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Photography Is My Passion: 14 Undeniable Reasons to Love It

Last updated on July 23, 2023 by Doug Ash

It always starts as something that grabs your attention. First, it is a hobby; eventually, it increases your curiosity and leads you down a path where you become obsessed with it. In general terms, we call it ‘having a passion’ and for me, photography is my passion!

If I say that words aren’t enough to express how much I love this art form, it wouldn’t be wrong. Photography is my chosen medium of creative expression. I use it to communicate with the world and show people how I view it. From stunning landscapes to the occasional amazing family portraiture, I love capturing the world in pictures!

You may find it surprising that I had my fears when I was just starting out as a photographer, and still do in some cases. Photography for beginners is challenging, especially when you want to capture beautiful shots but don’t know how. However, if you stick to the path and let your passion guide you, I can guarantee you will fall in love with photography just like I did!

Reasons Why Photography Is My Passion

If you are a beginner looking for some motivation, this is a good place to start:

1. Infinite Possibilities

As a photographer, you will develop a keen eye to notice slight changes in the world around you. Every day will invite you to explore something new, even if the things around you do not change in dramatic or obvious ways. That’s the beauty of photography! It opens up doors with an infinite number of possibilities that you can capture with your camera. It’s all about the details.

2. Challenging, Yet Rewarding

Photography is my passion because it seems like an impossible task at first until you capture that perfect shot. As a beginner, you imagine the shot in front of you, but the camera does not capture it the way you see it. That’s when the process quickly becomes frustrating. Yet, once you figure out how to play with your composition and adjust the settings in your favor, and not let your fears overwhelm you, the same challenge becomes rewarding.

3. Memorable Moments

It’s one of the reasons most people love photographs. They can relive the same moment that made them happy once. However, for photographers, it holds a different meaning. The memory of their captured shot is more than just the scene in the photo. The experience of the captured image is what they love.

4. Interpretations

Photography for beginners is just another hobby at first. You see something worth capturing and take the shot. However, when you show it to other people, you realize not everyone interprets the photo like you did. Through the learning process, you can come to learn the different layers of meaning behind a single photograph.

5. Being in the Present

Photographers have this urge to find the next best shot, freeing their minds from past worries and being in the present. You are focused on everything around you, trying to find all those little details, making you truly live in the moment. It is a gift for me to live in the present, and it can be a gift for you too.

6. The Process

Yet another reason to love photography is that it’s not rushed. Beginners often get tangled in the technical details of capturing a photograph. While the details are essential, it’s never the reason you capture breathtaking shots.

Figuring out the kind of shot you want to take, adjusting your camera settings, and “setting the scene” is something truly investing in. The resulting shot is what makes it worth it.

7. Response from People

Your camera captures the moment you thought was worth sharing with the world. Once you share it, you can experience the most beautiful thing—an emotional response from people who understand what you want to say with the picture.

Can be on Instagram or some other form of social media, or even prints. Catching someone’s eye as they walk by one of your prints or hearing “You took that!?!”, never gets old. (…in most instances lol)

8. Self-Expression

Photography is my passion because I use it to express myself. People find different ways to share their emotions and thoughts with the world. Some express themselves as dancers, while others as writers. Photographers use images to show people how they see everything around them.

9. Mindset of a Storyteller

A picture is worth a thousand words, remember? As a photographer, you can make that happen! Photography is the kind of pursuit that will help you become a better storyteller.

When you focus on the surroundings and notice everything around you, stories will appear themselves. You will see them and gladly capture them with your camera. It’s something, as a landscape photographer, I feel I do really well. I hike and get outside a lot, and by being a good storyteller, I am able to help viewers see what I see. I can deliver an experience to them.

10. Capturing Emotions

Some photographers find happiness in the smiles and tears in the sorrow they capture with the lens. Photography is a great way to capture how they see humans and their emotions for those who love observing people in their daily lives. Photographers become intuitive above reading people when they see them through the lens.

11. Capturing Nature

When you anticipate a perfect shot and wait in silence for that moment to arrive, the whole experience becomes unforgettable. Photography holds a different meaning for everyone. If you are inspired by nature , photography can be a way to appreciate what you like and share with others how beautiful this world is.

