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101 Poetry Prompts & Ideas for Writing Poems

Not sure what to write a poem about? Here’s 101 poetry prompts to get you started!

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These poetry prompts are designed to help you keep a creative writing practice. If you’re staring at a blank page and the words aren’t flowing, the creative writing prompts for poems can be a great way to get started!

New for 2023! Due to popular demand, I created a printable, ad-free version of these poetry prompts you can download to use at home or even in the classroom! Get them at our Etsy Shop .

Even if poetry isn’t your thing, you could always use these things to inspire other writing projects. Essays, journal entries, short stories, and flash fiction are just a few examples of ways this list can be used.

You may even find this list of creative poetry writing prompts helpful as an exercise to build your skills in descriptive writing and using metaphors!

Let’s get onto the list, shall we?

Here are 101 Poetry Prompts for Creative Writing

Most of these creative writing ideas are simple and open-ended. This allows you total creative freedom to write from these poetry prompts in your own unique style, tone, and voice.

If one poetry idea doesn’t appeal to you, challenge yourself to find parallels between the prompt and things that you do enjoy writing about!

1.The Untouchable : Something that will always be out of reach

2. 7 Days, 7 Lines : Write a poem where each line/sentence is about each day of last week

3. Grandma’s Kitchen : Focus on a single memory, or describe what you might imagine the typical grandmother’s kitchen to be like

4. Taste the Rainbow : What does your favorite color taste like?

5. Misfits: How it feels when you don’t belong in a group of others.

6. Stranger Conversations : Start the first line of your poem with a word or phrase from a recent passing conversation between you and someone you don’t know.

7. On the Field : Write from the perspective of a sports ball {Baseball, Soccer, Football, Basketball, Lacrosse, etc.} – think about what the sports ball might feel, see, hear, think, and experience with this poetry idea!

8. Street Signs: Take note of the words on signs and street names you pass while driving, walking, or riding the bus. Write a poem starting with one of these words you notice.

9. Cold water: What feelings do you associate with cold water? Maybe it’s a refreshing cold glass of water on a hot day, or maybe you imagine the feelings associated with being plunged into the icy river in the winter.

10. Ghostwriter: Imagine an invisible ghost picks up a pen and starts writing to you.

11. Lessons From Math Class: Write about a math concept, such as “you cannot divide by zero” or never-ending irrational numbers.

12. Instagram Wall: Open up either your own Instagram account or one of a friend/celebrity and write poetry based on the first picture you see.

13. Radio: Tune in to a radio station you don’t normally listen to, and write a poem inspired by the the first song or message you hear.

14. How To : Write a poem on how to do something mundane most people take for granted, such as how to tie your shoes, how to turn on a lamp, how to pour a cup of coffee.

15. Under 25 Words : Challenge yourself to write a poem that is no more than 25 words long.

16. Out of Order: Write about your feelings when there is an out of order sign on a vending machine.

17. Home Planet: Imagine you are from another planet, stuck on earth and longing for home.

18. Uncertainty : Think about a time in your life when you couldn’t make a decision, and write based on this.

19. Complete : Be inspired by a project or task be completed – whether it’s crossing something off the never-ending to-do list, or a project you have worked on for a long time.

20. Compare and Contrast Personality : What are some key differences and similarities between two people you know?

21. Goodbyes : Write about a time in your life you said goodbye to someone – this could be as simple as ending a mundane phone conversation, or harder goodbyes to close friends, family members, or former partners.

22. Imagine Weather Indoors : Perhaps a thunderstorm in the attic? A tornado in the kitchen?

23. Would You Rather? Write about something you don’t want to do, and what you would rather do instead.

24. Sound of Silence : Take some inspiration from the classic Simon & Garfunkel song and describe what silence sounds like.

25. Numbness : What’s it like to feel nothing at all?

26. Fabric Textures : Use different fiber textures, such as wool, silk, and cotton as a poetry writing prompt.

27. Anticipation : Write about the feelings you experience or things you notice while waiting for something.

28. Poison: Describe something toxic and its effects on a person.

29. Circus Performers: Write your poetry inspired by a circus performer – a trapeze artist, the clowns, the ringmaster, the animal trainers, etc.

30. Riding on the Bus : Write a poem based on a time you’ve traveled by bus – whether a school bus, around town, or a long distance trip to visit a certain destination.

31. Time Freeze : Imagine wherever you are right now that the clock stops and all the people in the world are frozen in place. What are they doing?

32. The Spice of Life : Choose a spice from your kitchen cabinet, and relate its flavor to an event that has happened recently in your daily life.

33. Parallel Universe : Imagine you, but in a completely different life based on making a different decision that impacted everything else.

34. Mad Scientist : Create a piece based on a science experiment going terribly, terribly wrong.

35. People You Have Known : Make each line about different people you have met but lost contact with over the years. These could be old friends, passed on family, etc.

36. Last Words : Use the last sentence from the nearest book as the inspiration for the first line of your poem.

37. Fix This : Think about something you own that is broken, and write about possible ways to fix it. Duct tape? A hammer and nails?

38. Suspicion : Pretend you are a detective and you have to narrow down the suspects.

39. Political News : Many famous poets found inspiration from the current politics in their time. Open up a newspaper or news website, and create inspired by the first news article you find.

40. The Letter D : Make a list of 5 words that start with all with the same letter, and then use these items throughout the lines of your verse. {This can be any letter, but for example sake: Daisy, Dishes, Desk, Darkness, Doubt}

41. Quite the Collection : Go to a museum, or look at museum galleries online. Draw your inspiration from collections of objects and artifacts from your favorite display. Examples: Pre-historic days, Egyptians, Art Galleries, etc.

42. Standing in Line : Think of a time you had to stand in line for something. Maybe you were waiting in a check-out line at the store, or you had to stand in line to enter a concert or event.

43. Junk Mail Prose: Take some inspiration from your latest junk mail. Maybe it’s a grocery store flyer announcing a sale on grapes, or an offer for a credit card.

44. Recipe : Write your poem in the form of a recipe. This can be for something tangible, such as a cake, or it can be a more abstract concept such as love or happiness. List ingredients and directions for mixing and tips for cooking up your concept to perfection.

45. Do you like sweaters? Some people love their coziness, others find them scratchy and too hot. Use your feelings about sweaters in a poem.

46. After Party : What is it like after all party guests go home?

47. Overgrown : Use Little Shop of Horrors for inspiration, or let your imagination run wild on what might happen if a plant or flower came to life or started spreading rapidly to take over the world.

48. Interference: Write a poem that is about someone or something coming in between you and your goals.

49. On Shaky Ground: Use an earthquake reference or metaphor in your poem.

50. Trust Issues : Can you trust someone you have doubted in the past?

51. Locked in a Jar: Imagine you are a tiny person, who has been captured and put into a jar for display or science.

52. Weirder Than Fiction: Think of the most unbelievable moment in your life, and write a poem about the experience.

53. Fast Food: Write a poem about fast food restaurants and experiences.

54. Unemployed: Write a poem about quitting or being fired from a job you depended on.

55. Boxes: What kinds of family secrets or stories might be hiding in that untouched box in the attic?

56. No One Understands : Write about what it feels like when no one understands or agrees with your opinion.

57. Criminal Minds : Write a poem from the perspective of a high-profile criminal who is always on the run from law enforcement.

58. Marathon Runner : Write a poem about what training you might be doing to accomplish a difficult challenge in your life.

59. Trapped : Write about an experience that made you feel trapped.

60. Passing the Church : Write a poem about noticing something interesting while passing by a church near your home.

61. Backseat Driver: Write about what it’s like to be doing something in your life and constantly being criticized while trying to move ahead.

62. Luster: Create a descriptive poem about something that has a soft glow or sheen to it.

63. Clipboard: Write a poem about someone who is all business like and set in their ways of following a system.

64. Doctor: Write a poem about receiving advice from a doctor.

65. First Car : Write an ode to your first car

66. Life Didn’t Go As a Planned : Write about a recent or memorable experience when nothing went according to plan.

67. Architect : Imagine you are hired to design a building for a humanitarian cause you are passionate about.

68. The Crazy Cat Hoarder : Write about someone who owns far too many cats.

69. Queen : Write a poem from the perspective of a queen.

70. Movie Character : Think of a recent movie you watched, and create a poem about one character specifically, or an interaction between two characters that was memorable.

71. Potential Energy : Write about an experience where you had a lot of potential for success, but failed.

72. Moonlight : Write about an experience in the moonlight.

73. Perfection : Write about trying to always keep everything perfect.

74. You Are Wrong : Write a poem where you tell someone they are wrong and why.

75. Sarcasm : Write a poem using sarcasm as a form of illustrating your point.

76. Don’t Cry : Write a poem about how not to cry when it’s hard to hold back the tears.

77. Listen Up: Write a poem telling someone they are better than they think they are.

78. Flipside : Find the good in something terrible.

79. Maybe They Had a Reason : Write a poem about someone doing something you don’t understand, and try to explain what reasons they might have had.

80. How to Drive : Write a poem that explains how to drive to a teenager.

81. Up & Down the Steps: Write a poem that includes the motion of going up or down a staircase

82. Basket Case: Has there ever been a time when you thought you might lose your mind? Jot your feelings and thoughts down in verse form.

83. Lucky Guess: Many times in our life we have to make a good guess for what is the best decision. Use this poetry idea to write about feelings related to guessing something right – or wrong.

84. Dear Reader: What audience enjoys reading the type of poetry you like to write? Craft a note to your potential audience that addresses their biggest fears, hopes, and dreams.

85. All or Nothing : Share your thoughts on absolutist thinking: when one’s beliefs are so set in stone there are no exceptions.

86. Ladders in the Sky : Imagine there are ladders that take you up to the clouds. What could be up there? What feelings do you have about climbing the ladders, or is their a mystery as to how they got there in the first place?

87. Always On My Mind: Compose a poem about what it’s like to always be thinking about someone or something.

88. Paranoia : What would it be like if you felt like someone was watching you but no one believed you?

89. Liar, Liar: How would you react to someone who lied to you?

90. Secret Word: What’s the magic word to unlock someone’s access to something?

91. For What It’s Worth: Use a valuable object in your home as inspiration as a poetry prompt idea.

92. Coming Home to Secrets: Imagine a person who puts on a good act to cover up a secret they deal with at home.

93. Productivity: Talk about your greatest struggles with time management and organization.

94. Defying Gravity: Use words that relate to being weightless and floating.

95. Signs of the Times : How has a place you are familiar with changed over the past 10 years?

96. Sleepless Nights : What ideas and feelings keep you up at night? What’s it like when you have to wake up in the morning on a night you can’t sleep?

97. You Can’t Fire Me, I Quit : Use one of the worst job related memories you can think of as a creative writing prompt.

98. By George : You can choose any name, but think of 3-5 notable figures or celebrities who share a common first name, and combine their personalities and physical characteristics into one piece of poetry. For example: George Washington, George Clooney, George Harrison.

99. Shelter : Write a poem about a time you were thankful for shelter from a storm.

100. Cafeteria : Create a poem inspired by the people who might be eating lunch in a cafeteria at school or at a hospital.

101. Dusty Musical Instruments : Base your poem around the plight of a musician who hasn’t picked up the guitar or touched a piano in years.

Love these prompts? The printable, ad-free version of these poetry prompts can be used offline or in the classroom! Get them at our Etsy Shop .

There are unlimited possibilities for ways you can use these poem ideas to write poetry. Using a list like this can greatly help you with getting into the habit of writing daily – even when you don’t feel inspired to write.

While not every poem you write will be an award-winning masterpiece, using these poem starters as a regular exercise can help you better your craft as a writer.

I hope you enjoy these poetry prompts – and if you write anything you’d like to share inspired by these creative poetry writing prompts, let us know in the comments below – we love to see how others use writing ideas to create their own work!

And of course, don’t forget to get the ad-free poetry prompt cards printable version if you’d like to use these prompts offline, in the classroom or with your small group!

Chelle Stein wrote her first embarrassingly bad novel at the age of 14 and hasn't stopped writing since. As the founder of ThinkWritten, she enjoys encouraging writers and creatives of all types.

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Poetry Contests

The Ten Best Poems to Analyze

by Adam Sedia

The Roman poet Horace famously set forth the twofold purpose of poetry: to teach and to delight. The sheer aesthetic and imaginative language of poetry is often on its own enough to delight, but in analyzing the poem teaching and delighting converge. The reader both unearths the deeper, hidden meanings of the poem and at the same time derives an intellectual satisfaction at the discovery.

Not all poems contain the same analytical depth, however. Some are “tougher nuts to crack” to arrive at their analytical core or contain multiple layers or facets of meaning that are equally valid from the face of the text. The list below collects ten of these analytically-intensive poems to provide a basic illustration of this type of poem.

Selecting a poem as analytically “deep” is not meant to disparage other poems. Many fine poems excluded from this list sacrifice analytical depth for directness of message, beauty or innovativeness of language, or narrative drama. All of these legitimate poetic goals justify at times sacrifice of analytical depth, and that does not detract from the poem’s merit. Consequently, this list is not to be construed as a sort of “best poems” compilation. Analytical depth alone is not the “be all and end all” of poetry.

It is also necessary here to set forth three qualifications. First, and most obviously, the poems selected are confined only to those written in English. Textual analysis is serious work, able to be undertaken seriously only in the native language of the text. Many great poems in other languages have at least the same level of analytical depth as those presented here, but doing them justice would require presentation in their native language and discussion of their subtleties in the original, which is far beyond the scope of this compilation.

Second, this list omits epic poems from consideration. The best epics have an analytical richness derived from a combination of the language and the narrative structure, and including them would crowd out lyric poems from the list that often have analytical depth as their primary feature. Accordingly, the list focuses exclusively on lyric and short narrative poems.

And finally, the list is confined only to classical poems—that is, poems written in meter according to form. Modernist works like those of William Butler Yeats, T.S. Eliot, and Ezra Pound are written in a hyper-elusive cubist style that demands exhaustive analysis, usually without any particular meaning intended. It can even be said that in modernist and contemporary poetry, analysis, not aesthetics, serves as the primary poetic end. Including modernist poetry in the list would be to give it an unfair advantage in the field of analytical depth.

In many ways, analytical depth is harder to achieve in a classical poem, where formal strictures demand unity of language and structural coherence, and do not allow for a stream-of-consciousness presentation of images that characterizes modernist poetry. This list, then, presents the best analytically deep poems that achieve their depth within the confines and exquisiteness of classical form.

1. Sonnet 142 by William Shakespeare (1609)

Love is my sin, and thy dear virtue hate, Hate of my sin, grounded on sinful loving: O, but with mine compare thou thine own state, And thou shalt find it merits not reproving; Or, if it do, not from those lips of thine, That have profan’d their scarlet ornaments And seal’d false bonds of love as oft as mine, Robb’d others’ beds’ revenues of their rents. Be it lawful I love thee, as thou lov’st those Whom thine eyes woo as mine importune thee: Root pity in thy heart, that when it grows, Thy pity may deserve to pitied be. ⁠ If thou dost seek to have what thou dost hide, ⁠ By self-example mayst thou be denied!

All of Shakespeare’s 154 sonnets are masterpieces, and many contain many facets and layers of analysis, so selection from among them was difficult. Sonnet 142, though, comes first because of its striking use of contrast and innovative use of form. Shakespeare transforms love into sin and hate into virtue; below the superficial curse is an urging to pity. The structural analysis is also intriguing: although the rhyme scheme is Shakespearian, the presentation of the solution at the beginning of the third quatrain resembles more the Italian form of the sonnet.

2. “A Valediction: Forbidding Mourning” by John Donne (1633)

As virtuous men pass mildly away, And whisper to their souls to go, Whilst some of their sad friends do say, ⁠“Now his breath goes,” and some say, “No.”

So let us melt, and make no noise, ⁠No tear-floods, nor sigh-tempests move; ‘Twere profanation of our joys ⁠To tell the laity our love.

Moving of th’ earth brings harms and fears; ⁠Men reckon what it did, and meant; But trepidation of the spheres, ⁠Though greater far, is innocent.

Dull sublunary lovers’ love ⁠—Whose soul is sense—cannot admit Of absence, ‘cause it doth remove ⁠The thing which elemented it.

But we by a love so much refined, ⁠That ourselves know not what it is, Inter-assurèd of the mind, ⁠Care less, eyes, lips and hands to miss.

Our two souls therefore, which are one, ⁠Though I must go, endure not yet A breach, but an expansion, ⁠Like gold to aery thinness beat.

If they be two, they are two so ⁠As stiff twin compasses are two; Thy soul, the fix’d foot, makes no show ⁠To move, but doth, if th’ other do.

And though it in the centre sit, ⁠Yet, when the other far doth roam, It leans, and hearkens after it, ⁠And grows erect, as that comes home.

Such wilt thou be to me, who must, ⁠Like th’ other foot, obliquely run; Thy firmness makes my circle just ⁠And makes me end where I begun.

Donne’s style is labeled “metaphysical” for its philosophical treatment of its subjects, and this “Valediction” is regarded as one of the finest examples of metaphysical poetry. Here, Donne weaves together conceits (extended metaphors), ultimately comparing the union of souls to the ends of a compass, with each soul’s path likened to the infinity of the circle. Along the way, Donne introduces several metaphysical ideas, including a discussion of astronomy (“trepidation of the spheres” and “sublunary”) and the nature of the soul. What is ostensibly a love poem is actually a deep philosophical contemplation of the human soul.

3. “The Sick Rose” by William Blake (1789)

O Rose thou art sick, The invisible worm That flies in the night, In the howling storm,

Has found out thy bed Of crimson joy: And his dark secret love Does thy life destroy.

From Blake’s Songs of Innocence and Experience , this short, eight-line poem has been called “one of the most baffling and enigmatic in the English language.” It lends itself to myriad interpretations, from the ravages of syphilis on the eighteenth-century nobility to the effect of experience on the human condition. Its open metaphors and laconic tone make the interpretive possibilities endless.

4. “Ode: Intimations of Immortality from Recollections of Early Childhood” by William Wordsworth (1815)

The Child is father of the Man; And I could wish my days to be Bound each to each by natural piety.

I. There was a time when meadow, grove, and stream, The earth, and every common sight, To me did seem Apparelled in celestial light, The glory and the freshness of a dream. It is not now as it hath been of yore;— Turn wheresoe’er I may, By night or day, The things which I have seen I now can see no more.

II. The rainbow comes and goes, And lovely is the rose; The moon doth with delight Look round her when the heavens are bare; Waters on a starry night Are beautiful and fair; The sunshine is a glorious birth; But yet I know, where’er I go, That there hath passed away a glory from the earth.

III. Now, while the birds thus sing a joyous song, And while the young lambs bound As to the tabor’s sound, To me alone there came a thought of grief: A timely utterance gave that thought relief, And I again am strong. The cataracts blow their trumpets from the steep; No more shall grief of mine the season wrong; I hear the echoes through the mountains throng; The winds come to me from the fields of sleep, And all the earth is gay; Land and sea Give themselves up to jollity, And with the heart of May Doth every beast keep holiday. Thou child of joy, Shout round me, let me hear thy shouts, thou happy shepherd-boy!

