikolai Gymnasium in Tsarskoe Selo (present-day Pushkin) in 1905. He went on to study geology at Saint Petersburg University and participated in many field expeditions. While still a student, Pavlov took part in the attempted expedition to the North Pole in 1912‒14, which was led by the Arctic explorer Georgii Iakovlevich Sedov (1877–1914). Along with his school and university friend Vladimir Iul’evich Vize (1886–1954), who served as the expedition’s geographer, Pavlov collected a large body of scientific data on the northern archipelago of Novaya Zemlya. After finishing his education, Pavlov worked as a geologist and teacher of geology. He devoted most of his career to the geology of the Far East, working as an employee of the Far East Geological Committee (Dal’geolkom) in 1919–31. Pavlov was arrested in 1931 and in 1938 was executed after exhaustion prevented him from reporting for work in the labor camp where he was a prisoner. Such a fate was typical for representatives of the Russian intelligentsia in Stalinist Russia. Many photographs in this collection were taken by Pavlov himself, while others are unattributed. The photographs date from approximately 1875–1929. They depict Pavlov’s geological expeditions in Siberia and the Far East, expedition participants, views of nature, Pavlov during his school and university years, and his family members in various years.
Photographs of Georgii Iakovlevich Sedov's Expedition to the North Pole (59 items)
Senior Lieutenant Georgii Iakovlevich Sedov (1877–1914) was a hydrographer and surveyor who devoted much of his career to exploration of the Northern Sea Route north of Siberia. The son of a poor fisherman, Sedov succeeded in becoming an officer of the Imperial Russian Navy, an unprecedented achievement for someone of his modest origins. This collection, consisting of an album and individual photographs from the family archive of geologist Mikhail Alekseevich Pavlov (1884–1938), depicts the expedition undertaken by Sedov in the years 1912–14. The members of the expedition departed from Arkhangelsk in August of 1912 on the sailing vessel Saint Martyr Foka, intending to travel to Zemlya Frantsa Iosifa, from where they would attempt to reach the North Pole by dog sled. The expedition relied on private means, which contributed to the shortages of fuel and food that led to its failure. Sedov, whose health was already failing when he set out for the pole by sled in early 1914, died before reaching his objective. The members of the expedition nonetheless carried out extensive surveying and scientific observations while wintering on Novaya Zemlya in 1912–13 and made significant contributions to knowledge of northern geography. Many photographs in the collection were taken by Nikolaj Vasil’evich Pinegin (1883–1940), the artist and photographer of the expedition. Other photographs are attributed to Pavlov, the expedition’s geologist, who over the course of his career conducted a great deal of geological research in Siberia and the Russian Far East. The photographs show the expedition’s departure from Arkhangelsk, the members of the expedition on the Saint Martyr Foka, the harsh conditions endured by the expedition in winter, and views of the Arctic.
The Family of Yul Brynner Photo Album (83 items)
A collection of 82 photos from the archive of Yul Brynner (1920–85), the famous Hollywood actor, Academy Award winner, and Vladivostok native, preserved in the V.K. Arseniev Primorsky Regional Unified Museum in Vladivostok. Yul Brynner, whose real name was Iulii Borisovich Briner, was the grandson of the Vladivostok businessman and public figure of the turn of the 19th and 20th centuries Iulii Ivanovich Briner (1849–1920), the owner of the lead and zinc mines in Tetiukh (present-day Dalnegorsk) and the shipping company and ship-repair shops in Vladivostok. Iulii Ivanovich had six children: Leonid, Boris, Felix, Margarita, Maria, and Nina. Boris Iul’evich (1889–1949), the father of the future Oscar-winner Yul Brynner, continued his father's business. Most of the Briner family emigrated from Primor’e (the Primorskiy region) in 1931 and lived subsequently in China, France, and the United States. The collection dates from 1923 and the photographs, from different years, depict Yul Brynner himself and his numerous relatives.
Yakutsk State Museum of the History and Culture of Northern Peoples (123 items)
Yakut material culture in ethnographic sketches of the 1920s-1940s (123 items).
A collection of ethnographic sketches created in the Yakut Autonomous Soviet Socialist Republic during the 1930s–1940s. The Yakut ASSR—informally referred to as Yakutia and known today as the Sakha Republic—covered a large region in eastern Siberia. It is the historical home of the Yakut (Sakha) people, a Turkic people who arrived in the region around the 13th century and still make up almost half of its population. This collection of sketches was created by Ivan Vasil’evich Popov (1874‒1945), an artist and teacher who was born near Yakutsk and received his education in Yakutsk and Saint Petersburg. Popov was born into a family of priests who had been among the first to give sermons in the Yakut language and had taken part in the writing of a Yakut dictionary. Accordingly, some of his first works of art were icons that he painted as a seminary student. Although Popov had to work as a teacher throughout his adult life, unable to support his family through his artistic activities alone, he made a significant contribution to the documentation of Yakut material culture. In addition to recording Yakut culture in his drawings and paintings, Popov documented Yakut life in photographs and contributed to the recording of oral history and folklore. This collection of Popov’s drawings depicts Yakut material culture of the 17th‒20th centuries. Featured items include furniture, interiors and exteriors of dwellings, grave monuments, hats, footwear, tools, and hunting equipment.
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A note on photography and the simulacral, Rosalind Krauss -- Photojournalism in the age of computers, Fred Ritchin -- The pleasures of looking ; the Attorney General's commission on pornography versus visual images, Carole S. Vance -- Living with contradictions ; critical practices in the age of supply-side aesthetics, Abigail Solomon-Godeau ...