IV. Ye blessed creatures, I have heard the call Ye to each other make; I see The heavens laugh with you in your jubilee; My heart is at your festival. My head hath its coronal, The fulness of your bliss, I feel—I feel it all. Oh evil day if I were sullen While Earth herself is adorning This sweet May morning, And the children are culling On every side, In a thousand valleys far and wide, Fresh flowers, while the sun shines warm, And the babe leaps up on his mother’s arm: I hear, I hear, with joy I hear! —But there’s a tree, of many, one, A single field which I have looked upon, Both of them speak of something that is gone: The pansy at my feet Doth the same tale repeat. Whither is fled the visionary gleam? Where is it now, the glory and the dream?

V. Our birth is but a sleep and a forgetting: The soul that rises with us, our life’s star, Hath had elsewhere its setting, And cometh from afar; Not in entire forgetfulness, And not in utter nakedness, But trailing clouds of glory do we come From God, who is our home. Heaven lies about us in our infancy! Shades of the prison-house begin to close Upon the growing boy, But he beholds the light, and whence it flows, He sees it in his joy; The youth, who daily farther from the East Must travel, still is nature’s priest, And by the vision splendid Is on his way attended; At length the man perceives it die away, And fade into the light of common day.

VI. Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And even with something of a mother’s mind, And no unworthy aim, The homely nurse doth all she can To make her foster-child, her inmate man, Forget the glories he hath known, And that imperial palace whence he came.

VII. Behold the child among his new-born blisses, A six years’ darling of a pigmy size! See, where ‘mid work of his own hand he lies, Fretted by sallies of his mother’s kisses, With light upon him from his father’s eyes! See at his feet some little plan or chart, Some fragment from his dream of human life, Shaped by himself with newly-learned art— A wedding or a festival, A mourning or a funeral; And this hath now his heart, And unto this he frames his song. Then will he fit his tongue To dialogues of business, love, or strife: But it will not be long Ere this be thrown aside, And with new joy and pride The little actor cons another part, Filling from time to time his ‘humorous stage’ With all the persons, down to palsied age, That Life brings with her in her equipage, As if his whole vocation Were endless imitation.

VIII. Thou, whose exterior semblance doth belie Thy soul’s immensity; Thou, best philosopher, who yet dost keep Thy heritage, thou eye among the blind, That, deaf and silent, read’st the eternal deep, Haunted for ever by the eternal mind,— Mighty prophet! seer blest! On whom those truths do rest, Which we are toiling all our lives to find, In darkness lost, the darkness of the grave; Thou, over whom thy immortality Broods like the day, a master o’er a slave, A presence which is not to be put by; Thou little child, yet glorious in the might Of heaven-born freedom on thy being’s height, Why with such earnest pains dost thou provoke The years to bring the inevitable yoke, Thus blindly with thy blessedness at strife? Full soon thy soul shall have her earthly freight, And custom lie upon thee with a weight, Heavy as frost, and deep almost as life!

IX. O joy, that in our embers Is something that doth live, That nature yet remembers What was so fugitive! The thought of our past years in me doth breed Perpetual benediction: not indeed For that which is most worthy to be blest— Delight and liberty, the simple creed Of childhood, whether busy or at rest, With new-fledged hope still fluttering in his breast:— Not for these I raise The song of thanks and praise; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a creature Moving about in worlds not realized, High instincts before which our mortal nature Did tremble like a guilty thing surprised: But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain light of all our day, Are yet a master light of all our seeing; Uphold us, cherish, and have power to make Our noisy years seem moments in the being Of the eternal silence: truths that wake, To perish never; Which neither listlessness, nor mad endeavor, Nor man nor boy, Nor all that is at enmity with joy, Can utterly abolish or destroy! Hence in a season of calm weather, Though inland far we be, Our souls have sight of that immortal sea Which brought us hither, Can in a moment travel thither, And see the children sport upon the shore, And hear the mighty waters rolling evermore.

X. Then sing, ye birds! sing, sing a joyous song! And let the young lambs bound As to the tabor’s sound! We in thought will join your throng, Ye that pipe and ye that play, Ye that through your hearts to-day Feel the gladness of the May! What though the radiance which was once so bright Be now forever taken from my sight, Though nothing can bring back the hour Of splendor in the grass, of glory in the flower? We will grieve not, rather find Strength in what remains behind; In the primal sympathy Which, having been, must ever be; In the soothing thoughts that spring Out of human suffering; In the faith that looks through death, In years that bring the philosophic mind.

XI. And O ye fountains, meadows, hills, and groves, Forebode not any severing of our loves! Yet in my heart of hearts I feel your might; I only have relinquished one delight To live beneath your more habitual sway. I love the brooks, which down their channels fret, Even more than when I tripped lightly as they: The innocent brightness of a new-born day Is lovely yet: The clouds that gather round the setting sun Do take a sober coloring from an eye That hath kept watch o’er man’s mortality; Another race hath been, and other palms are won. Thanks to the human heart by which we live, Thanks to its tenderness, its joys, and fears, To me the meanest flower that blows can give Thoughts that do often lie too deep for tears.

Typically Wordsworth’s poetry is clear and direct, easily understandable on a first reading. Highly atypical of Wordsworth, the “Ode: Intimations of Immortality from Recollections of Early Childhood” is a discursive, deeply philosophical poem that requires an understanding of Platonism to grasp fully. At its core, the poem views the human soul as originating in the realm of the ideal, and the conflict of life is to return to that ideal despite its loss as the world makes its impressions on the developing mind. The poem’s length allows for several detailed elaborations of this idea.

5. “Ozymandias” by Percy Bysshe Shelley (1818)

This sonnet packs in multiple layers of meaning. The most obvious reading addresses the futility of human grandeur, but closer reading reveals a message about art and artists, and how artistic portrayal turns perception into reality. Combine this with a complex, double-layered narrative structure and historical allusions to Napoleon, and the reader has a deep and multidimensional work to enjoy.

6. “My Last Duchess” by Robert Browning (1842)

That’s my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now; Fra Pandolf’s hands Worked busily a day, and there she stands. Will’t please you sit and look at her? I said “Fra Pandolf” by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to turn and ask thus. Sir, ’twas not Her husband’s presence only, called that spot Of joy into the Duchess’ cheek; perhaps Fra Pandolf chanced to say, “Her mantle laps Over my lady’s wrist too much,” or “Paint Must never hope to reproduce the faint Half-flush that dies along her throat.” Such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy. She had A heart—how shall I say?— too soon made glad, Too easily impressed; she liked whate’er She looked on, and her looks went everywhere. Sir, ’twas all one! My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least. She thanked men—good! but thanked Somehow—I know not how—as if she ranked My gift of a nine-hundred-years-old name With anybody’s gift. Who’d stoop to blame This sort of trifling? Even had you skill In speech—which I have not—to make your will Quite clear to such an one, and say, “Just this Or that in you disgusts me; here you miss, Or there exceed the mark”—and if she let Herself be lessoned so, nor plainly set Her wits to yours, forsooth, and made excuse— E’en then would be some stooping; and I choose Never to stoop. Oh, sir, she smiled, no doubt, Whene’er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will’t please you rise? We’ll meet The company below, then. I repeat, The Count your master’s known munificence Is ample warrant that no just pretense Of mine for dowry will be disallowed; Though his fair daughter’s self, as I avowed At starting, is my object. Nay, we’ll go Together down, sir. Notice Neptune, though, Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me!

Along with “Porphyria’s Lover,” this is one of Browning’s most well-known dramatic monologues. The speaker is an actual historical figure, Alfonso II, Duke of Ferrara (1533-1598), describing his deceased last wife, Lucrezia de’ Medici (1545-1561), to the ambassador of the Austrian emperor, whose daughter he plans to marry next (see images above of Alfonso and Lucrezia). The duke’s monologue offers a psychologically rich profile of paranoia and narcissism, all of which must be considered in light of the audience to whom Browning has him speaking. This short monologue provides one of the best examples of psychological analysis in literature.

7. “The Raven” by Edgar Allan Poe (1845)

Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore — While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. “ ’Tis some visiter,” I muttered, “tapping at my chamber door — Only this and nothing more.”

Ah, distinctly I remember it was in the bleak December; And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; — vainly I had sought to borrow From my books surcease of sorrow — sorrow for the lost Lenore — For the rare and radiant maiden whom the angels name Lenore — Nameless here for evermore.

And the silken, sad, uncertain rustling of each purple curtain Thrilled me — filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating “ ’Tis some visiter entreating entrance at my chamber door — Some late visiter entreating entrance at my chamber door; — This it is and nothing more.”

Presently my soul grew stronger; hesitating then no longer, “Sir,” said I, “or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you” — here I opened wide the door; —— Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, “Lenore?” This I whispered, and an echo murmured back the word, “Lenore!” — Merely this and nothing more.

Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. “Surely,” said I, “surely that is something at my window lattice; Let me see, then, what thereat is, and this mystery explore — Let my heart be still a moment and this mystery explore;— ‘Tis the wind and nothing more!”

Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately Raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door — Perched upon a bust of Pallas just above my chamber door — Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, “Though thy crest be shorn and shaven, thou,” I said, “art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly shore — Tell me what thy lordly name is on the Night’s Plutonian shore!” Quoth the Raven “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly, Though its answer little meaning — little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blessed with seeing bird above his chamber door — Bird or beast upon the sculptured bust above his chamber door, With such name as “Nevermore.”

But the Raven, sitting lonely on the placid bust, spoke only That one word, as if his soul in that one word he did outpour. Nothing farther then he uttered — not a feather then he fluttered — Till I scarcely more than muttered “Other friends have flown before — On the morrow he will leave me, as my Hopes have flown before.” Then the bird said “Nevermore.”

Startled at the stillness broken by reply so aptly spoken, “Doubtless,” said I, “what it utters is its only stock and store Caught from some unhappy master whom unmerciful Disaster Followed fast and followed faster till his songs one burden bore — Till the dirges of his Hope that melancholy burden bore Of ‘Never — nevermore’.”

But the Raven still beguiling my sad fancy into smiling, Straight I wheeled a cushioned seat in front of bird, and bust and door; Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking what this ominous bird of yore — What this grim, ungainly, ghastly, gaunt, and ominous bird of yore Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing To the fowl whose fiery eyes now burned into my bosom’s core; This and more I sat divining, with my head at ease reclining On the cushion’s velvet lining that the lamp-light gloated o’er, But whose velvet-violet lining with the lamp-light gloating o’er, She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer Swung by seraphim whose foot-falls tinkled on the tufted floor. “Wretch,” I cried, “thy God hath lent thee — by these angels he hath sent thee Respite — respite and nepenthe, from thy memories of Lenore; Quaff, oh quaff this kind nepenthe and forget this lost Lenore!” Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil! — prophet still, if bird or devil! — Whether Tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted — On this home by Horror haunted — tell me truly, I implore — Is there — is there balm in Gilead? — tell me — tell me, I implore!” Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil! — prophet still, if bird or devil! By that Heaven that bends above us — by that God we both adore — Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore — Clasp a rare and radiant maiden whom the angels name Lenore.” Quoth the Raven “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked, upstarting — “Get thee back into the tempest and the Night’s Plutonian shore! Leave no black plume as a token of that lie thy soul hath spoken! Leave my loneliness unbroken! — quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!” Quoth the Raven “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon’s that is dreaming, And the lamp-light o’er him streaming throws his shadow on the floor; And my soul from out that shadow that lies floating on the floor Shall be lifted — nevermore!

Poe’s reputation as a master of the macabre does this poem serious injustice. Far more than just a creepy tale, “The Raven” represents the inward battle with nihilism as hinted in the raven’s mantra, “nevermore.” The raven itself presents a masterful use of personification of an idea, and Poe draws the reader into the inward psychological battle raging in the speaker as he confronts nihilism personified.

8. “Dover Beach” by Matthew Arnold (1867)

The sea is calm tonight. The tide is full, the moon lies fair Upon the straits; on the French coast the light Gleams and is gone; the cliffs of England stand, Glimmering and vast, out in the tranquil bay. Come to the window, sweet is the night-air! Only, from the long line of spray Where the sea meets the moon-blanched land, Listen! you hear the grating roar Of pebbles which the waves draw back, and fling, At their return, up the high strand, Begin, and cease, and then again begin, With tremulous cadence slow, and bring The eternal note of sadness in.

Sophocles long ago Heard it on the Ægean, and it brought Into his mind the turbid ebb and flow Of human misery; we Find also in the sound a thought, Hearing it by this distant northern sea.

The Sea of Faith Was once, too, at the full, and round earth’s shore Lay like the folds of a bright girdle furled. But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world.

Ah, love, let us be true To one another! for the world, which seems To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain; And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night.

As with Browning, Arnold offers a poem of psychological depth by presenting a monologue with an identified speaker (a woman, the object of the speaker’s professed love). And like “The Raven,” the poem offers an analysis of the individual reaction to nihilism. The speaker quite literally “stares into the abyss” and ponders what remains when faith and the certitude it gives have been lost. Along the way the poem presents several complex metaphors and Classical allusions. Ostensibly the poem ends by seeking solace in love, but the resolution—likely intentionally—seems an inadequate self-delusion.

9. “Stopping by the Woods on a Snowy Evening” by Robert Frost (1923)

My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year.

He gives his harness bells a shake To ask if there is some mistake. The only other sound’s the sweep Of easy wind and downy flake.

The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.

Stylistically, this poem is classic Frost: direct in its description, with simple, almost laconic language. But the simple surface presents a rich series of metaphors: the woods, the horse’s presumed thoughts, and the “sleep” referenced at the end. On one level, the speaker is transfixed by the beauty of the scene, but on another, like “Dover Beach,” the speaker here stares into the abyss and confronts the mystery its darkness presents.

10. “We Real Cool” by Gwendolyn Brooks (1959)

The Pool Players. Seven at the Golden Shovel.

We real cool. We Left school. We

Lurk late. We Strike straight. We

Sing sin. We Thin gin. We

Jazz June. We Die soon.

At a mere eight lines and twenty-four syllables (all of monosyllabic words), this poem packs the most punch into its sparse form with an explosion of rhyme, alliteration, anaphora, and staccato-like meter. The poem imagines pool players at a bar making various boasts, each one alluding to the Seven Deadly Sins, and offers a Biblical warning at the end: “The wages of sin is death.” Who are the cool-seeming “Pool Players” today and what do they do? What may be their end? The poem naturally leads to a host of ominous reflections and avenues for analysis.

Adam Sedia (b. 1984) lives in his native Northwest Indiana and practices law as a civil and appellate litigator. In addition to the Society’s publications, his poems and prose works have appeared in The Chained Muse Review, Indiana Voice Journal, and other literary journals. He is also a composer, and his musical works may be heard on his YouTube channel.

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The Society of Classical Poets does not endorse any views expressed in individual poems or commentary.

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11 Responses

Wow! Adam. Grand slam. Great selections and terse, cogent, summary analyses that could serve as an introduction to a master class on poetry for college level students and even high school if the teacher were as enthusiastic about the subject as you are! Ask, “Choose one of the described poems and write a three-page reflection on its possible meaning(s) and how it might relate to your own life, thoughts and experience.”

If I were to suggest an additional poem it would be any number of those written by Emily Dickerson, many of which are provocativly enigmatic and multi-layered in meaning.

Excellent and eloquent as always, Adam.

Thank you! I thought it best to keep my summaries terse. Providing too much of my analysis would ruin the fun of analyzing the poems on one’s own.

I agonized over this list. I wanted to provide a nice array of styles and time periods, so I had to omit some poets and poems that would have fit well in this list.

I liked this compilation a lot, Adam. “Dover Beach is one of my all-time favorite poems, which I never tire of re-reading. Another favorite of mine is Dylan Thomas’ “A Refusal to Mourn…,” which also lends itself to deep analysis, Robert Frost’s dictum that to much explaining can ruin a poem notwithstanding.

This articulate, informative, and straightforward post by Adam is one of the reasons why the SCP is growing in popularity every single day. The teaching of good literature in the American public schools is now virtually dead or corrupted by left-liberalism and wokeism. Adam shows what real education in literature is supposed to do.

If any English teacher were to attempt to put together a syllabus for a poetry class using these ten excellent poems, and to explicate them with Adam’s succinct clarity, he would be chastised and dismissed by his supervisors. Even Brooks’s excellent “We Real Cool” would be off-limits as subject matter, because it presents “a negative, racist, and stereotypical picture of black ghetto life.” (No kidding — that’s the kind of thinking that dominates English departments today.)

You touch on an important point. Pedagogy is crucial, and our children are being deliberately kept from civilization’s greatest works. How is intellectual starvation any less a crime than physical starvation?

Once upon a time I wanted to be an academic but knew I would never survive in academia. Turns out, I learn later, that law has become just as woke. I really would like to turn back to my original passion and teach the world about great poetry. The SCP is doing a marvelous job on that with its “best of” series. I also hope to contribute more essays here.

Adam – Thank you for this marvelous and highly educational compilation. Amazingly, the one time that I studied poetry – for a two week period in a high school freshman English class – the last three poems on your list, along with “Mother to Son” by Langston Hughes, were the poems that stayed in my mind forever, and gave me the idea to try writing poetry a full fifty years later. This terrific work is indeed a brilliant example of SCP’s uniqueness.

Thank you for sharing your story. It’s not so much a case of “great minds think alike” as great poetry being immediately recognizable (it’s pretty wild that three of these poems were taught in your class). Reading great poetry was what inspired me to try my hand at it as well. Nothing is as inspiring as reading great work.

Adam, thank you for this stimulating contribution. My first guess at the poems that would be included was “My Last Duchess.” Imagine my delight to see that you agree! Does “We Real Cool” allude to all seven of the Deadly Sins? I recognized only pride (real cool), wrath (strike straight), sloth (left school), avarice (thin gin), and lust (jazz June).

The remaining two (gluttony and envy) had to be excluded from Brooks’s composition for aesthetic reasons. Her description is of young men who live the “fast life,” and who come to youthful death as a result of their living in a world of macho swaggering, wenching, drinking, and fighting.

Gluttony would not fit here, as it is not the most typical sin of such young men — and besides, gluttony is a more fitting subject for a comic poem. Envy is also not suited to the poem, since it is not an immediately visible sin, and is therefore not easy to depict. Besides, tough young guys are mostly known for their pride, arrogance, and truculence, while envy is usually associated with quiet little nerds.

Every decision in writing a poem is primarily based on aesthetic effect before anything else.

Adam, what an admirable job you’ve done with the choices made and the write ups… just enough information to intrigue and engage, but plenty of room left to explore. Wonderful!

Wow! It was as though we were walking through the forest and watching all the leaves change color and picking out which color is the best one holding your breath in wee of the view in the forest.

A list of 50 inspirational topics for writing a poem

tips for writers: image of books at table

There is no one way to approach writing. The process of finding inspiration and then putting that inspiration into words is a unique and individual experience for each writer. Of course, you don't need prompts to write, but they can help you tap into your creative energy and feel part of a dialogue.

I've put together a list of 50 topics that can be particularly inspiring; thinking about these topics can help jumpstart the creative process.

When looking for inspiration, it's important to explore all aspects of your life and the world around you. By writing about what you know and feel passionately about, you can create poems that are authentic and meaningful to you and your readers. Of course, you can also allow the creative imagination to jump in--let some magic, some humor, some whimsy come into the writing experience.