The Critical Image: Essays on Contemporary Photography Hardcover - January 1, 1990 by Carol Squiers (Author) 5.0 5.0 out of 5 stars 4 ratings
Lawrence & Wishart, 1991 - Photography - 240 pages This is a collection of essays on the multitudinous uses and abuses of photography in contemporary cultural life. From photojournalism to surrealism, from green advertising to pornography, celebrated theorists and famous practitioners examine how photography shapes our perceptions, manipulates ...
Defining photography as a process of signification, the authors address the production of photographic meaning through institutional, social and art historical discourses. Working from a variety of theoretical approaches, essays address photography in relation to censorship, criticism, surrealism, the media, the female gaze, fetishism and AIDS. Biographical notes on the authors. Circa 200 bibl ...
The Critical Image: Essays on Contemporary Photography [Carol Squiers, Ed.] on Amazon.com. *FREE* shipping on qualifying offers. The Critical Image: Essays on Contemporary Photography
She is a contributor to a number of books, including Barbara Kruger: Thinking of You (1999), Sandy Skoglund: Reality Under Seige (1998), Police Pictures: The Photographs as Evidence (1997), and The Contest of Meaning (1990). She is the editor of The Critical Image: Essays on Contemporary Photography (1990) and Overexposed: Essays on ...
The Critical Image: Essays on Contemporary Photography. Carol Squiers. Bay Press, 1990 - Photography - 240 pages. From inside the book . Contents. Introduction . 7: ... The Critical Image: Essays on Contemporary Photography Carol Squiers No preview available - 1990. Common terms and phrases.
Buy The Critical Image: Essays on Contemporary Photography by Squiers, Carol (ISBN: 9780941920155) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders. The Critical Image: Essays on Contemporary Photography: Amazon.co.uk: Squiers, Carol: 9780941920155: Books
This collection of essays by writers and critics in the literary and art worlds explores current issues in contemporary photography. Among the numerous intriguing articles are Christian Metz's "Photography and Fetish," Abigail Solomon-Godeau's "Critical Practices in the Age of Supply-Side Aesthetics," and Andy Grundberg's "The Unnatural Coupling of Surrealism and Photography."
This is a collection of essays on the multitudinous uses and abuses of photography in contemporary cultural life. From photojournalism to surrealism, from "green" advertising to pornography, celebrated theorists and famous practitioners examine how photography shapes our perceptions, manipulates our feelings and influences our ideas.
Includes bibliographical references Introduction / Carol Squiers -- A note on photography and the Simulacral / Rosalind Krauss -- Photojournalism in the age of computers / Fred Ritchin -- The pleasures of looking : the Attorney General's Commission on Pornography versus visual images / Carole S. Vance -- Living with contradictions : critical practices in the age of supply-side aesthetics ...
Buy The Critical Image: Essays on Contemporary Photography by Carol Squiers (Editor) online at Alibris. We have new and used copies available, in 2 editions - starting at $3.49. Shop now.
The Critical image : essays on contemporary photography / edited by Carol Squiers. Format Book Published Seattle : Bay Press, 1990. Description 240 p. : ill. ; 25 cm. Other contributors Squiers, Carol, 1948-Notes Includes bibliographical references. Subject headings Photography, Artistic ISBN
Get this from a library! The Critical image : essays on contemporary photography. [Carol Squiers;]
Buy The Critical Image: Essays on Contemporary Photography First UK Edition by Squiers, Carol (ISBN: 9780853157373) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders. The Critical Image: Essays on Contemporary Photography: Amazon.co.uk: Squiers, Carol: 9780853157373: Books
The Critical image : essays on contemporary photography. Location. CCS Library. Call Number: TR642 .C74 1990. Available. The Critical image : essays on contemporary photography. 9780941920148. Title: The Critical image : essays on contemporary photography / edited by Carol Squiers Resource Type: Book Language: English Imprint:
The pleasures of looking ; the Attorney General's commission on pornography versus visual images, Carole S. Vance Living with contradictions ; critical practices in the age of supply-side aesthetics, Abigail Solomon-Godeau
A collection entitled "The Russian Far East in Modern Photography," which documents several regions of the Russian Far East at the beginning of the 21st century. The Russian Far East encompasses a large geographical area that borders the Pacific Ocean and stretches from the Chukotka Autonomous Okrug in the northeast to Primorsky Krai in the ...
Novosibirsk [a] is the largest city and administrative centre of Novosibirsk Oblast and the Siberian Federal District in Russia.As of the 2021 census, it had a population of 1,633,595, [19] making it the most populous city in Siberia and the third-most populous city in Russia after Moscow and Saint Petersburg.It is also the most populous city in the Asian part of Russia.
Defining photography as a process of signification, the authors address the production of photographic meaning through institutional, social and art historical discourses. Working from a variety of theoretical approaches, essays address photography in relation to censorship, criticism, surrealism, the media, the female gaze, fetishism and AIDS.
Novosibirsk is the third-largest city in Russia. Situated in southwestern Siberia, Novosibirsk has a population of over 1.6 million people, making it one of the largest and most vibrant cities in the country.. The city was founded in 1893. Novosibirsk was established as a railway junction on the Trans-Siberian Railway, playing a significant role in the development of Siberia.
Novosibirsk's Art Museum is one of the most extensive art galleries in the whole of Siberia. This cultural capital of the Siberian region houses everything from sculpture, to ancient local crafts, to fine paintings, to exquisite Russian Orthodox icons, to the most cutting edge of Russia's modern art, and with over 10,000 exhibits, there'll be no end of masterpieces to explore.