As a poet and writer, I've learned that the most important skill is to be open to and believe in the value of your own creativity . I've learned from reading others and from having others read and comment on my poems. As I wrote more and was more in alignment with myself, my writing got more understandable, more moving, and more skillful. But it was only when I really let go of the idea of wanting to please others and could listen more deeply to myself that I began to write my most powerful work.

The following list provides a variety of poem topics that can be used for inspiration when writing your next poem:

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50 Poem Topics And Ideas To Help You Write Your Next Poem

The beauty and mystery of nature can be a great source of inspiration for poets. Write about the changing seasons, a particular flower or tree, the stars or moon, the ocean, mountains, or any other aspect of the natural world that speaks to you.

2. Childhood memories

Reflect on a time from your childhood that was particularly special or meaningful to you. Write about the sights, sounds, and smells of that time and what it meant to you then and now.

3. A significant event

Write about an event that has had a major impact on your life, whether positive or negative. Now write a poem describing how this event has changed you.

Express your deepest emotions and write about the power of love in all its forms. This could be a poem about romantic love, the love between friends or family members, or even self-love.

5. Happiness

What makes you happy? What are the small things in life that bring you joy? Write about the moments and people that make you smile and fill your heart with happiness.

6. Friendship

Write about the value of friendship, and how it has positively affected your life. This could also be a poem about saying goodbye to a friend, or remembering a lost friend.

7. Overcoming adversity

We all face challenges in life, but how we deal with them can make us stronger. Write about a time when you faced and overcame a difficult situation. What did you learn from the experience?

8. Gratitude

Express what you are grateful for in your life, and why these things are important to you. If you haven't had a chance to read my interview with Ross Gay , poet, writer and visionary, I highly recommend it. In this interview, we talked about his new book Be Holding, his Book of Delights, Catalog of Unabashed Gratitude, and how to practice attention, gratitude, and care both in poetry and in our difficult but also joy-filled world. Just click here to read it . I'm sure you'll enjoy it!

Image by S. Hermann & F. Richter from Pixabay

How has your life changed over the years? What are some of the things that are different now than they were in the past? Write a poem about the process of change, and how it can be both scary and exciting.

10. Hope

In spite of everything, we all need to believe that better days are ahead. Write a poem about hope, and how it can help us get through tough times. What gives you hope? Describe what hope feels like, and how it helps you in your life.

11. A moment in time

Write about a specific moment that was particularly memorable or significant to you. It could be a happy memory, a sad memory, or even a moment of realization or understanding.

12. A day in the life

Describe a typical day in your life, or write about a specific day that was particularly memorable.

13. Your favorite place

We all have a place that makes us feel safe and happy. Write about your favorite place, and what it is that you love about it. Write about what makes it so special, and how it makes you feel.

14. An object

Write about a particular object that has special meaning to you. It could be something that you use every day, or something that you only see occasionally.

15. A person

Write about someone who has had a major impact on your life, for better or for worse. This could be a family member, friend, teacher, or anyone else who has made a significant impact on you.

16. A memory

Reflect on a specific memory that is significant to you. What does it remind you of? Write a poem celebrating a happy memory, or exploring a painful memory.

17. A feeling

Write about a feeling that is particularly intense or meaningful to you. Describe a specific emotion, and how it feels in your body and mind. No matter what you write about, poetry can be a powerful way to express your thoughts and emotions. So don't be afraid to let your words flow freely and see where they take you.

image of landscape: the earth and sky with clouds

18. The earth

Express your love and appreciation for our planet, and everything that it has to offer. Write about the importance of taking care of it. Write a poem or prose using the phrase "the poetry of the earth." What does that phrase mean to you?

19. A hobby

Write about something you enjoy doing, and why it is so important to you.

20. An experience

Describe a particular experience that was particularly memorable or impactful for you.

21. Your dreams

What are your hopes and dreams for the future? Write about what you want to achieve, and how you plan to get there.

22. Your fears

What are you afraid of, and why? What do these fears mean to you?

Explore the emotions associated with losing something or someone important to you. When you lose something, it's natural to feel pain, grief, and even anger. Writing about these feelings can help you to process them and move on .

24. A time when you felt lost

Describe a time in your life when you felt lost or confused. What helped you find your way again?

25. A time when you felt alone

Writing poetry can be therapeutic, and can help you to express feelings that you may not be able to express in any other way. We all feel alone at times, but it's important to remember that we are never truly alone. Write about a time when you felt alone, and how you coped with it.

26. A time when you felt angry

We all experience a range of emotions, and it's okay to write about the negative ones as well. Use your anger to fuel your words, and write about whatever it is that made you angry.

27. A time when you felt sad

We all experience sadness at times. Write about a time when you felt particularly low, and how you coped with it.

28. Your hopes for the future

29. your favorite thing.

What is your favorite thing in the world? Write about why it is so important to you.

30. A time when you felt happy

What makes you truly happy? Write about a time when you felt this way, and why it was so special to you.

31. Your worst nightmare

Write a poem inspired by your deepest, darkest fears. Write about what this fear means to you, and how it affects your life.

32. A time when you were proud of yourself

We all have moments that we are proud of. Write about a time when you felt this way, and what it was that made you so proud.

33. A time when you laughed

Laughter is one of the best things in life. Write about a time when you laughed until you cried, and what made it so funny.

34. A time when you cried

We all cry at times. Write about a time when you felt particularly sad, and how you coped with it.

35. A time when you were disappointed

A time when you were disappointed: We all have moments when things don't go the way we wanted them to. Write a poem inspired by a time when you were disappointed and had to pick yourself up and keep going.

36. A time when you felt scared

37. a time when you helped someone.

Describe a time when you went out of your way to help someone else. What made you do it, and how did it make you feel?

38. A time when you felt supported

We all need support at times. Write about a time when someone was there for you, and how it made you feel.

39. Your favorite thing about yourself

What do you love about yourself? Write about why you are so special to you. Sometimes we forget why we are amazing! So take a moment and drop out some of your best qualities.

40. Your favorite thing about life

What do you love about life? Write about what makes it so precious to you.

41. Your favorite thing about people

What do you love about people? Write about what makes them so special to you.

42. Your favorite quote

Do you have a favorite quote? Write about what it means to you, and why it is so important to you.

43. A time when you felt proud of someone else

We all feel proud of others at times. Describe a time when you felt this way, and who it was that you were proud of.

44. Your favorite memory

What is your favorite memory? Write about what made it so special to you.

45. A time when you were surprised

We all experience surprise at times. Describe a time when something unexpected happened, and how it made you feel.

46. A time when you made a difference

We all have the ability to make a difference. Write about a time when you did just that, and how it made you feel.

47. A time when you felt loved

We all need love in our lives. Write about a time when you felt particularly loved and supported, and why it meant so much to you.

48. Something that you are passionate about

What are you passionate about? Write about what this passion means to you, and how it drives you.

49. Your hopes for the world

What are your hopes for the world? Write about what you would like to see change, and how you think we can make it happen.

50. Finally, last, but certainly not least, take inspiration from any of your favorite poems.

Reading is one of the best ways to be inspired as a poet and to find poetry topics. Explore my list of 15 morning poems for some inspiration .

These are just a few poem topics to get you started based on my own experiences and what I value most in life. Feel free to choose whichever topic speaks to you, or mix and match several different ones to create your own poem.

If none of these inspire you, think about what matters most to you and write about that. The most important thing is to be true to your own voice and express how you feel in your own words.

So don't be afraid to experiment with different poem styles or subject matter until you find the right fit for you. Whatever you do, have fun with it and let your creativity flow!

I am a member of a group called Toastmasters. One of my favorite parts of our meeting is Table Topics, where a person responds with a 2 minute impromptu response to a speaking prompt, not unlike your fifty topics. Because of the eclectic diversity of our members, it is here where I get to know the soul of a member. I am going to use some of the 50 prompts when I am next, the table topic master.

I'm so glad that you find this helpful and will use it in your Toastmasters group. I agree, it's a nice way to get to know other people.

Can I get interesting poetry prompts for my poetry group

Hi! I was thinking maybe take a topic maybe like a hobby, nature, or something else you find exciting and interesting and compare it to something heartbreaking or sad. Such as mental disorders, break ups, a person you lost, and ect. I have done this before and it really helped me be more inspiring to myself and others. I also think it is very interesting just to compare things!

Thank u so much for helping me out

Poetry can be amazingly emotive. All things considered, artists, similar to the journalists of the best books ever and best book club books, have an approach to communicating feelings that we probably won't have the option to really express.

Yes, I completely agree!

Thanks for this web it really helps me with school to get some ideas for the poem I'm writing.

I'm so glad this was helpful for you!

Verse can be incredibly emotive. Taking everything into account, craftsmen, like the writers of the best books ever and best book club books, have a way to deal with imparting sentiments that we presumably will not have the choice to communicate truly.

Is a great article for all readers because you have described the ideas of poem topics there are many people or students are found to these ideas because they have need to write their poem and assignments and other writing

Thank you for your comments!

This was very helpful

I love love love these poem ideas! Keep up the work!

I'm so glad!

Hello, I am working on a poetry project, and these prompts were really helpful! Thanks for the tips! You're great, just keep doing what you're doing! 🙂

So glad it was helpful!

24 and 25 are basically the same, with feeling lost and feeling alone. other than that it's very helpful.

That’s really interesting: when we feel lost, we often feel alone. And when we feel alone, we often feel lost. But there are also differences between the two experiences, too. And we can feel surrounded by people, but also lost and alone but with a clear sense of direction. I’m glad you found the list helpful!

Great ideas but I feel that it's best to just write from the heart and do it because you want to. not because of a website. I want to say this to all people reading this website: Don't take the advice. Write what comes into mind and make a beautiful word formation. I have written so many of my own poems about how I feel and now I can write poems about anything. Please write what you feel in the moment even if it's sad. Anything makes a great poem so don't worry about what you need to write a poem about. Now I am going to say something to the person who made this website: I see why you made this. For people who don't know what to write about. I think your ideas are great, but it really is better to just write what comes to your mind. I have written over 50 poems and I had no guidance. Please take my advice. I don't ask that you delete the website but that you read this.

Yes, writing from the heart is great. And having prompts can be also helpful–and even help us write more from the hearth. Many tools. There is no one right way 🙂

It helps me a lot…… Thank you 🙏🏻 very much ☺️💯💯

hello. i am non established poet from india.. wanting to write my first ever poem to publish.. you article helped me a lot..

This realy helped

Number 51: A time when you felt free from all the bd things in life

thats what i will now write about

I am what is termed an automatic poet, a visionary compelled to channel by pen messages from within. Spiritual messages from God and Jesus flow through my pen I write the time the poem begins and ends as the lines flow like rushing rivers. I can’t even stop to think, I just write. I’ve never had courses in writing and never know my poems content until it is written. The titles come last. I am learning to be in the moment and not concern myself with what will others think of me when I read to them. I belong to a small writers group that often ask me, where do you come from that you write as you do. Maybe I’m channeling my many poet and author ancestors or maybe I’m just being me. I am the poet Snowflake. Thank you for enlightening me to be more free

Lately, I’ve found myself drawn to the enchanting world of poetry and https://www.nursingpaper.com/msn-writing-service/ The rhythm of words, the dance of metaphors, it all captivates me. Exploring emotions through verses feels like unraveling mysteries of the heart. Whether it’s the gentle sway of nature’s symphony or the turbulence of human emotions, poetry offers a canvas to paint with words. Each stanza is a journey, a glimpse into the soul’s depths. With every line, I discover new ways to express the ineffable. Writing poetry isn’t just a hobby; it’s a passion that ignites my creativity and allows me to weave stories with the magic of language.

One of the primary advantages of assignment writing is the opportunity it provides for students to deepen their subject knowledge. Engaging in write my assignment , analyzing data, and formulating arguments allows students to explore topics in greater detail. By delving into a subject, students gain a comprehensive understanding of its concepts, theories, and practical applications. This process not only facilitates better performance in assignments but also enriches their overall academic journey.

Booking flights at the best prices requires a strategic approach. Start by using fare comparison websites like Skyscanner, Kayak, and Google Flights to compare prices across various airlines. These platforms allow you to see a range of options and find the most affordable flights. Setting up fare alerts can help you get notified when prices drop for your desired routes, ensuring you never miss a deal.

Wonderful topics mam.. Thanx so much

Nice to come back to your blog, it’s been several months. https://www.pinkgoa.in/ Well, this article which I have been waiting for so long.

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The Art of Narrative

Learn to write.

How to Write a Poem: In 7 Practical Steps with Examples

Learn how to write a poem through seven easy to follow steps that will guide you through writing completed poem. Ignite a passion for poetry!

This article is a practical guide for writing a poem, and the purpose is to help you write a poem! By completing the seven steps below, you will create the first draft of a simple poem. You can go on to refine your poetry in any way you like. The important thing is that you’ve got a poem under your belt.

At the bottom of the post, I’ll provide more resources on writing poetry. I encourage you to explore different forms and structures and continue writing poetry on your own. Hopefully, writing a poem will spark, in you, a passion for creative writing and language.

Let’s get started with writing a poem in seven simple steps:

Brainstorm & Free-write
Develop a theme
Create an extended metaphor
Add figurative language
Plan your structure
Write your first draft
Read, re-read & edit

Now we’ll go into each step in-depth. And, if your feeling up to it, you can plan and write your poem as we go.

Step 1: Brainstorm and Free-write

Find what you want to write about

Before you begin writing, you need to choose a subject to write about. For our purposes, you’ll want to select a specific topic. Later, you’ll be drawing a comparison between this subject and something else.

When choosing a subject, you’ll want to write about something you feel passionately about. Your topic can be something you love, like a person, place, or thing. A subject can also be something you struggle with . Don’t get bogged down by all the options; pick something. Poets have written about topics like:

And of course… cats

Once you have your subject in mind, you’re going to begin freewriting about that subject. Let’s say you picked your pet iguana as your subject. Get out a sheet of paper or open a word processor. Start writing everything that comes to mind about that subject. You could write about your iguana’s name, the color of their skin, the texture of their scales, how they make you feel, a metaphor that comes to mind. Nothing is off-limits.

Write anything that comes to mind about your subject. Keep writing until you’ve entirely exhausted everything you have to say about the subject. Or, set a timer for several minutes and write until it goes off. Don’t worry about things like spelling, grammar, form, or structure. For now, you want to get all your thoughts down on paper.

ACTION STEPS:

Grab a scratch paper, or open a word processor
Pick a subject- something you’re passionate about
Write everything that comes to mind about your topic without editing or structuring your writing
Make sure this free-writing is uninterrupted
Optional- set a timer and write continuously for 5 or 10 minutes about your subject

Step 2: Develop a Theme

What lesson do you want to teach?

Poetry often has a theme or a message the poet would like to convey to the reader. Developing a theme will give your writing purpose and focus your effort. Look back at your freewriting and see if a theme, or lesson, has developed naturally, one that you can refine.

Maybe, in writing about your iguana, you noticed that you talked about your love for animals and the need to preserve the environment. Or, perhaps you talk about how to care for a reptile pet. Your theme does not need to be groundbreaking. A theme only needs to be a message that you would like to convey.

Now, what is your theme? Finish the following statement:

The lesson I want to teach my readers about (your subject) is ______

Ex. I want to teach my readers that spring days are lovely and best enjoyed with loving companions or family.

Read over the product of your free-writing exercise.
Brainstorm a lesson you would like to teach readers about your subject.
Decide on one thing that is essential for your reader to know about your topic.
Finish the sentence stem above.

Step 3: Create an (extended) Metaphor

Compare your subject to another, unlike thing.

To write this poem, you will compare your subject to something it, seemingly, has nothing in common with. When you directly compare two, unlike things, you’re using a form of figurative language called a metaphor. But, we’re going to take this metaphor and extend it over one or two stanzas- Stanzas are like paragraphs, a block of text in a poem- Doing this will create an extended metaphor.

Using a metaphor will reinforce your theme by making your poem memorable for your reader. Keep that in mind when you’re choosing the thing you’d like to compare your subject to. Suppose your topic is pet iguanas, and your theme is that they make fantastic pets. In that case, you’ll want to compare iguanas to something positive. Maybe you compare them to sunshine or a calm lake. This metaphor does the work or conveying your poem’s central message.

Identify something that is, seemingly, unlike your subject that you’ll use to compare.
On a piece of paper, make two lists or a Venn diagram.
Write down all the ways that you’re subject and the thing you’ll compare it to are alike.
Also, write down all the ways they are unalike.
Try and make both lists as comprehensive as possible.

Step 4: Add more Figurative Language

Make your writing sound poetic.

Figurative language is a blanket term that describes several techniques used to impart meaning through words. Figurative language is usually colorful and evocative. We’ve talked about one form of figurative language already- metaphor and extended metaphor. But, here are a few others you can choose from.

This list is, by no means, a comprehensive one. There are many other forms of figurative language for you to research. I’ll link a resource at the bottom of this page.

Five types of figurative language:

Ex. Frank was as giddy as a schoolgirl to find a twenty-dollar bill in his pocket.
Frank’s car engine whined with exhaustion as he drove up the hill.
Frank was so hungry he could eat an entire horse.
Nearing the age of eighty-five, Frank felt as old as Methuselah.
Frank fretted as he frantically searched his forlorn apartment for a missing Ficus tree.

There are many other types of figurative language, but those are a few common ones. Pick two of the five I’ve listed to include in your poem. Use more if you like, but you only need two for your current poem.

Choose two of the types of figurative language listed above
Brainstorm ways they can fit into a poem
Create example sentences for the two forms of figurative language you chose

Step 5: Plan your Structure

How do you want your poem to sound and look?

If you want to start quickly, then you can choose to write a free-verse poem. Free verse poems are poems that have no rhyme scheme, meter, or structure. In a free verse poem, you’re free to write unrestricted. If you’d like to explore free verse poetry, you can read my article on how to write a prose poem, which is a type of free verse poem.

Step 6: Write Your Poem

Combine your figurative language, extended metaphor, and structure.

Poetry is always unique to the writer. And, when it comes to poetry, the “rules” are flexible. In 1965 a young poet named Aram Saroyan wrote a poem called lighght. It goes like this-

That’s it. Saroyan was paid $750 for his poem. You may or may not believe that’s poetry, but a lot of people accept it as just that. My point is, write the poem that comes to you. I won’t give you a strict set of guidelines to follow when creating your poetry. But, here are a few things to consider that might help guide you:

Compare your subject to something else by creating an extended metaphor
Try to relate a theme or a simple lesson for your reader
Use at least two of the figurative language techniques from above
Create a meter or rhyme scheme (if you’re up to it)
Write at least two stanzas and use a line break

Still, need some help? Here are two well-known poems that are classic examples of an extended metaphor. Read over them, determine what two, unlike things, are being compared, and for what purpose? What theme is the poet trying to convey? What techniques can you steal? (it’s the sincerest form of flattery)

“Hope” is a thing with feathers by Emily Dickenson.

“The Rose that Grew From Concrete” by Tupac Shakur.

Write the first draft of your poem.
Don’t stress. Just get the poem on paper.

Step 7: Read, Re-read, Edit

Read your poem, and edit for clarity and focus .

When you’re finished, read over your poem. Do this out loud to get a feel for the poem’s rhythm. Have a friend or peer read your poem, edit for grammar and spelling. You can also stretch grammar rules, but do it with a purpose.

You can also ask your editor what they think the theme is to determine if you’ve communicated it well enough.

Now you can rewrite your poem. And, remember, all writing is rewriting. This editing process will longer than it did to write your first draft.

Re-read your poem out loud.
Find a trusted friend to read over your poem.
Be open to critique, new ideas, and unique perspectives.
Edit for mistakes or style.

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Continued reading on Poetry

A Poetry Handbook

“With passion, wit, and good common sense, the celebrated poet Mary Oliver tells of the basic ways a poem is built—meter and rhyme, form and diction, sound and sense. She talks of iambs and trochees, couplets and sonnets, and how and why this should matter to anyone writing or reading poetry.”

Masterclass.com- Poetry 101: What is Meter?

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Poetry Explained

How to Write a Poetry Essay (Complete Guide)

Unlock success in poetry essays with our comprehensive guide. Uncover the process to help aid understanding of how best to create a poetry essay.

While many of us read poetry for pleasure, it is undeniable that many poetry readers do so in the knowledge that they will be assessed on the text they are reading, either in an exam, for homework, or for a piece of coursework. This is clearly a daunting task for many, and lots of students don’t even know where to begin. We’re here to help! This guide will take you through all the necessary steps so that you can plan and write great poetry essays every time. If you’re still getting to grips with the different techniques, terms, or some other aspect of poetry, then check out our other available resources at the bottom of this page.

This Guide was Created by Joe Samantaria

Degree in English and Related Literature, and a Masters in Irish Literature

Upon completion of his degrees, Joe is an English tutor and counts W.B. Yeats , Emily Brontë , and Federico Garcia Lorca among his favorite poets. He has helped tutor hundreds of students with poetry and aims to do the same for readers and Poetry + users on Poem Analysis.

How to Write a Poetry Essay

1 Before You Start…
2 Introductions
3 Main Paragraphs
4 Conclusions
6 Other Resources

Before You Start…

Before we begin, we must address the fact that all poetry essays are different from one another on account of different academic levels, whether or not the essay pertains to one poem or multiple, and the intended length of the essay. That is before we even contend with the countless variations and distinctions between individual poems. Thus, it is impossible to produce a single, one-size-fits-all template for writing great essays on poetry because the criteria for such an essay are not universal. This guide is, therefore, designed to help you go about writing a simple essay on a single poem, which comes to roughly 1000-1200 words in length. We have designed it this way to mirror the requirements of as many students around the world as possible. It is our intention to write another guide on how to write a comparative poetry essay at a later date. Finally, we would like to stress the fact that this guide is exactly that: a guide. It is not a set of restrictive rules but rather a means of helping you get to grips with writing poetry essays. Think of it more like a recipe that, once practiced a few times, can be modified and adapted as you see fit.

The first and most obvious starting point is the poem itself and there are some important things to do at this stage before you even begin contemplating writing your essay. Naturally, these things will depend on the nature of the essay you are required to write.

Is the poem one you are familiar with?
Do you know anything about the context of the poem or the poet?
How much time do you have to complete the essay?
Do you have access to books or the internet?

These questions matter because they will determine the type, length, and scope of the essay you write. Naturally, an essay written under timed conditions about an unfamiliar poem will look very different from one written about a poem known to you. Likewise, teachers and examiners will expect different things from these essays and will mark them accordingly.

As this article pertains to writing a poverty essay, we’re going to assume you have a grasp of the basics of understanding the poems themselves. There is a plethora of materials available that can help you analyze poetry if you need to, and thousands of analyzed poems are available right here. For the sake of clarity, we advise you to use these tools to help you get to grips with the poem you intend to write about before you ever sit down to actually produce an essay. As we have said, the amount of time spent pondering the poem will depend on the context of the essay. If you are writing a coursework-style question over many weeks, then you should spend hours analyzing the poem and reading extensively about its context. If, however, you are writing an essay in an exam on a poem you have never seen before, you should perhaps take 10-15% of the allotted time analyzing the poem before you start writing.

The Question

Once you have spent enough time analyzing the poem and identifying its key features and themes, you can turn your attention to the question. It is highly unlikely that you will simply be asked to “analyze this poem.” That would be too simple on the one hand and far too broad on the other.

More likely, you will be asked to analyze a particular aspect of the poem, usually pertaining to its message, themes, or meaning. There are numerous ways examiners can express these questions, so we have outlined some common types of questions below.

Explore the poet’s presentation of…
How does the poet present…
Explore the ways the writer portrays their thoughts about…

These are all similar ways of achieving the same result. In each case, the examiner requires that you analyze the devices used by the poet and attempt to tie the effect those devices have to the poet’s broader intentions or meaning.

Some students prefer reading the question before they read the poem, so they can better focus their analytical eye on devices and features that directly relate to the question they are being asked. This approach has its merits, especially for poems that you have not previously seen. However, be wary of focusing too much on a single element of a poem, particularly if it is one you may be asked to write about again in a later exam. It is no good knowing only how a poem links to the theme of revenge if you will later be asked to explore its presentation of time.

Essay plans can help focus students’ attention when they’re under pressure and give them a degree of confidence while they’re writing. In basic terms, a plan needs the following elements:

An overarching answer to the question (this will form the basis of your introduction)
A series of specific, identifiable poetic devices ( metaphors , caesura , juxtaposition , etc) you have found in the poem
Ideas about how these devices link to the poem’s messages or themes.
Some pieces of relevant context (depending on whether you need it for your type of question)

In terms of layout, we do not want to be too prescriptive. Some students prefer to bullet-point their ideas, and others like to separate them by paragraph. If you use the latter approach, you should aim for:

1 Introduction
4-5 Main paragraphs
1 Conclusion

Finally, the length and detail of your plan should be dictated by the nature of the essay you are doing. If you are under exam conditions, you should not spend too much time writing a plan, as you will need that time for the essay itself. Conversely, if you are not under time pressure, you should take your time to really build out your plan and fill in the details.

Introductions

If you have followed all the steps to this point, you should be ready to start writing your essay. All good essays begin with an introduction, so that is where we shall start.

When it comes to introductions, the clue is in the name: this is the place for you to introduce your ideas and answer the question in broad terms. This means that you don’t need to go into too much detail, as you’ll be doing that in the main body of the essay. That means you don’t need quotes, and you’re unlikely to need to quote anything from the poem yet. One thing to remember is that you should mention both the poet’s name and the poem’s title in your introduction. This might seem unnecessary, but it is a good habit to get into, especially if you are writing an essay in which other questions/poems are available to choose from.

As we mentioned earlier, you are unlikely to get a question that simply asks you to analyze a poem in its entirety, with no specific angle. More likely, you’ll be asked to write an essay about a particular thematic element of the poem. Your introduction should reflect this. However, many students fall into the trap of simply regurgitating the question without offering anything more. For example, a question might ask you to explore a poet’s presentation of love, memory, loss, or conflict . You should avoid the temptation to simply hand these terms back in your introduction without expanding upon them. You will get a chance to see this in action below.

Let’s say we were given the following question:

Explore Patrick Kavanagh’s presentation of loss and memory in Memory of My Father

Taking on board the earlier advice, you should hopefully produce an introduction similar to the one written below.

Patrick Kavanagh presents loss as an inescapable fact of existence and subverts the readers’ expectations of memory by implying that memories can cause immense pain, even if they feature loved ones. This essay will argue that Memory of My Father depicts loss to be cyclical and thus emphasizes the difficulties that inevitably occur in the early stages of grief.

As you can see, the introduction is fairly condensed and does not attempt to analyze any specific poetic elements. There will be plenty of time for that as the essay progresses. Similarly, the introduction does not simply repeat the words ‘loss’ and ‘memory’ from the question but expands upon them and offers a glimpse of the kind of interpretation that will follow without providing too much unnecessary detail at this early stage.

Main Paragraphs

Now, we come to the main body of the essay, the quality of which will ultimately determine the strength of our essay. This section should comprise of 4-5 paragraphs, and each of these should analyze an aspect of the poem and then link the effect that aspect creates to the poem’s themes or message. They can also draw upon context when relevant if that is a required component of your particular essay.

There are a few things to consider when writing analytical paragraphs and many different templates for doing so, some of which are listed below.

PEE (Point-Evidence-Explain)
PEA (Point-Evidence-Analysis)
PETAL (Point-Evidence-Technique-Analysis-Link)
IQA (Identify-Quote-Analyze)
PEEL (Point-Evidence-Explain-Link)

Some of these may be familiar to you, and they all have their merits. As you can see, there are all effective variations of the same thing. Some might use different terms or change the order, but it is possible to write great paragraphs using all of them.

One of the most important aspects of writing these kind of paragraphs is selecting the features you will be identifying and analyzing. A full list of poetic features with explanations can be found here. If you have done your plan correctly, you should have already identified a series of poetic devices and begun to think about how they link to the poem’s themes.

It is important to remember that, when analyzing poetry, everything is fair game! You can analyze the language, structure, shape, and punctuation of the poem. Try not to rely too heavily on any single type of paragraph. For instance, if you have written three paragraphs about linguistic features ( similes , hyperbole , alliteration , etc), then try to write your next one about a structural device ( rhyme scheme , enjambment , meter , etc).

Regardless of what structure you are using, you should remember that multiple interpretations are not only acceptable but actively encouraged. Techniques can create effects that link to the poem’s message or themes in both complementary and entirely contrasting ways. All these possibilities should find their way into your essay. You are not writing a legal argument that must be utterly watertight – you are interpreting a subjective piece of art.

It is important to provide evidence for your points in the form of either a direct quotation or, when appropriate, a reference to specific lines or stanzas . For instance, if you are analyzing a strict rhyme scheme, you do not need to quote every rhyming word. Instead, you can simply name the rhyme scheme as, for example, AABB , and then specify whether or not this rhyme scheme is applied consistently throughout the poem or not. When you are quoting a section from the poem, you should endeavor to embed your quotation within your line so that your paragraph flows and can be read without cause for confusion.

When it comes to context, remember to check whether or not your essay question requires it before you begin writing. If you do need to use it, you must remember that it is used to elevate your analysis of the poem, not replace it. Think of context like condiments or spices. When used appropriately, they can enhance the experience of eating a meal, but you would have every right to complain if a restaurant served you a bowl of ketchup in lieu of an actual meal. Moreover, you should remember to only use the contextual information that helps your interpretation rather than simply writing down facts to prove you have memorized them. Examiners will not be impressed that you know the date a particular poet was born or died unless that information relates to the poem itself.

For the sake of ease, let’s return to our earlier question:

Have a look at the example paragraph below, taking note of the ways in which it interprets the linguistic technique in several different ways.

Kavanagh uses a metaphor when describing how the narrator ’s father had “fallen in love with death” in order to capture the narrator’s conflicted attitudes towards his loss. By conflating the ordinarily juxtaposed states of love and death, Kavanagh implies the narrator’s loss has shattered his previously held understanding of the world and left him confused. Similarly, the metaphor could suggest the narrator feels a degree of jealousy, possibly even self-loathing, because their father embraced death willingly rather than remaining with the living. Ultimately, the metaphor’s innate impossibility speaks to the narrator’s desire to rationalize their loss because the reality, that his father simply died, is too painful for him to bear.

As you can see, the paragraph clearly engages with a poetic device and uses an appropriately embedded quotation. The subsequent interpretations are then varied enough to avoid repeating each other, but all clearly link to the theme of loss that was mentioned in the question. Obviously, this is only one analytical paragraph, but a completed essay should contain 4-5. This would allow the writer to analyze enough different devices and link them to both themes mentioned in the question.

Conclusions

By this stage, you should have written the bulk of your essay in the form of your introduction and 4-5 main analytical paragraphs. If you have done those things properly, then the conclusion should largely take care of itself.

The world’s simplest essay plan sounds something like this:

Tell them what you’re going to tell them
Tell them what you’ve told them

This is, naturally, an oversimplification, but it is worth bearing in mind. The conclusion to an essay is not the place to introduce your final, groundbreaking interpretation. Nor is it the place to reveal a hitherto unknown piece of contextual information that shatters any prior critical consensus with regard to the poem you are writing about. If you do either of these things, the examiner will be asking themselves one simple question: why didn’t they write this earlier?

In its most simple form, a conclusion is there, to sum up the points you have made and nothing more.

As with the previous sections, there is a little more to a great conclusion than merely stating the things you have already made. The trick to a great conclusion is to bind those points together to emphasize the essay’s overarching thread or central argument. This is a subtle skill, but mastering it will really help you to finish your essays with a flourish by making your points feel like they are more than the sum of their parts.

Finally, let’s remind ourselves of the hypothetical essay question we’ve been using:

Remember that, just like your introduction, your conclusion should be brief and direct and must not attempt to do more than it needs to.

In conclusion, Kavanagh’s poem utilizes numerous techniques to capture the ways in which loss is both inescapable and a source of enormous pain. Moreover, the poet subverts positive memories by showcasing how they can cause loved ones more pain than comfort in the early stages of grief. Ultimately, the poem demonstrates how malleable memory can be in the face of immense loss due to the way the latter shapes and informs the former.

As you can see, this conclusion is confident and authoritative but does not need to provide evidence to justify this tone because that evidence has already been provided earlier in the essay. You should pay close attention to the manner in which the conclusion links different points together under one banner in order to provide a sense of assuredness.

You should refer to the poet by either using their full name or, more commonly, their surname. After your first usage, you may refer to them as ‘the poet.’ Never refer to the poet using just their first name.

This is a good question, and the answer entirely depends on the level of study as well as the nature of the examination. If you are writing a timed essay for a school exam, you are unlikely to need any form of referencing. If, however, you are writing an essay as part of coursework or at a higher education institution, you may need to refer to the specific guidelines of that institution.

Again, this will depend on the type of essay you are being asked to write. If you are writing a longer essay or writing at a higher educational level, it can be useful to refer to other poems in the writer’s repertoire to help make comments on an aspect of the poem you are primarily writing about. However, for the kind of essay outlined in this article, you should focus solely on the poem you have been asked to write about.

This is one of the most common concerns students have about writing essays . Ultimately, the quality of an essay is more likely to be determined by the quality of paragraphs than the quantity anyway, so you should focus on making your paragraphs as good as they can be. Beyond this, it is important to remember that the time required to write a paragraph is not fixed. The more you write, the faster they will become. You should trust the process, focus on making each paragraph as good as it can be, and you’ll be amazed at how the timing issue takes care of itself.

Other Resources

We hope you have found this article useful and would love for you to comment or reach out to us if you have any queries about what we’ve written. We’d love to hear your feedback!

In the meantime, we’ve collated a list of resources you might find helpful when setting out to tackle a poetry essay, which you can find below.

Do poems have to rhyme?
10 important elements of poetry
How to analyze a poem with SMILE
How to approach unseen poetry
18 Different Types of Themes in Poetry

Home » Poetry Explained » How to Write a Poetry Essay (Complete Guide)

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Santamaria, Joe. "How to Write a Poetry Essay (Complete Guide)". Poem Analysis , https://poemanalysis.com/how-to-write-a-poetry-essay/ . Accessed 15 September 2024.

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20 Easy Poetry Writing Prompts and Exercises

Although I mostly write fiction now, I started out writing poems. My MFA is even in poetry. I’ve taught beginning poetry workshops at university and also in some fairly unusual settings.

I know a lot of people can use ideas for poems, poetry writing prompts, and inspiration. Even if you write poetry all the time, one of these idea starters might spark your muse or take your writing in a fresh direction. And if you’re a teacher—whether you teach creative writing, English, or grade school—you might be able to adapt one of these for your class!

My favorite thing about poetry is that there aren’t any real rules about how to write a poem. When you find your creative inspiration—whether it’s love, life, or something else—you can just let the words flow. (You can always shape it up later.)

Here are some idea starters, prompts, and exercises that have worked for me before as a poet. You might want to pin or bookmark them for future reference!

20 Easy Poetry Writing Prompts and Exercises #ideas for poems #how to write a poem #classroom #creative writing #idea starters

1. Pick a song on your iPod, phone, or a playlist at random and let it influence you as you quickly write a first draft of a poem.

2. Go to a café, library, or fast food restaurant. Sit where you can see the door. Write a poem about the next person who walks in.

3. You can also do this in a public place where there are a lot of people talking: write a poem based on an overheard conversation.

4. Write a poem about a wild animal. Mary Oliver, who passed away recently and who was such a great talent and inspiration, has written many poems like this, including “The Hermit Crab,” “ The Shark ,” and “ Wild Geese .”

5. Write a poem inspired by a piece of art. (By the way, the word for a poem or literary work inspired by visual art is ekphrasis . Pretty cool, right?)

6. Write a poem with a refrain: a line or a few lines that repeat, like the chorus of a song.

7. This isn’t the easiest poetry-writing exercise…but I’ve gotten some good poems this way!

Set your alarm for two hours earlier than you usually wake up. Put a notebook and pen next to your bed. When you wake up, free-write for about fifteen minutes. (“Free-writing” means “writing down whatever pops into your head, without thinking too hard about it.”) If you woke up in the middle of a dream, use the dream as inspiration; otherwise, just write whatever comes into your head. Go back to sleep. Later, turn your free-writing into a poem.

8. Write a poem that’s an open letter to a whole group of people.

9. Write a poem that’s a set of directions or instructions.

10. Write a poem about a food. The poet Kevin Young has many examples to inspire you, including “Ode to Gumbo”:

11. Write a poem in which every line begins with the same word. You can change that in revision…or maybe you won’t want to.

12. For this one, you’ll need to either write in a notebook or journal, or on your phone. Go to a store that would be a weird place to write a poem—like a convenience store, a department store, or a drugstore—and write a quick poem.

13. Write a poem that focuses on one color. Federico García Lorca’s poem “Somnambulist Ballad,” translated from the Spanish, or Diane Wakoski’s poem “Blue Monday” might inspire you.

14. Pretend you’re a fictional character from a book, movie, or TV show. Write a poem in their voice.

15. Write an acrostic poem. The first letter of each line spells out a word vertically down the left-hand side of the page. Even for serious poets who would never try to publish an acrostic poem, this is a great exercise to get creative juices flowing.

16. lose your eyes, flip through a book, and put your finger on a page. Whatever word you’re pointing at, use it as a poem title and write that poem.

17. Write a poem late at night, by hand, by candlelight.

18. Fill a page with free-writing using your non-dominant hand. This can help you tap into less rational, more creative thought patterns.

19. Write a poem with very long lines. Walt Whitman’s collection Leaves of Grass might inspire you.

20. Write a poem saying goodbye to someone or something. It could be a happy poem, a sad poem, or both.

I hope you enjoyed this list of creative writing exercises and poetry prompts!

Would you like some more ideas? My book 5,000 Writing Prompts has 80 more poetry-writing exercises in addition to the ones on this list, plus hundreds of master plots by fiction genre, dialogue and character prompts, and much more.

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Do you have a method or exercise that inspires you? Let us know in the comments! I’ve said it before, but I learn so much from the comment section, and I always appreciate it. Thanks for reading, and happy writing!

5 JOURNAL EXERCISES FOR SELF-ESTEEM #journal exercises for healing #journal prompts #journal exercises for depression #journal ideas #journal exercises for anxiety #mental health #creativity

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Top 20 Famous Poems: Inspiring Poems For Your Next Essay

Are you looking for famous poems to study for your next essay? Then, check out these top 20 poems to inspire your next writing project.

Poetry has a way of capturing human emotion and conveying it in the written word through rhyme and meter. Many famous poets have made their mark on literature worldwide, writing everything from love poems to nonsense poems that explore the way words can work together to create verse.

Taking a closer look at famous poems can help to truly understand the impact that poetry has had. Here are 20 works of famous poetry that have impacted the world of literature.

1.“Still I Rise” by Maya Angelou

2. “stopping by woods on a snowy evening” by robert frost, 3. “the road not taken” by robert frost, 4. sonnet 18 by william shakespeare, 5. “do not go gentle into that good night” by dylan thomas, 6. “i wandered lonely as a cloud” by william wordsworth, 7. “how do i love thee” by elizabeth barrett browning, 8. “she walks in beauty” by lord byron, 9. “the waste land” by t.s. eliot, 10. “the raven” by edgar allan poe, 11. “jabberwocky” by lewis carroll, 12. “o captain my captain” by walt whitman, 13. “invictus” by william ernest henley, 14. “the love song of j. alfred prufrock” by t.s. eliot, 15. “fire and ice” by robert frost, 16. “every day you play” by pablo neruda, 17. “because i could not stop for death” by emily dickinson, 18. “if-” by rudyard kipling, 19. “paul revere’s ride” by henry wadsworth longfellow, 20. “ozymandias” by percy bysshe shelley.

“ Still I Rise ” is in the third poetry collection by American poet Maya Angelou. This poem pays homage to the human spirit even as it overcomes discrimination and hardship. To write, Angelou tapped into her experiences as a black American woman.

In the poem, Angelou talks bout how others have downplayed her , her accomplishment, and her people, trying to break her spirit. And yet, she rises above these problems to find success.

“You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise.”

Written in 1922, “ Stopping by the Woods on a Snowy Evening ” uses imagery, personification, and repetition to create a memorable poem. It displays iambic tetrameter and appears on the surface to have a simple meaning. This poem is distinctive in how simple it appears, yet how well it holds to the meter and rhyme scheme. Simplicity and accuracy are not easy to attain.

“Whose woods these are I think I know. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow.“

Perhaps one of the most commonly-studied poems in American literature, “ The Road Not Taken ,” talks about a young man traveling through the forest when he comes to a fork in the road. He chooses the “one less traveled by” and states it has made all the difference. The final lines of this poem have become part of modern society, showing up in movies, commercials, and graduation speeches every year.

Many people know the final lines of this poem, even if they do not know that they came from a famous American poet. The poem’s lines are now part of over 400 book titles or subtitles, and that fact alone, combined with its general popularity, earns it a spot on this list.

“I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference.”

Perhaps one of his most famous love poems, Sonnet 18 , starts with one of Shakespeare’s most iconic lines. As he compares his lady love to a summer’s day, hearts swoon, and romantics take note.

Sonnet 18 follows the 14-line structure of most English sonnets. It has three quatrains and a couplet and follows iambic pentameter. The poem’s romantic lines make it a favorite to quote to an object of affection.

“Shall I compare thee to a summer’s day? Thou art more lovely and more temperate. Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date.”

This famous poem by Dylan Thomas is read at two out of every three funerals . It captures the feelings brought on by death and highlights how people who love someone want them to fight against the reality of the end of life.

“ Do Not Go Gentle into That Good Night ” is particularly popular because it sounds so beautiful when read aloud. Thomas got much of his income from working on the radio, and as such, he learned the power of the spoken human voice. This understanding is reflected in the cadence of his verses.

“Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light.”

Also known as “Daffodils,” this famous poem from William Wordsworth was written in the early 1800s. It took its inspiration from a walk Wordsworth took with his sister around Glencoyne Bay, where the two came upon a large field of daffodils.

“I Wandered Lonely as a Cloud ” is popular due to its rich imagery. When someone reads it, they can picture the daffodils dancing on the hill. However, unlike other famous poems, it does not necessarily have a double meaning but is simply a tribute to something beautiful in nature.

“I wandered lonely as a cloud That floats on high o’er vales and hills, When all at once I saw a crowd, A host of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze.”

How Do I Love Thee” is the title of Sonnet 43 by Elizabeth Barrett Browning. This romantic poem indicates that the different ways the speaker loves the object of her affections simply cannot be counted.

Throughout the poem, Browning exudes her passionate love for her husband . She even indicates that her love fills the quiet moments that happen in a home when two people live together. It follows the traditional abba, abba, cd, cd, cd sonnet rhyme scheme.

“How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of being and ideal grace.”

This short, lyrical poem follows the iambic tetrameter pattern. It was written in 1814 by Lord Byron, who was inspired by Anne Beatrix Wilmont, his first cousin’s wife when he saw her at a party. “ She Walks in Beauty ” was put to music by Isaac Nation and is considered an excellent example of Romanticism in poetry.

This poem is on the list of famous poetry because of how many times it has been quoted. It has references in The Philadelphian, television shows like M.A.S.H. , Bridgerton, and White Collar, among others.

“She walks in beauty, like the night Of cloudless climes and starry skies; And all that’s best of dark and bright Meet in her aspect and her eyes; Thus mellowed to that tender light Which heaven to gaudy day denies.”

Considered one of the most influential poems of the 20th century, this poem has dissonance that mirrors what Eliot felt was the fracture of his time. Even though it was written for the 20th century, it still holds value in modern society when society still feels quite disjointed.

Throughout the lines of this poem, Eliot explores his disgust at the state of society following World War I. “ The Waste Land ” explores the thought of spiritual emptiness, which is what Eliot believed he saw in the world around him.

“April is the cruelest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain.”

Considered one of the first poems written in America , “The Raven” holds a special place in literature. This poem is considered one about grief, showing several examples of onomatopoeia with the raven tapping and rapping on the chamber door.

The repetition in “ The Raven ” drives the reader towards the end of the poem, where the author quotes the final “nevermore.” The death of his wife, Virginia, in the event that likely triggered the poem because of Poe’s grief over the loss of his wife.

“Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore— While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. ’Tis some visitor,’ I muttered, ‘tapping at my chamber door— Only this and nothing more.’”

Lewis Carroll was a novelist, but he often used poetry in his novels. “ Jabberwocky ” is a nonsense poem that was part of Carroll’s 1871 novel Through the Looking-Glass . It tells the story of killing a mythical creature named “the Jabberwock.” In the book, Alice finds the poem in a book when she visits the Red Queen.

With so many unknown words, “ Jabberwocky ” confuses even Alice in the book. The poem is in ballad style, an exciting way to study the style with nonsensical words. Yet it leaves many unanswered questions, which fits the world of Wonderland that Carroll is trying to create.

“’Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe.”

“O Captain, My Captain ” is a poem that shows an extended metaphor style. Whitman wrote it in 1865 after the assassination of President Abraham Lincoln. The poem is a tribute to Lincoln and his impact on the country during such a pivotal time in history.

In the three-stanza poem, Whitman compares Lincoln to a ship’s captain. Whitman also uses the literary device of juxtaposition to show the difference between the victory the country was experiencing and the death of its leader, who could not enjoy the victory. In the final stanza, he uses personification when talking about the shores, potentially representing the masses of people welcoming the ship, not knowing that the captain is slain.

“O Captain! my Captain! our fearful trip is done, The ship has weather’d every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring; But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead.”

“ Invictus ” is an important poem in British literature written in 1875 by William Ernest Henley. Its final quatrain is the most famous of the piece, indicating that each master the fate of their soul.

Henley battled tubercular arthritis throughout his life, diagnosed at just 12 years of age. This painful disease was challenging to live with, and he was in the hospital for the amputation of his knee when he wrote “Invictus .” Knowing the personal trials, the author was dealing with makes the poem even more inspiring to the reader.

“It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate: I am the captain of my soul.”

“The Love Song of J. Alfred Prufrock” is another famous piece by T.S. Eliot. It was his first professionally-published poem , and literary critics believe it marked the initiation of the shift between Romantic verse and Modernism.

The poem looks at the psyche of a modern man, who is simultaneously eloquent but emotionally stilted. In the poem, the speaker indicates he wants to reach out to his love interest, only to feel he cannot do so. What follows is a monologue that laments the lack of emotional connection that the author can create. Looking for more famous poems, check out our list of Mary Oliver poems .

“Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question… Oh, do not ask, “What is it?” Let us go and make our visit.”

Poet laureate Robert Frost has another short poem that is among the most famous in literature. “ Fire and Ice ” discusses the end of the world using an untraditional rhyme scheme. It asks whether the world will end in an inferno or an ice storm.

Some literary scholars believe “ Fire and Ice” were inspired by Dante’s Inferno , while others claim a conversation with astronomer Harlow Shapley was the basis. In the end, Frost wrote a poem that did not draw any conclusion about how the world will end but instead left the idea up to the reader.

“Some say the world will end in fire, Some say in ice. From what I’ve tasted of desire I hold with those who favor fire. But if it had to perish twice, I think I know enough of hate To say that for destruction ice Is also great And would suffice.”

Not all of the poets on this list come from American or English literature. For example, Nobel Prize-winning poet Pablo Neruda was from Chile and won the Prize for his contributions to literature. He was known for his ability to produce poems full of deep passion, even when talking about everyday things.

“ Every Day You Play ” is a romantic poem that implies sensuality and references flowers while talking about the love interest. It contains one of Neruda’s most famous literary lines, “I want to do with you what spring does with the cherry trees.”

“My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. Until I even believe that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.”

“Because I Could Not Stop for Death” is an elegy poem by Emily Dickinson. The six-stanza poem is written as a personal encounter with Death , a male character who drives a carriage. It indicates the speaker is not afraid of Death, which is a kind companion on this final journey.

This poem is divided into quatrains with an abcb rhyming pattern. The drive-in in the story symbolizes Dickinson’s life, and eventually, Death takes her into the afterlife. The final stanza, in which the speaker is now dead, is more abstract than the rest of the poem. If you are interested in learning about poems, learn the answer to the question is Dr. Seuss poetry .

“Because I could not stop for Death— He kindly stopped for me— The Carriage held but just Ourselves— And Immortality.”

Though he is more famous for his novels, including The Jungle Book, Rudyard Kipling was also a skilled poet named English Nobel laureate for his work. “ If- ” is, perhaps, his most famous poem. The work is written to serve as parental advice to Kipling’s son, John, advocating for him to look beyond what other people think of him and to make the most out of life’s difficult situations.

Each couplet in the poem starts with the word “if.” it expresses its meaning clearly, serving as a mantra to live by, which may have been Kipling’s goal. Throughout the lines, Kipling gives practical advice for dreaming and planning while keeping one’s head grounded in realistic goals.

“If you can keep your head when all about you Are losing theirs and blaming it on you; If you can trust yourself when all men doubt you, But make allowance for their doubting too; If you can wait and not be tired by waiting, Or, being lied about, don’t deal in lies, Or, being hated, don’t give way to hating, And yet don’t look too good, nor talk too wise;”

Longfellow is often revered as one of the most influential American poets , and “Paul Revere’s Ride” is one of his most famous pieces. While this poem does not have much literary analysis because it tells the tale of Revere’s famous ride, its regular rhyme and measure give the impression of a horse galloping through the towns.

Through this poem, Longfellow memorialized Paul Revere’s famous ride. He received inspiration from a tour of Boston he took, giving him the chance to see many of the sights of the famous day for himself. He did take some poetic license in his work, but his line “one, if by land, and two, if by sea” immortalized the signal lanterns that were part of the historic event.

“Listen, my children, and you shall hear Of the midnight ride of Paul Revere, On the eighteenth of April, in Seventy-Five: Hardly a man is now alive Who remembers that famous day and year.”

“ Ozymandias ” is a sonnet by Percy Bysshe Shelley, a 19th-century English Romantic poet. The poem received its inspiration from the Rameses II statue on display at the British Museum during Shelley’s time. It warns against hubris and arrogance, which are common in great leaders.

The sonnet uses iambic pentameter. It showcases the sad image of a fallen statue that once stood to head the greatness of the Pharaoh. Where once a mighty king ruled the land, nothing is left but a decaying, wrecked statute. To learn more, check out our round-up of the best 10 concrete poems !

“And on the pedestal, these words appear: My name is Ozymandias, King of Kings; Look on my Works, ye Mighty, and despair! Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away.”

To learn how to write a poem step-by-step, let’s start where all poets start: the basics.

This article is an in-depth introduction to how to write a poem. We first answer the question, “What is poetry?” We then discuss the literary elements of poetry, and showcase some different approaches to the writing process—including our own seven-step process on how to write a poem step by step.

So, how do you write a poem? Let’s start with what poetry is.

How to Write a Poem: Contents

What Poetry Is

Literary Devices

How to Write a Poem, in 7 Steps

How to write a poem: different approaches and philosophies.

Okay, I Know How to Write a Good Poem. What Next?

It’s important to know what poetry is—and isn’t—before we discuss how to write a poem. The following quote defines poetry nicely:

“Poetry is language at its most distilled and most powerful.” —Former US Poet Laureate Rita Dove

Poetry Conveys Feeling

People sometimes imagine poetry as stuffy, abstract, and difficult to understand. Some poetry may be this way, but in reality poetry isn’t about being obscure or confusing. Poetry is a lyrical, emotive method of self-expression, using the elements of poetry to highlight feelings and ideas.

A poem should make the reader feel something.

In other words, a poem should make the reader feel something—not by telling them what to feel, but by evoking feeling directly.

Here’s a contemporary poem that, despite its simplicity (or perhaps because of its simplicity), conveys heartfelt emotion.

Poem by Langston Hughes

I loved my friend. He went away from me. There’s nothing more to say. The poem ends, Soft as it began— I loved my friend.

Poetry is Language at its Richest and Most Condensed

Unlike longer prose writing (such as a short story, memoir, or novel), poetry needs to impact the reader in the richest and most condensed way possible. Here’s a famous quote that enforces that distinction:

“Prose: words in their best order; poetry: the best words in the best order.” —Samuel Taylor Coleridge

So poetry isn’t the place to be filling in long backstories or doing leisurely scene-setting. In poetry, every single word carries maximum impact.

Poetry Uses Unique Elements

Poetry is not like other kinds of writing: it has its own unique forms, tools, and principles. Together, these elements of poetry help it to powerfully impact the reader in only a few words.

The elements of poetry help it to powerfully impact the reader in only a few words.

Most poetry is written in verse , rather than prose . This means that it uses line breaks, alongside rhythm or meter, to convey something to the reader. Rather than letting the text break at the end of the page (as prose does), verse emphasizes language through line breaks.

Poetry further accentuates its use of language through rhyme and meter. Poetry has a heightened emphasis on the musicality of language itself: its sounds and rhythms, and the feelings they carry.

These devices—rhyme, meter, and line breaks—are just a few of the essential elements of poetry, which we’ll explore in more depth now.

More About What Poetry Is

Learn more about what poetry is here:

https://writers.com/what-is-poetry

Understanding the Elements of Poetry

As we explore how to write a poem step by step, these three major literary elements of poetry should sit in the back of your mind:

Rhythm (Sound, Rhyme, and Meter)

1. Elements of Poetry: Rhythm

“Rhythm” refers to the lyrical, sonic qualities of the poem. How does the poem move and breathe; how does it feel on the tongue?

Traditionally, poets relied on rhyme and meter to accomplish a rhythmically sound poem. Free verse poems —which are poems that don’t require a specific length, rhyme scheme, or meter—only became popular in the West in the 20th century, so while rhyme and meter aren’t requirements of modern poetry, they are required of certain poetry forms.

Poetry is capable of evoking certain emotions based solely on the sounds it uses. Words can sound sinister, percussive, fluid, cheerful, dour, or any other noise/emotion in the complex tapestry of human feeling.

Take, for example, this excerpt from the poem “Beat! Beat! Drums!” by Walt Whitman:

Red — “b” sounds

Blue — “th” sounds

Green — “w” and “ew” sounds

Purple — “s” sounds

Orange — “d” and “t” sounds

This poem has a lot of percussive, disruptive sounds that reinforce the beating of the drums. The “b,” “d,” “w,” and “t” sounds resemble these drum beats, while the “th” and “s” sounds are sneakier, penetrating a deeper part of the ear. The cacophony of this excerpt might not sound “lyrical,” but it does manage to command your attention, much like drums beating through a city might sound.

To learn more about consonance and assonance, euphony and cacophony, onomatopoeia , and the other uses of sound, take a look at our article “12 Literary Devices in Poetry.”

https://writers.com/literary-devices-in-poetry

It would be a crime if you weren’t primed on the ins and outs of rhymes. “Rhyme” refers to words that have similar pronunciations, like this set of words: sound, hound, browned, pound, found, around.

Many poets assume that their poetry has to rhyme, and it’s true that some poems require a complex rhyme scheme. However, rhyme isn’t nearly as important to poetry as it used to be. Most traditional poetry forms—sonnets, villanelles , rimes royal, etc.—rely on rhyme, but contemporary poetry has largely strayed from the strict rhyme schemes of yesterday.

There are three types of rhymes:

Homophony: Homophones are words that are spelled differently but sound the same, like “tail” and “tale.” Homophones often lead to commonly misspelled words .
Perfect Rhyme: Perfect rhymes are word pairs that are identical in sound except for one minor difference. Examples include “slant and pant,” “great and fate,” and “shower and power.”
Slant Rhyme: Slant rhymes are word pairs that use the same sounds, but their final vowels have different pronunciations. For example, “abut” and “about” are nearly-identical in sound, but are pronounced differently enough that they don’t completely rhyme. This is also known as an oblique rhyme or imperfect rhyme.

Meter refers to the stress patterns of words. Certain poetry forms require that the words in the poem follow a certain stress pattern, meaning some syllables are stressed and others are unstressed.

What is “stressed” and “unstressed”? A stressed syllable is the sound that you emphasize in a word. The bolded syllables in the following words are stressed, and the unbolded syllables are unstressed:

Un• stressed
Plat• i• tud• i•nous
De •act•i• vate
Con• sti •tu• tion•al

The pattern of stressed and unstressed syllables is important to traditional poetry forms. This chart, copied from our article on form in poetry , summarizes the different stress patterns of poetry.

Meter	Pattern	Example
Iamb	Unstressed–stressed	Ex
Trochee	Stressed–unstressed	ple
Pyrrh	Equally unstressed	Pyrrhic
Spondee	Equally stressed
Dactyl	Stressed–unstressed–unstressed	ener
Anapest	Unstressed–unstressed–stressed	Compre
Amphibrach (rare)	Unstressed–stressed–unstressed	Fla go

2. Elements of Poetry: Form

“Form” refers to the structure of the poem. Is the poem a sonnet , a villanelle, a free verse piece, a slam poem, a contrapuntal, a ghazal , a blackout poem , or something new and experimental?

Form also refers to the line breaks and stanza breaks in a poem. Unlike prose, where the end of the page decides the line breaks, poets have control over when one line ends and a new one begins. The words that begin and end each line will emphasize the sounds, images, and ideas that are important to the poet.

To learn more about rhyme, meter, and poetry forms, read our full article on the topic:

https://writers.com/what-is-form-in-poetry

3. Elements of Poetry: Literary Devices

“Poetry: the best words in the best order.” — Samuel Taylor Coleridge

How does poetry express complex ideas in concise, lyrical language? Literary devices—like metaphor, symbolism , juxtaposition , irony , and hyperbole—help make poetry possible. Learn how to write and master these devices here:

https://writers.com/common-literary-devices

To condense the elements of poetry into an actual poem, we’re going to follow a seven-step approach. However, it’s important to know that every poet’s process is different. While the steps presented here are a logical path to get from idea to finished poem, they’re not the only tried-and-true method of poetry writing. Poets can—and should!—modify these steps and generate their own writing process.

Nonetheless, if you’re new to writing poetry or want to explore a different writing process, try your hand at our approach. Here’s how to write a poem step by step!

1. Devise a Topic

The easiest way to start writing a poem is to begin with a topic.

However, devising a topic is often the hardest part. What should your poem be about? And where can you find ideas?

Here are a few places to search for inspiration:

Other Works of Literature: Poetry doesn’t exist in a vacuum—it’s part of a larger literary tapestry, and can absolutely be influenced by other works. For example, read “The Golden Shovel” by Terrance Hayes , a poem that was inspired by Gwendolyn Brooks’ “We Real Cool.”
Real-World Events: Poetry, especially contemporary poetry, has the power to convey new and transformative ideas about the world. Take the poem “A Cigarette” by Ilya Kaminsky , which finds community in a warzone like the eye of a hurricane.
Your Life: What would poetry be if not a form of memoir? Many contemporary poets have documented their lives in verse. Take Sylvia Plath’s poem “Full Fathom Five” —a daring poem for its time, as few writers so boldly criticized their family as Plath did.
The Everyday and Mundane: Poetry isn’t just about big, earth-shattering events: much can be said about mundane events, too. Take “Ode to Shea Butter” by Angel Nafis , a poem that celebrates the beautiful “everydayness” of moisturizing.
Nature: The Earth has always been a source of inspiration for poets, both today and in antiquity. Take “Wild Geese” by Mary Oliver , which finds meaning in nature’s quiet rituals.
Writing Exercises: Prompts and exercises can help spark your creativity, even if the poem you write has nothing to do with the prompt! Here’s 24 writing exercises to get you started.

At this point, you’ve got a topic for your poem. Maybe it’s a topic you’re passionate about, and the words pour from your pen and align themselves into a perfect sonnet! It’s not impossible—most poets have a couple of poems that seemed to write themselves.

However, it’s far more likely you’re searching for the words to talk about this topic. This is where journaling comes in.

Sit in front of a blank piece of paper, with nothing but the topic written on the top. Set a timer for 15-30 minutes and put down all of your thoughts related to the topic. Don’t stop and think for too long, and try not to obsess over finding the right words: what matters here is emotion, the way your subconscious grapples with the topic.

At the end of this journaling session, go back through everything you wrote, and highlight whatever seems important to you: well-written phrases, poignant moments of emotion, even specific words that you want to use in your poem.

Journaling is a low-risk way of exploring your topic without feeling pressured to make it sound poetic. “Sounding poetic” will only leave you with empty language: your journal allows you to speak from the heart. Everything you need for your poem is already inside of you, the journaling process just helps bring it out!

Learn more about keeping a daily journal here:

How to Start Journaling: Practical Advice on How to Journal Daily

3. Think About Form

As one of the elements of poetry, form plays a crucial role in how the poem is both written and read. Have you ever wanted to write a sestina ? How about a contrapuntal, or a double cinquain, or a series of tanka? Your poem can take a multitude of forms, including the beautifully unstructured free verse form; while form can be decided in the editing process, it doesn’t hurt to think about it now.

4. Write the First Line

After a productive journaling session, you’ll be much more acquainted with the state of your heart. You might have a line in your journal that you really want to begin with, or you might want to start fresh and refer back to your journal when you need to! Either way, it’s time to begin.

What should the first line of your poem be? There’s no strict rule here—you don’t have to start your poem with a certain image or literary device. However, here’s a few ways that poets often begin their work:

Set the Scene: Poetry can tell stories just like prose does. Anne Carson does just this in her poem “Lines,” situating the scene in a conversation with the speaker’s mother.
Start at the Conflict : Right away, tell the reader where it hurts most. Margaret Atwood does this in “Ghost Cat,” a poem about aging.
Start With a Contradiction: Juxtaposition and contrast are two powerful tools in the poet’s toolkit. Joan Larkin’s poem “Want” begins and ends with these devices. Carlos Gimenez Smith also begins his poem “Entanglement” with a juxtaposition.
Start With Your Title: Some poets will use the title as their first line, like Ron Padgett’s poem “Ladies and Gentlemen in Outer Space.”

There are many other ways to begin poems, so play around with different literary devices, and when you’re stuck, turn to other poetry for inspiration. You can learn more about starting a poem here:

How to Start a Poem (When You Don’t Know Where to Start)

5. Develop Ideas and Devices

You might not know where your poem is going until you finish writing it. In the meantime, stick to your literary devices. Avoid using too many abstract nouns, develop striking images, use metaphors and similes to strike interesting comparisons, and above all, speak from the heart.

6. Write the Closing Line

Some poems end “full circle,” meaning that the images the poet used in the beginning are reintroduced at the end. Gwendolyn Brooks does this in her poem “my dreams, my work, must wait till after hell.”

Yet, many poets don’t realize what their poems are about until they write the ending line . Poetry is a search for truth, especially the hard truths that aren’t easily explained in casual speech. Your poem, too, might not be finished until it comes across a necessary truth, so write until you strike the heart of what you feel, and the poem will come to its own conclusion.

7. Edit, Edit, Edit!

Do you have a working first draft of your poem? Congratulations! Getting your feelings onto the page is a feat in itself.

Yet, no guide on how to write a poem is complete without a note on editing. If you plan on sharing or publishing your work, or if you simply want to edit your poem to near-perfection, keep these tips in mind.

Adjectives and Adverbs: Use these parts of speech sparingly. Most imagery shouldn’t rely on adjectives and adverbs, because the image should be striking and vivid on its own, without too much help from excess language.
Concrete Line Breaks: Line breaks help emphasize important words, making certain images and themes clearer to the reader. As a general rule, most of your lines should start and end with concrete words—nouns and verbs especially.
Stanza Breaks: Stanzas are like paragraphs to poetry. A stanza can develop a new idea, contrast an existing idea, or signal a transition in the poem’s tone. Make sure each stanza clearly stands for something as a unit of the poem.
Mixed Metaphors: A mixed metaphor is when two metaphors occupy the same idea, making the poem unnecessarily difficult to understand. Here’s an example of a mixed metaphor: “a watched clock never boils.” The meaning can be discerned, but the image remains unclear. Be wary of mixed metaphors—though some poets (like Shakespeare) make them work, they’re tricky and often disruptive.
Abstractions: Above all, avoid using excessively abstract language. It’s fine to use the word “love” 2 or 3 times in a poem, but don’t use it twice in every stanza. Let the imagery in your poem express your feelings and ideas, and only use abstractions as brief connective tissue in otherwise-concrete writing.

Lastly, don’t feel pressured to “do something” with your poem. Not all poems need to be shared and edited. Poetry doesn’t have to be “good,” either—it can simply be a statement of emotions by the poet, for the poet. Publishing is an admirable goal, but also, give yourself permission to write bad poems, unedited poems, abstract poems, and poems with an audience of one. Write for yourself—editing is for the other readers.

Poetry is the oldest literary form, pre-dating prose, theater, and the written word itself. As such, there are many different schools of thought when it comes to writing poetry. You might be wondering how to write a poem through different methods and approaches: here’s four philosophies to get you started.

How to Write a Poem: Poetry as Emotion

If you asked a Romantic Poet “what is poetry?”, they would tell you that poetry is the spontaneous emotion of the soul.

The Romantic Era viewed poetry as an extension of human emotion—a way of perceiving the world through unbridled creativity, centered around the human soul. While many Romantic poets used traditional forms in their poetry, the Romantics weren’t afraid to break from tradition, either.

To write like a Romantic, feel—and feel intensely. The words will follow the emotions, as long as a blank page sits in front of you.

How to Write a Poem: Poetry as Stream of Consciousness

If you asked a Modernist poet, “What is poetry?” they would tell you that poetry is the search for complex truths.

Modernist Poets were keen on the use of poetry as a window into the mind. A common technique of the time was “Stream of Consciousness,” which is unfiltered writing that flows directly from the poet’s inner dialogue. By tapping into one’s subconscious, the poet might uncover deeper truths and emotions they were initially unaware of.

Depending on who you are as a writer, Stream of Consciousness can be tricky to master, but this guide covers the basics of how to write using this technique.

How to Write a Poem: Mindfulness

Mindfulness is a practice of documenting the mind, rather than trying to control or edit what it produces. This practice was popularized by the Beat Poets , who in turn were inspired by Eastern philosophies and Buddhist teachings. If you asked a Beat Poet “what is poetry?”, they would tell you that poetry is the human consciousness, unadulterated.

To learn more about the art of leaving your mind alone , take a look at our guide on Mindfulness, from instructor Marc Olmsted.

https://writers.com/mindful-writing

How to Write a Poem: Poem as Camera Lens

Many contemporary poets use poetry as a camera lens, documenting global events and commenting on both politics and injustice. If you find yourself itching to write poetry about the modern day, press your thumb against the pulse of the world and write what you feel.

Additionally, check out these two essays by Electric Literature on the politics of poetry:

What Can Poetry Do That Politics Can’t?
Why All Poems Are Political (TL;DR: Poetry is an urgent expression of freedom).

Okay, I Know How to Write a Poem. What Next?

Poetry, like all art forms, takes practice and dedication. You might write a poem you enjoy now, and think it’s awfully written 3 years from now; you might also write some of your best work after reading this guide. Poetry is fickle, but the pen lasts forever, so write poems as long as you can!

Once you understand how to write a poem, and after you’ve drafted some pieces that you’re proud of and ready to share, here are some next steps you can take.

Publish in Literary Journals

Want to see your name in print? These literary journals house some of the best poetry being published today.

https://writers.com/best-places-submit-poetry-online

Assemble and Publish a Manuscript

A poem can tell a story. So can a collection of poems. If you’re interested in publishing a poetry book, learn how to compose and format one here:

https://writers.com/poetry-manuscript-format

How to Write a Poem: Join a Writing Community

Writers.com is an online community of writers, and we’d love it if you shared your poetry with us! Join us on Facebook and check out our upcoming poetry courses .

Poetry doesn’t exist in a vacuum, it exists to educate and uplift society. The world is waiting for your voice, so find a group and share your work!

Sean Glatch

39 comments.

super useful! love these articles 💕

Finally found a helpful guide on Poetry’. For many year, I have written and filed numerous inspired pieces from experiences and moment’s of epiphany. Finally, looking forward to convertinb to ‘poetry format’. THANK YOU, KINDLY. 🙏🏾

Indeed, very helpful, consize. I could not say more than thank you.

I’ve never read a better guide on how to write poetry step by step. Not only does it give great tips, but it also provides helpful links! Thank you so much.

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[…] How to Write a Poem, Step-by-Step […]

This is really helpful, thanks so much

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People must reboot this and bookmark it. Your writing and explanation is detailed to the core. Thanks for helping me understand different poetic elements. While reading, actually, I start thinking about how my husband construct his songs and why other artists lack that organization (or desire to be better). Anyway, this gave me clarity.

I’m starting to use poetry as an outlet for my blogs, but I also have to keep in mind I’m transitioning from a blogger to a poetic sweet kitty potato (ha). It’s a unique transition, but I’m so used to writing a lot, it’s strange to see an open blog post with a lot of lines and few paragraphs.

Anyway, thanks again!

I’m happy this article was so helpful, Eternity! Thanks for commenting, and best of luck with your poetry blog.

Yours in verse, Sean

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Thanks for the step step explanation in how to write poems it’s a very helpful to me and also for everyone one. THANKYOU

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[…] Write a short story/poem (Here are some tips) […]

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Really great. Nothing less.

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After reading a Charles Bukowski poem, “My Cats,” I found you piece here after doing a search on poetry writing format. Your article is wonderful as is your side article on journaling. I want to dig into both and give it another go another after writing poetry when I was at university. Thank you!

Thanks for reading, Vicki! Let us know how we can support your writing journey. 🙂

Thank you for the nice and informative post. This article truly offers a lot more details about this topic.

Very useful information. I’m glad to see you discussed rhyming, too. I was in the perhaps mistaken idea that rhyming is frowned upon in contemporary poems.

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Thanks for this Beautiful 🌹 step by step piece. As I dive into learning how to write poems I will probably find them helpful and refer to them later on again when needed. Thanks♥️

How to Write a Poem: Get Tips from a Published Poet

About the author.

Reedsy's editorial team is a diverse group of industry experts devoted to helping authors write and publish beautiful books.

About Savannah Cordova

Savannah is a senior editor with Reedsy and a published writer whose work has appeared on Slate, Kirkus, and BookTrib. Her short fiction has appeared in the Owl Canyon Press anthology, "No Bars and a Dead Battery".

Ever wondered how to write a poem? For writers who want to dig deep, composing verse lets you sift the sand of your experience for new glimmers of insight. And if you’re in it for less lofty reasons, shaping a stanza from start to finish can teach you to have fun with language in totally new ways.

To help demystify the subtle art of writing verse, we chatted with Reedsy editor (and published poet) Lauren Stroh . In 8 simple steps, here's how to write a poem:

1. Brainstorm your starting point

2. free-write in prose first, 3. choose your poem’s form and style, 4. read for inspiration, 5. write for an audience of one — you, 6. read your poem out loud, 7. take a break to refresh your mind, 8. have fun revising your poem.

If you’re struggling to write your poem in order from the first line to the last, a good trick is opening with whichever starting point your brain can latch onto as it learns to think in verse.

Your starting point can be a line or a phrase you want to work into your poem, though it doesn’t have to take the form of language at all. It might be a picture in your head, as particular as the curl of hair over your daughter’s ear as she sleeps, or as capacious as the sea. It can even be a complicated feeling you want to render with precision — or maybe it's a memory you return to again and again. Think of this starting point as the "why" behind your poem, your impetus for writing it in the first place.

If you’re worried your starting point isn’t grand enough to merit an entire poem, stop right there. After all, literary giants have wrung verse out of every topic under the sun, from the disappointments of a post- Odyssey Odysseus to illicitly eaten refrigerated plums .

How to Write a Poem | Tennyson's "Ulysses" revisits a character from Greek epic, but that's only one of the topics you can address in your poetry

As Lauren Stroh sees it, your experience is more than worthy of being immortalized in verse.

"I think the most successful poems articulate something true about the human experience and help us look at the everyday world in new and exciting ways."

It may seem counterintuitive but if you struggle to write down lines that resonate, perhaps start with some prose writing first. Take this time to delve into the image, feeling, or theme at the heart of your poem, and learn to pin it down with language. Give yourself a chance to mull things over before actually writing the poem.

Take 10 minutes and jot down anything that comes to mind when you think of your starting point. You can write in paragraphs, dash off bullet points, or even sketch out a mind map . The purpose of this exercise isn’t to produce an outline: it’s to generate a trove of raw material, a repertoire of loosely connected fragments to draw upon as you draft your poem in earnest.

Silence your inner critic for now

And since this is raw material, the last thing you should do is censor yourself. Catch yourself scoffing at a turn of phrase, overthinking a rhetorical device, or mentally grousing, “This metaphor will never make it into the final draft”? Tell that inner critic to hush for now and jot it down anyway. You just might be able to refine that slapdash, off-the-cuff idea into a sharp and poignant line.

Whether you’ve free-written your way to a beginning or you’ve got a couple of lines jotted down, before you complete a whole first draft of your poem, take some time to think about form and style.

The form of a poem often carries a lot of meaning beyond the structural "rules" that it offers the writer. The rhyme patterns of sonnets — and the Shakespearean influence over the form — usually lend themselves to passionate pronouncements of love, whether merry or bleak. On the other hand, acrostic poems are often more cheeky because of the secret meaning that it hides in plain sight.

Even if your material begs for a poem without formal restrictions, you’ll still have to decide on the texture and tone of your language. Free verse, after all, is as diverse a form as the novel, ranging from the breathless maximalism of Walt Whitman to the cool austerity of H.D. Where on this spectrum will your poem fall?

How to Write a Poem | H.D.'s poetry shows off a linguistically sparse, imagistically concrete style

Choosing a form and tone for your poem early on can help you work with some kind of structure to imbue more meanings to your lines. And if you’ve used free writing to generate some raw material for yourself, a structure can give you the guidance you need to organize your notes into a poem.

A poem isn’t a nonfiction book or a historical novel: you don’t have to accumulate reams of research to write a good one. That said, some outside reading can stave off writer’s block and inspire you throughout the writing process .

Build a short, personalized syllabus around your poem’s form and subject. Say you’re writing a sensorily rich, linguistically spare bit of free verse about a relationship of mutual jealousy between mother and daughter. In that case, you’ll want to read some key Imagist poems , alongside some poems that sketch out complicated visions of parenthood in unsentimental terms.

How to Write a Poem | Ezra Pound's two-line poem is a masterclass in using everyday language in verse

And if you don’t want to limit yourself to poems similar in form and style to your own, Lauren has you covered with an all-purpose reading list:

The Dream of a Common Languag e by Adrienne Rich
Anything you can get your hands on by Mary Oliver
The poems “ Failures in Infinitives ” and “ Fish & Chips ” by Bernadette Mayer.
I often gift Lunch Poems by Frank O’Hara to friends who write.
Everyone should read the interviews from the Paris Review’s archives . It’s just nice to observe how people familiar with language talk when they’re not performing, working, or warming up to write.

Even with preparation, the pressure of actually producing verse can still awaken your inner metrophobe (or poetry-fearer). What if people don’t understand — or even misinterpret — what you’re trying to say? What if they don’t feel drawn to your work? To keep the anxiety at bay, Lauren suggests writing for yourself, not for an external audience.

"I absolutely believe that poets can determine the validity of their own success if they are changed by the work they are producing themselves; if they are challenged by it; or if it calls into question their ethics, their habits, or their relationship to the living world. And personally, my life has certainly been changed by certain lines I’ve had the bravery to think and then write — and those moments are when I’ve felt most like I’ve made it."

You might eventually polish your work if you decide to publish your poetry down the line. (If you do, definitely check out the rest of this guide for tips and a list of magazines to submit to.) But as your first draft comes together, treat it like it’s meant for your eyes only.

A good poem doesn’t have to be pretty: maybe an easy, melodic loveliness isn’t your aim. It should, however, come alive on the page with a consciously crafted rhythm, whether hymn-like or discordant. To achieve that, read your poem aloud — at first, line by line, and then all together as a complete text.

How to Write a Poem | Emily Dickinson's poetry shows off her extraordinary musicality

Trying out every line against your ear can help you weigh out a choice between synonyms — getting you to notice, say, the watery sound of “glacial”, the brittleness of “icy,” the solidity of “cold”.

Reading out loud can also help you troubleshoot line breaks that just don't feel right. Is the line unnaturally long, forcing you to rush through it or pause in the middle for a hurried inhale? If so, do you like that destabilizing effect, or do you want to literally give the reader some room to breathe? Testing these variations aloud is perhaps the only way to answer questions like these.

While it’s incredibly exciting to complete a draft of your poem, and you might be itching to dive back in and edit it, it’s always advisable to take a break first. You don’t have to turn completely away from writing if you don’t want to. Take a week to chip away at your novel manuscript or even muse idly on your next poetic project — so long as you distance yourself from this poem a little while.

This is because, by this point, you’ve probably read out every line so many times the meaning has leached out of the syllables. With the time away, you let your mind refresh so that you can approach the piece with sharper attention and more ideas to refine it.

At the end of the day, even if you write in a well-established form, poetry is about experimenting with language, both written and spoken. Lauren emphasizes that revising a poem is thus an open-ended process that requires patience — and a sense of play.

"Have fun. Play. Be patient. Don’t take it seriously, or do. Though poems may look shorter than what you’re used to writing, they often take years to be what they really are. They change and evolve. The most important thing is to find a quiet place where you can be with yourself and really listen."

Is it time to get other people involved?

Want another pair of eyes on your poem during this process? You have options. You can swap pieces with a beta reader , workshop it with a critique group , or even engage a professional poetry editor like Lauren to refine your work — a strong option if you plan to submit it to a journal or turn it into the foundation for a chapbook.

Want a poetry expert to polish up your verse?

Professional poetry editors are on Reedsy. Sign up for free to meet them!

Learn how Reedsy can help you craft a beautiful book.

The working poet's checklist

If you decide to fly solo, here’s a checklist to work through as you revise:

✅ Hunt for clichés. Did you find yourself reaching for ready-made idioms at any point? Go back to the sentiment you were grappling with and try to capture it in stronger, more vivid terms.

✅ See if your poem begins where it should. Did you take a few lines of throat-clearing to get to the actual point? Try starting your poem further down.

✅ Make sure every line belongs. As you read each line, ask yourself: how does this contribute to the poem as a whole? Does it advance the theme, clarify the imagery, set or subvert the reader’s expectations? If you answer with something like, “It makes the poem sound nice,” consider cutting it.

Once you’ve worked your way through this checklist, feel free to brew yourself a cup of tea and sit quietly for a while, reflecting on your literary triumphs.

Whether these poetry writing tips have awakened your inner Wordsworth, or sent you happily gamboling back to prose, we hope you enjoyed playing with poetry — and that you learned something new about your approach to language.

And if you are looking to share your poetry with the world, the next post in this guide can show the ropes regarding how to publish your poems!

Anna Clarke says:

29/03/2020 – 04:37

I entered a short story competition and though I did not medal, one of the judges told me that some of my prose is very poetic. The following year I entered a poetry competition and won a bronze medal. That was my first attempt at writing poetry. I am more aware of figurative language in writing prose now. I am learning to marry the two. I don't have any poems online.

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A Full Guide to Writing a Perfect Poem Analysis Essay

01 October, 2020

14 minutes read

Author: Elizabeth Brown

Poem analysis is one of the most complicated essay types. It requires the utmost creativity and dedication. Even those who regularly attend a literary class and have enough experience in poem analysis essay elaboration may face considerable difficulties while dealing with the particular poem. The given article aims to provide the detailed guidelines on how to write a poem analysis, elucidate the main principles of writing the essay of the given type, and share with you the handy tips that will help you get the highest score for your poetry analysis. In addition to developing analysis skills, you would be able to take advantage of the poetry analysis essay example to base your poetry analysis essay on, as well as learn how to find a way out in case you have no motivation and your creative assignment must be presented on time.

What Is a Poetry Analysis Essay?

A poetry analysis essay is a type of creative write-up that implies reviewing a poem from different perspectives by dealing with its structural, artistic, and functional pieces. Since the poetry expresses very complicated feelings that may have different meanings depending on the backgrounds of both author and reader, it would not be enough just to focus on the text of the poem you are going to analyze. Poetry has a lot more complex structure and cannot be considered without its special rhythm, images, as well as implied and obvious sense.

While analyzing the poem, the students need to do in-depth research as to its content, taking into account the effect the poetry has or may have on the readers.

Preparing for the Poetry Analysis Writing

The process of preparation for the poem analysis essay writing is almost as important as writing itself. Without completing these stages, you may be at risk of failing your creative assignment. Learn them carefully to remember once and for good.

Thoroughly read the poem several times

The rereading of the poem assigned for analysis will help to catch its concepts and ideas. You will have a possibility to define the rhythm of the poem, its type, and list the techniques applied by the author.

While identifying the type of the poem, you need to define whether you are dealing with:

Lyric poem – the one that elucidates feelings, experiences, and the emotional state of the author. It is usually short and doesn’t contain any narration;
Limerick – consists of 5 lines, the first, second, and fifth of which rhyme with one another;
Sonnet – a poem consisting of 14 lines characterized by an iambic pentameter. William Shakespeare wrote sonnets which have made him famous;
Ode – 10-line poem aimed at praising someone or something;
Haiku – a short 3-line poem originated from Japan. It reflects the deep sense hidden behind the ordinary phenomena and events of the physical world;
Free-verse – poetry with no rhyme.

The type of the poem usually affects its structure and content, so it is important to be aware of all the recognized kinds to set a proper beginning to your poetry analysis.

Find out more about the poem background

Find as much information as possible about the author of the poem, the cultural background of the period it was written in, preludes to its creation, etc. All these data will help you get a better understanding of the poem’s sense and explain much to you in terms of the concepts the poem contains.

Define a subject matter of the poem

This is one of the most challenging tasks since as a rule, the subject matter of the poem isn’t clearly stated by the poets. They don’t want the readers to know immediately what their piece of writing is about and suggest everyone find something different between the lines.

What is the subject matter? In a nutshell, it is the main idea of the poem. Usually, a poem may have a couple of subjects, that is why it is important to list each of them.

In order to correctly identify the goals of a definite poem, you would need to dive into the in-depth research.

Check the historical background of the poetry. The author might have been inspired to write a poem based on some events that occurred in those times or people he met. The lines you analyze may be generated by his reaction to some epoch events. All this information can be easily found online.

Choose poem theories you will support

In the variety of ideas the poem may convey, it is important to stick to only several most important messages you think the author wanted to share with the readers. Each of the listed ideas must be supported by the corresponding evidence as proof of your opinion.

The poetry analysis essay format allows elaborating on several theses that have the most value and weight. Try to build your writing not only on the pure facts that are obvious from the context but also your emotions and feelings the analyzed lines provoke in you.

How to Choose a Poem to Analyze?

If you are free to choose the piece of writing you will base your poem analysis essay on, it is better to select the one you are already familiar with. This may be your favorite poem or one that you have read and analyzed before. In case you face difficulties choosing the subject area of a particular poem, then the best way will be to focus on the idea you feel most confident about. In such a way, you would be able to elaborate on the topic and describe it more precisely.

Now, when you are familiar with the notion of the poetry analysis essay, it’s high time to proceed to poem analysis essay outline. Follow the steps mentioned below to ensure a brilliant structure to your creative assignment.

Best Poem Analysis Essay Topics

Mother To Son Poem Analysis
We Real Cool Poem Analysis
Invictus Poem Analysis
Richard Cory Poem Analysis
Ozymandias Poem Analysis
Barbie Doll Poem Analysis
Caged Bird Poem Analysis
Ulysses Poem Analysis
Dover Beach Poem Analysis
Annabelle Lee Poem Analysis
Daddy Poem Analysis
The Raven Poem Analysis
The Second Coming Poem Analysis
Still I Rise Poem Analysis
If Poem Analysis
Fire And Ice Poem Analysis
My Papa’S Waltz Poem Analysis
Harlem Poem Analysis
Kubla Khan Poem Analysis
I Too Poem Analysis
The Juggler Poem Analysis
The Fish Poem Analysis
Jabberwocky Poem Analysis
Charge Of The Light Brigade Poem Analysis
The Road Not Taken Poem Analysis
Landscape With The Fall Of Icarus Poem Analysis
The History Teacher Poem Analysis
One Art Poem Analysis
The Wanderer Poem Analysis
We Wear The Mask Poem Analysis
There Will Come Soft Rains Poem Analysis
Digging Poem Analysis
The Highwayman Poem Analysis
The Tyger Poem Analysis
London Poem Analysis
Sympathy Poem Analysis
I Am Joaquin Poem Analysis
This Is Just To Say Poem Analysis
Sex Without Love Poem Analysis
Strange Fruit Poem Analysis
Dulce Et Decorum Est Poem Analysis
Emily Dickinson Poem Analysis
The Flea Poem Analysis
The Lamb Poem Analysis
Do Not Go Gentle Into That Good Night Poem Analysis
My Last Duchess Poetry Analysis

Poem Analysis Essay Outline

As has already been stated, a poetry analysis essay is considered one of the most challenging tasks for the students. Despite the difficulties you may face while dealing with it, the structure of the given type of essay is quite simple. It consists of the introduction, body paragraphs, and the conclusion. In order to get a better understanding of the poem analysis essay structure, check the brief guidelines below.

Introduction

This will be the first section of your essay. The main purpose of the introductory paragraph is to give a reader an idea of what the essay is about and what theses it conveys. The introduction should start with the title of the essay and end with the thesis statement.

The main goal of the introduction is to make readers feel intrigued about the whole concept of the essay and serve as a hook to grab their attention. Include some interesting information about the author, the historical background of the poem, some poem trivia, etc. There is no need to make the introduction too extensive. On the contrary, it should be brief and logical.

Body Paragraphs

The body section should form the main part of poetry analysis. Make sure you have determined a clear focus for your analysis and are ready to elaborate on the main message and meaning of the poem. Mention the tone of the poetry, its speaker, try to describe the recipient of the poem’s idea. Don’t forget to identify the poetic devices and language the author uses to reach the main goals. Describe the imagery and symbolism of the poem, its sound and rhythm.

Try not to stick to too many ideas in your body section, since it may make your essay difficult to understand and too chaotic to perceive. Generalization, however, is also not welcomed. Try to be specific in the description of your perspective.

Make sure the transitions between your paragraphs are smooth and logical to make your essay flow coherent and easy to catch.

In a nutshell, the essay conclusion is a paraphrased thesis statement. Mention it again but in different words to remind the readers of the main purpose of your essay. Sum up the key claims and stress the most important information. The conclusion cannot contain any new ideas and should be used to create a strong impact on the reader. This is your last chance to share your opinion with the audience and convince them your essay is worth readers’ attention.

Problems with writing Your Poem Analysis Essay? Try our Essay Writer Service!

Poem Analysis Essay Examples

A good poem analysis essay example may serve as a real magic wand to your creative assignment. You may take a look at the structure the other essay authors have used, follow their tone, and get a great share of inspiration and motivation.

Check several poetry analysis essay examples that may be of great assistance:

https://study.com/academy/lesson/poetry-analysis-essay-example-for-english-literature.html
https://www.slideshare.net/mariefincher/poetry-analysis-essay

Writing Tips for a Poetry Analysis Essay

If you read carefully all the instructions on how to write a poetry analysis essay provided above, you have probably realized that this is not the easiest assignment on Earth. However, you cannot fail and should try your best to present a brilliant essay to get the highest score. To make your life even easier, check these handy tips on how to analysis poetry with a few little steps.

In case you have a chance to choose a poem for analysis by yourself, try to focus on one you are familiar with, you are interested in, or your favorite one. The writing process will be smooth and easy in case you are working on the task you truly enjoy.
Before you proceed to the analysis itself, read the poem out loud to your colleague or just to yourself. It will help you find out some hidden details and senses that may result in new ideas.
Always check the meaning of words you don’t know. Poetry is quite a tricky phenomenon where a single word or phrase can completely change the meaning of the whole piece.
Bother to double check if the conclusion of your essay is based on a single idea and is logically linked to the main body. Such an approach will demonstrate your certain focus and clearly elucidate your views.
Read between the lines. Poetry is about senses and emotions – it rarely contains one clearly stated subject matter. Describe the hidden meanings and mention the feelings this has provoked in you. Try to elaborate a full picture that would be based on what is said and what is meant.

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Writing Poetry

How to Write Short Poems

Last Updated: June 9, 2024 Fact Checked

This article was co-authored by Alicia Cook and by wikiHow staff writer, Jennifer Mueller, JD . Alicia Cook is a Professional Writer based in Newark, New Jersey. With over 12 years of experience, Alicia specializes in poetry and uses her platform to advocate for families affected by addiction and to fight for breaking the stigma against addiction and mental illness. She holds a BA in English and Journalism from Georgian Court University and an MBA from Saint Peter’s University. Alicia is a bestselling poet with Andrews McMeel Publishing and her work has been featured in numerous media outlets including the NY Post, CNN, USA Today, the HuffPost, the LA Times, American Songwriter Magazine, and Bustle. She was named by Teen Vogue as one of the 10 social media poets to know and her poetry mixtape, “Stuff I’ve Been Feeling Lately” was a finalist in the 2016 Goodreads Choice Awards. There are 9 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 56,546 times.

Although the finished work may be read in a few seconds, a short poem can be even more difficult to write than a longer one. You have fewer words to get your point across and to evoke the same emotion and meaning in the reader. And while you may want to leave your reader wanting more, you certainly don't want them to feel the poem is unfinished. For your first short poems, using a defined form can give your poetry structure. [1] X Research source

Crafting Your Poem

Step 1 Start with a simple prose statement.

For example, you might have seen a little girl in the park wearing a blue dress. All you need at this point is the phrase "The girl in the park was wearing a pretty blue dress."

Step 2 Expand the description of your subject.

For example, the blue dress may be the color of the sky. It's not all that original to say the girl was wearing a dress the color of the sky. But if you say you saw a girl dressed in sky, that's getting a little more poetic.
Think about the point you want to get across in your poem. If you're writing the poem about the girl in the blue dress, for example, you could write about the contrast between the happiness of the girl and the sadness traditionally associated with the color blue. Or you could write about how carefree the child seems and contrast that to the seriousness of adults and of the color blue.

Step 3 Break lines to enhance rhythm and meaning.

To find the best places to break your lines, read your poem out loud. Including an exaggerated pause between the lines will help you find the rhythm.
Try to break your lines so that each line of the poem is a complete thought in and of itself. When read separately, your reader may get a different idea than they would reading the poem as a whole. This creates depth in your poem and gives your reader something to think about long after they've finished reading your poem.

You may also want to write several different drafts of the same poem. If you think of more than one approach, write all of them down so you can decide later which works best.
If you have any alternate words or descriptions you're thinking about, include them in the margins (if you're handwriting your draft) or at the bottom of the page (if you're typing).

Step 5 Experiment with traditional forms.

Haiku teaches the discipline you need to write short poems in other styles, because not just every word, but every syllable counts. Make friends with a thesaurus, as you may need it to find similar words to fit the form.

Editing Your Work

If you try to edit your poem immediately after you've written it, you won't be able to look at it with the objectivity you need as an editor.

If you stumble over a word or phrase when reading aloud, change it so that it flows more smoothly – unless, of course, you want to write something that's a tongue twister.
When something isn't sounding like you think it should, highlight or underline it. Go to a dictionary or thesaurus and experiment with different synonyms until you find just the right word.

Remove anything that distracts from or competes with the core. In a short poem, you want to get right to the point. You don't have room to misdirect your readers.

Step 4 Cut away everything that isn't needed.

Try to make your language as compact as possible. For example, if you have "a girl wearing a blue dress," your first step is to remove the articles. "Girl wearing blue dress" is getting more poetic, but maybe you don't need "wearing" either. You're left with "girl blue dress," which may not make much sense. But if you swap the order of the words, "blue-dressed girl" conveys the meaning of the original statement without any fluff.

If you've written something in chronological order, reverse it so that the last line is first and the reader backtracks to the beginning.
Remove a line and see how it affects your poem. If it doesn't change the meaning of the poem, it may be better left out.

Don't be afraid to go back and look at your poem 6 months or even a year after you've written it. At that point, you may have some new ideas on how it could be improved.
If you write regularly, you'll become a better poet. The poet you are after a year of practice may have a better way to convey a message than the poet you were when you wrote your first poem.

Brainstorming Ideas

Take off your headphones so you can take in the world around you using all of your senses. Make an effort to look around and see everything around you.
Allow your mind to wander, and jot down ideas that you get. Don't worry about whether they're "good" ideas, or even whether they make sense. You can sort through them later.

Hearing a phrase out of context often conjures up different imagery than if you'd known what the person was talking about. Additionally, you may mishear someone's words – especially in a busy place with lots of people talking. What you thought you heard may be more poetic than what they actually said.

Step 3 Read other poetry for inspiration.

When you find a particular style that you enjoy, find other poets that write in a similar style. Search the poet's name online, and look for other poets who are associated with them. For example, the poet may have had a reading with another poet.
Anthologies are another good way to find many different poets writing in similar styles, or about similar subject matter.
There's a fine line between inspiration and plagiarism. If you're directly inspired by a particular poem, consider writing your poem "for" or "after" the original poet. That way your work connects back to the original.

For example, you may have mentioned the sunset in a longer poem about the ending of a relationship. That sunset could be the subject of a short poem on its own.
You can also do this with a particular turn of phrase that you really like. Take that phrase and turn it around in your head. Think about how you could approach it from a different angle, or use it in a different way.

Short Poem Examples

Community Q&A

Keep a journal with you at all times to jot down ideas. You never know when you might overhear something or think of a phrase that could later be turned into a poem. Thanks Helpful 0 Not Helpful 0
Start a blog to share your poetry with others and get feedback on your work. If you're shy about your poetry, you can stay anonymous on your blog. Thanks Helpful 0 Not Helpful 0

↑ https://powerpoetry.org/actions/7-tips-writing-short-poems
↑ https://www.grammarly.com/blog/how-to-write-a-poem/
↑ Alicia Cook. Professional Writer. Expert Interview. 11 December 2020.
↑ https://www.poetryfoundation.org/articles/70144/learning-the-poetic-line
↑ https://ypn.poetrysociety.org.uk/workshop/in-praise-of-short-poems/
↑ http://www.powerpoetry.org/actions/how-write-haiku-poem
↑ http://www.powerpoetry.org/actions/7-tips-writing-short-poem
↑ https://ypn.poetrysociety.org.uk/features/how-to-edit-a-poem-with-holly-hopkins/
↑ https://grammar.yourdictionary.com/grammar-rules-and-tips/tips-on-writing-poems.html

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How to Write Poetry for Beginners

Too often, new writers associate poetry with some of the most complicated poetic movements. No longer is poetry just Whitman, Blake, or Keats. Poetry has evolved in many ways, making it more accessible than ever to beginners.

The best part is, you don’t have to have any formal writing training to start writing poetry. It’s truly a form of writing that anyone can do.

As a small literary magazine who publishes new writers often, we are committed to sharing just how easy it is to start writing poetry. Here, we’ve compiled a few tips and tricks on how to write poetry for beginners. These include practical habits (writing and non-writing) which should make adding poetry as a creative outlet easy and fun.

How to Write Poetry

Being a poet requires more than writing (yes, it’s true). By adopting some of these rules into your routine, you can ensure that your poetry grows and develops.

1. Read Poetry

While this sounds obvious, you’d be surprised to learn that few poets READ a lot of poetry. If you want to become a famous poet, you need to read the poets who can come before you.

Reading poetry can also help you identify which styles of poetry you’re interested in writing. Plus, it’s a great way to get inspired when writer’s block inevitably creeps out its head.

If you’re having trouble finding a great poetry book, or don’t want to commit to a collection of only one author, we highly recommend exploring poetry anthologies (our editor’s favorite is the The Penguin Anthology of Twentieth-Century American Poets).

2. Don’t Overcomplicate It

We understand that this may be easier said then done, however, starting small is a great way to start doing anything new.

For example, don’t try to start writing poetry by writing a 1,000 line epic poem . Instead, start with something shorter, like a 3 line haiku or minimalist poem .

Starting small will help you to grow your skills, and eventually help you grow your confidence to try harder forms of poetry.

3. Attend or Watch Local Poetry Slams / Groups

Creative spaces help to cultivate and hone your poetic style. We highly recommend you get involved in your local creative scene. This means attending poetry readings, joining a local writers or readers group, and maybe even sharing and editing your work in a workshop.

If you’re unable to connect with local poets, there are numerous spaces online to do so. Instagram, Twitter, and Medium are welcoming spaces for new poets and writers. From prompts, to resources and encouragement, you can find fellow poets online that can help keep you focused and driven in your pursuit to be a poet. You can follow us on Twitter or Instagram as well!

Pro Tip: There are some Instagram accounts that do awesome live poetry readings! Also, learn more about growing your poetry account on Instagram here.

This practice benefits poets in two ways. First, it encourages you to write due to the accountability factor. Second, it makes writing more community-driven versus you, being in a room, banging your head on the desk because you’re not feeling inspired.

How to Start A Poem

Many people want to write poetry, but they don’t know where to start. Luckily, it’s pretty easy to start a poem.

Do you write in other genres ? If so, what themes and topics do you usually explore?

For example, if you tend to write fantasy, use fantastical elements, like hidden forests, magic spells, and an evil-doer to inspire your poetry.

Start writing poetry using what you already know. Using this technique makes it much easier to start a poem. Additionally, examine and be present in your surroundings. Describe what you see, feel, smell. Use your senses to brainstorm possible poetry topics and to add poetic imagery to your writing.

If you need further inspiration, check out our Glossary of Poetic Terms . It may help nudge if you get stuck.

Poetry Writing Exercises for Beginners

Still scratching your head when it comes to writing poetry? Try one or all of these poetry writing exercises. Writing exercises are a great way to get your creative juices flowing.

1.) Look at an old photo. Write about everything not in the picture. Feel free to move to and from reality.

2.) Describe a place you’ve never been to. Be as realistic as possible. The catch? It has to be a single word list.

3.) What’s the last dream you remember? Use colors and smells to describe it.

4.) Finish the sentence and continue the story… “When my head hits the pillow…”

5.) In 13 words, describe your oasis.

6.) Grab some paint swatches and do one of our favorite writing warm-ups, paint chip poetry .

These poetry writing exercises can be recycled. Get creative, and exploratory. Write what comes to mind. These prompts are meant to help you begin your poetry writing journey. There are no right or wrong ways to approach them. And remember, revision always comes later on.

What Makes a Poem Good?

This is an age-old question, and one that writers now and into the future will keep asking.

But, honestly, what makes a good poem?

If someone reads your poem, and feels something – anything – then you’ve written a good poem. There are many people that will argue with this, but at the end of the day, it’s about how the writing makes you feel, not anyone else.

Yes, some of the common types of poetry follow a set of “rules,” but you’re the writer, and when you’re the writer, you get to write whatever kind of poetry you want.

No matter which forms you find yourself writing, all poetry elicits a response in readers. As a beginner, if you can stick to that rule of thumb, chances are you’re moving in the right poetic direction.

Want more tips? Read our 10 tips to improve your poetry .

Common Types of Poetry

There are various types of poetry, but that doesn’t mean you have to only write one or that you must follow all of the “rules.” Exploring the varying styles of poetry can help you hone in on your own writing interests. Here are a few different types of poetry that you should become familiar with, especially when you’re a beginner.

Prose Poetry

Prose poetry has steadily been rising in popularity, and is perhaps one of the most accessible forms for beginner poets. This type of poetry is written in prose sentences, but can adopt many of the common attributes of poetry. For example, prose poems might focus on sound devices , tone, symbolism, metaphor , or a specific theme.

List of Famous Hats , by James Tate is an excellent example of a prose poem.

Napoleon’s hat is an obvious choice I guess to list as a famous hat, but that’s not the hat I have in mind. That was his hat for show. I am thinking of his private bathing cap, which in all honesty wasn’t much different than the one any jerk might buy at a corner drugstore now, except for two minor eccentricities. The first one isn’t even funny: Simply it was a white rubber bathing cap, but too small. Napoleon led such a hectic life ever since his childhood, even farther back than that, that he never had a chance to buy a new bathing cap and still as a grown-up–well, he didn’t really grow that much, but his head did: He was a pinhead at birth, and he used, until his death really, the same little tiny bathing cap that he was born in, and this meant that later it was very painful to him and gave him many headaches, as if he needed more. So, he had to vaseline his skull like crazy to even get the thing on. The second eccentricity was that it was a tricorn bathing cap. Scholars like to make a lot out of this, and it would be easy to do. My theory is simple-minded to be sure: that beneath his public head there was another head and it was a pyramid or something.

Narrative Poetry

If you read poetry, you’ve definitely read narrative poetry. This type of poetry, generally has an arch, a strong narrative voice, and a plot regardless of the length.

These poems can range in form and length. While they may “sound” like more complicated forms of poetry, they tend to be easier to follow.

Learn more about narrative elements here.

Ever heard of William Shakespeare? Well, he’s the King of Sonnets. This type of poetry follows a specific form. Made up of 14 lines, iambic meter , and a ending rhyme scheme, sonnets are a more traditional type of poetry.

Enjoy Sonnet XXII , by Shakespeare

My glass shall not persuade me I am old, So long as youth and thou are of one date; But when in thee time’s furrows I behold, Then look I death my days should expiate. For all that beauty that doth cover thee Is but the seemly raiment of my heart, Which in thy breast doth live, as thine in me: How can I then be elder than thou art? O, therefore, love, be of thyself so wary As I, not for myself, but for thee will; Bearing thy heart, which I will keep so chary As tender nurse her babe from faring ill. Presume not on thy heart when mine is slain; Thou gavest me thine, not to give back again.

Epic Poetry

The hero’s journey is encapsulated in epic poetry . Epic poems are longer, and follow the trials and tribulations of a heroine. Many epics are rooted in mythology – this is why you may be familiar with some of them.

Homer’s The Odyssey is an example of an epic poem.

Free Verse Poetry

Ready to throw rules out the window?

Free verse poetry follows no particular format, rhyme scheme, tone, or pattern. As a beginner, free verse is a fun way to start writing poetry because it does not place any limitations on the writer.

How to Write Poetry FAQs

How can I teach myself poetry?

To teach yourself poetry, we recommend reading poetry and writing it. Reading more poetry will help you learn the various styles of poems. Once you learn about the varying types of poetry, consider trying to write a few lines about a topic that resonates with you.

What is the easiest poem to make?

Free verse poems are the easiest poems to make because they don’t have any rules. This allows you to be creative!

What is the best type of poetry?

The best type of poetry is a poem that leaves readers feeling inspired. This is very subjective; a poem you love might not be another person’s top choice – this is what makes poetry so amazing because it can cater to many audiences with different preferences.

Ready to Start Writing Poetry?

Poetry isn’t an inaccessible form of writing, but it can come across that way when you’re a beginner. Instead, writing poetry for beginners is pretty simple. Hopefully, this brief guide has made poetry feel more approachable. Now, it’s time to write poetry!

Be sure to check out our submissions page – we’d love to read what you’ve been working on!

The Daily Iowan

The independent newspaper of the University of Iowa community since 1868

Ask the Author | Hannah Bonner sheds light on the inspiration behind her debut book of poems

Hannah Bonner answers audience questions during an Ask the Author event held at Prairie Lights Bookstore on Friday, Sept. 6, featuring authors Hannah Bonner and Dan Wriggins. Bonner and Wriggins read excerpts from each of their latests books, ‘Another Woman’ and ‘Prince of Grass’.

Hannah Bonner is a recent postgraduate student at the University of Iowa’s Creative Nonfiction MFA program. She has worked as a film and literary critic in addition to her writing career. Bonner is a 2023-24 National Book Critics Circle Emerging Critic Fellow and the poetry editor for Brink.

Her newly released debut collection of poems, “Another Woman”, follows a trajectory of the rise and fall of a relationship, paralleling the seasons: summer, fall, winter, and spring. Throughout the book, several pop culture and mythological figures are brought to life, bringing new perspectives to the overarching story.

This interview was edited for length and clarity.

The Daily Iowan: What was your writing process? Were these poems written recently?

Bonner: You know, it’s funny, because I was looking at the book, and I think there are three poems I wrote in college that are in the collections. But most of the book I wrote during the winter of 2020 — amid the height of the pandemic lockdown. The writing process for that was one of the most pleasurable writing experiences I’ve ever had. I would go on these long, night walks in the evenings around 10 p.m., and then I would come home and write until like 2 in the morning.

I think what was pleasurable about that process was that I never expected any of these poems to be read, published, or seen because there was still so much uncertainty about the future then. So, as I was writing, I wasn’t concerned with the audience.

Instead, I would ask myself “How can I make this the best poem it can be for me? How can I get to a point where I’m content with this poem or excited about what this poem is doing?” It felt like I was writing for myself, first and foremost. And I think especially with school, you always have an audience, and there was something very liberating about letting go of that for a while.

What is your relationship with the characters in your book?

I think there’s something about characters from things like myths and pop culture or archetypal characters that allow us to better express heightened emotional states in ways that might feel overwrought if you’re just writing from the perspective of the eye.

I think adopting the persona of these women allows me to bring to the floor more anger, desire, heartache, or pain. I think they become containers in which you can express more extreme emotional states. It feels a bit like acting, like I’m costuming myself in these characters and expressing what I think they would be thinking or feeling.

How does this book reflect where you are as a writer right now?

It’s funny, because I completed the book in 2022, so it feels a bit like a time capsule to me. It’s interesting because there’s always a gap between when you finish a project and when it comes out. And so the work I’m currently doing feels pretty different from this book.

I think I’ll always write about femininity and the natural world, but in terms of form — of how I write poetry now — that has shifted a bit. I think my poetry now is a bit sparser and more terse. There’s more attention to the economy of language. I think this collection was very lyrical.

What themes were you thinking about while writing the book?

The book focuses on the composite nature of self. So many factors make up an identity, so that’s part of the reason why I write from the voices of other women from history or mythology in the book. And I think that this notion of “another woman” instead of “the other woman” highlights how many factors, voices, influences, and relationships make up a single identity, and that was something I was interested in expressing.

Did you write a lot in your childhood? Is this something you’ve been pursuing for a while?

Yeah, I wanted to write for as long as I can remember. I was thinking the other day about publishing this book [that] this is exactly the life that I dreamed about for myself when I was nine. I got the life that I wanted, and I don’t know if a lot of people can say that. So, I feel lucky.

Did you feel a connection to your younger self while writing?

I did. I think about how often I would sit outside and write poems as a kid, athat’s what I was doing as I wrote this book. I had the space and time to do it, in part because of the pandemic. Partly just because of where I was in my life and so, yeah, actually, it did in some ways feel like being a kid again, just getting to play and getting to learn. There was a lot of work involved, but there was a lot of work that just felt like play.

IMAGES

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How To Write A Poem 1
How to write a poem in 5 easy steps
10 of the Best (and Easiest) Poems to Analyze
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10 of the Best (and Easiest) Poems to Analyze
Best/Easiest Poems to Analyze. 1 Fire and Ice by Robert Frost. 2 Mother to Son by Langston Hughes. 3 A Dream Within a Dream by Edgar Allan Poe. 4 Still I Rise by Maya Angelou. 5 Do Not Go Gentle Into That Good Night by Dylan Thomas. 6 The New Colossus by Emma Lazarus. 7 If You Forget Me by Pablo Neruda.
101 Poetry Prompts & Ideas for Writing Poems
Printable Poetry Prompt Card Examples - Available at Our Etsy Shop 7. On the Field: Write from the perspective of a sports ball {Baseball, Soccer, Football, Basketball, Lacrosse, etc.} - think about what the sports ball might feel, see, hear, think, and experience with this poetry idea!. 8. Street Signs: Take note of the words on signs and street names you pass while driving, walking, or ...
Examples of Short Poems and How to Write Them
Dreams By Langston Hughes. Hold fast to dreams For if dreams die Life is a broken-winged bird That cannot fly. Hold fast to dreams For when dreams go Life is a barren field Frozen with snow. Langston Hughes (1902-1967) was a prominent Jazz Poet and member of the Harlem Renaissance.
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This list, then, presents the best analytically deep poems that achieve their depth within the confines and exquisiteness of classical form. 1. Sonnet 142 by William Shakespeare (1609) Robb'd others' beds' revenues of their rents. Thy pity may deserve to pitied be.
9 Short Poetic Forms to Know With Examples
9 Short Poetic Forms to Know With Examples. Written by MasterClass. Last updated: Aug 16, 2021 • 7 min read. While a lengthy epic like The Iliad, or Ulysses can be striking simply because of its heft, the brevity of short poems can be equally powerful.
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Write about the moments and people that make you smile and fill your heart with happiness. 6. Friendship. Write about the value of friendship, and how it has positively affected your life. This could also be a poem about saying goodbye to a friend, or remembering a lost friend. 7. Overcoming adversity.
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Teaches the Art of the Short Story. Teaches Storytelling and Humor. Teaches Writing for Television. Teaches Screenwriting. Teaches Fiction and Storytelling. Teaches Storytelling and Writing. Teaches Creating Outside the Lines. Teaches Writing for Social Change. Teaches Fiction, Memory, and Imagination.
How to Write a Poem: In 7 Practical Steps with Examples
Compare your subject to something else by creating an extended metaphor. Try to relate a theme or a simple lesson for your reader. Use at least two of the figurative language techniques from above. Create a meter or rhyme scheme (if you're up to it) Write at least two stanzas and use a line break.
How to Write a Poetry Essay (Complete Guide)
Main Paragraphs. Now, we come to the main body of the essay, the quality of which will ultimately determine the strength of our essay. This section should comprise of 4-5 paragraphs, and each of these should analyze an aspect of the poem and then link the effect that aspect creates to the poem's themes or message.
How to Write a Poem in 5 Easy Steps
Poetry is one of the most elegant forms of human expression. From the epics of Homer to the sonnets of William Shakespeare to Edgar Allen Poe's "The Raven" to the silly limerick you learned at school, there is a type of poetry for every purpose. Reading poetry is a rite of passage for American schoolchildren, but writing poetry of your own is a challenge.
20 Easy Poetry Writing Prompts and Exercises
5. Write a poem inspired by a piece of art. (By the way, the word for a poem or literary work inspired by visual art is ekphrasis. Pretty cool, right?) 6. Write a poem with a refrain: a line or a few lines that repeat, like the chorus of a song. 7. This isn't the easiest poetry-writing exercise…but I've gotten some good poems this way!
15 Types of Short Poetic Forms With Examples
Villanelle. 1. Acrostic poem. An acrostic poem has several variations, but the main idea is that one or two letters of every line combined spell out a word. 1. The first letters of each line spell out a word if read vertically downwards. 2. The first letter of each line and the last letter make a word.
Top 20 Famous Poems: Inspiring Poems For Your Next Essay
9. "The Waste Land" by T.S. Eliot. Considered one of the most influential poems of the 20th century, this poem has dissonance that mirrors what Eliot felt was the fracture of his time. Even though it was written for the 20th century, it still holds value in modern society when society still feels quite disjointed.
How to Write a Poem, Step-by-Step
Nonetheless, if you're new to writing poetry or want to explore a different writing process, try your hand at our approach. Here's how to write a poem step by step! 1. Devise a Topic. The easiest way to start writing a poem is to begin with a topic. However, devising a topic is often the hardest part.
How to Write a Poem: A Step-by-Step Guide
1 Decide what you want to write about. Unless you've been assigned to write a poem about a specific topic, the first step in writing a poem is determining a topic to write about. Look for inspiration around you, perhaps in nature, your community, current events, or the people in your life.
12 Types of Poems: How to Recognize Them and Write Your Own
Examples of Villanelles. "The Waking" by Theodore Roethke. "Do not go gentle into that good night" by Dylan Thomas. 3. Haiku. You might remember writing a few of these back in grade school, because not only are these poems short, but they can be very fun to write. The haiku originated in 17 th century Japan.
How to Write a Poem: Easy Tips for Beginners
If you think it's hard to learn how to write a poem, think again. With our eight easy tips for beginners, anyone can become a first-time poet.
How to Write a Poem: Get Tips from a Published Poet
8. Have fun revising your poem. At the end of the day, even if you write in a well-established form, poetry is about experimenting with language, both written and spoken. Lauren emphasizes that revising a poem is thus an open-ended process that requires patience — and a sense of play. "Have fun. Play. Be patient.
A Full Guide to Writing a Perfect Poem Analysis Essay
Body Paragraphs. The body section should form the main part of poetry analysis. Make sure you have determined a clear focus for your analysis and are ready to elaborate on the main message and meaning of the poem. Mention the tone of the poetry, its speaker, try to describe the recipient of the poem's idea.
4 Ways to Write Short Poems
3. Break lines to enhance rhythm and meaning. The line break is what makes a piece of writing poetry, rather than prose. Line breaks give every poem a rhythm, even if you're writing in free verse with no rhyme or other rigid structure. [5] To find the best places to break your lines, read your poem out loud.
Poems for Literary Analysis
The heart must be a crucible till death. Say love is life; and say it not amiss, That love is but a synonym for bliss. Say what you will of love—in what refrain, But knows the heart, 'tis but a word for pain. This poem is in the public domain. Published in Poem-a-Day on October 20, 2019, by the Academy of American Poets.
How to Write Poetry for Beginners
Finish the sentence and continue the story…. "When my head hits the pillow…". 5.) In 13 words, describe your oasis. 6.) Grab some paint swatches and do one of our favorite writing warm-ups, paint chip poetry. These poetry writing exercises can be recycled. Get creative, and exploratory. Write what comes to mind.
Poetry 101: Resources for Beginners
Langston Hughes became the voice of black America in the 1920s, when his first published poems brought him more than moderate success. read more. Poetry 101: Resources for Beginners - How to Read a PoemReading poetry well is part attitude and part technique. Curiosity is a useful attitude, especially when it's free of preconceived ideas about ...
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Hannah Bonner is a recent postgraduate student at the University of Iowa's Creative Nonfiction MFA program. She has worked as a film and literary critic in addition to her writing career. Bonner is a 2023-24 National Book Critics Circle Emerging Critic Fellow and the poetry editor for Brink. Her newly released debut collection of poems,...
Writing not poetry or verse Crossword Clue
Answers for Writing not poetry or verse crossword clue, 4 letters. Search for crossword clues found in the Daily Celebrity, NY Times, Daily Mirror, Telegraph and major publications. Find clues for Writing not poetry or verse or most any crossword answer or clues for crossword answers.