12. Ultimate Control

Unexpected situations occur all the time. You have to deal with mood swings, weather conditions, broken stuff, etc. Misfortune can’t be avoided, but one thing you can become capable of doing is controlling how the photographs turn out.

Whether it’s the lighting, location, switching up lens, or your response to whatever misfortune happens. For some, having that ultimate control is another reason for being passionate about photography.

13. Connect with People

As a photographer, you could meet many people every day and learn their life stories. They can share the hidden gems of their local town and help you find a place that has never been captured before!

Or maybe they share a touching story that helps you take a better, more in-tuned picture. Anything is possible when you pack your camera bag and connect with people who have stories to share.

14. Travel All You Want

Wanderlust can make people realize how amazing photography can be! Whether it is people from a foreign land or the colors of the setting sun , whatever you capture becomes meaningful. It’s one of the reasons why landscape photography is my passion. You can go wherever it takes you and find beauty in everyday life.

All photographers have different reasons to love this art form. Some like to capture their family’s best moments, while others use their photographs to capture the breathtaking beauty of nature. No matter what you choose to photograph, this is one creative pursuit that will enrich you in more ways than one.

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How to Create an Engaging Photo Essay (with Examples)

Photo essays tell a story in pictures. They're a great way to improve at photography and story-telling skills at once. Learn how to do create a great one.

Learn | Photography Guides | By Ana Mireles

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Photography is a medium used to tell stories – sometimes they are told in one picture, sometimes you need a whole series. Those series can be photo essays.

If you’ve never done a photo essay before, or you’re simply struggling to find your next project, this article will be of help. I’ll be showing you what a photo essay is and how to go about doing one.

You’ll also find plenty of photo essay ideas and some famous photo essay examples from recent times that will serve you as inspiration.

If you’re ready to get started, let’s jump right in!

Table of Contents

What is a Photo Essay?

A photo essay is a series of images that share an overarching theme as well as a visual and technical coherence to tell a story. Some people refer to a photo essay as a photo series or a photo story – this often happens in photography competitions.

Photographic history is full of famous photo essays. Think about The Great Depression by Dorothea Lange, Like Brother Like Sister by Wolfgang Tillmans, Gandhi’s funeral by Henri Cartier Bresson, amongst others.

What are the types of photo essay?

Despite popular belief, the type of photo essay doesn’t depend on the type of photography that you do – in other words, journalism, documentary, fine art, or any other photographic genre is not a type of photo essay.

Instead, there are two main types of photo essays: narrative and thematic .

As you have probably already guessed, the thematic one presents images pulled together by a topic – for example, global warming. The images can be about animals and nature as well as natural disasters devastating cities. They can happen all over the world or in the same location, and they can be captured in different moments in time – there’s a lot of flexibility.

A narrative photo essa y, on the other hand, tells the story of a character (human or not), portraying a place or an event. For example, a narrative photo essay on coffee would document the process from the planting and harvesting – to the roasting and grinding until it reaches your morning cup.

What are some of the key elements of a photo essay?

• Tell a unique story – A unique story doesn’t mean that you have to photograph something that nobody has done before – that would be almost impossible! It means that you should consider what you’re bringing to the table on a particular topic.
• Put yourself into the work – One of the best ways to make a compelling photo essay is by adding your point of view, which can only be done with your life experiences and the way you see the world.
• Add depth to the concept – The best photo essays are the ones that go past the obvious and dig deeper in the story, going behind the scenes, or examining a day in the life of the subject matter – that’s what pulls in the spectator.
• Nail the technique – Even if the concept and the story are the most important part of a photo essay, it won’t have the same success if it’s poorly executed.
• Build a structure – A photo essay is about telling a thought-provoking story – so, think about it in a narrative way. Which images are going to introduce the topic? Which ones represent a climax? How is it going to end – how do you want the viewer to feel after seeing your photo series?
• Make strong choices – If you really want to convey an emotion and a unique point of view, you’re going to need to make some hard decisions. Which light are you using? Which lens? How many images will there be in the series? etc., and most importantly for a great photo essay is the why behind those choices.

9 Tips for Creating a Photo Essay

Credit: Laura James

1. Choose something you know

To make a good photo essay, you don’t need to travel to an exotic location or document a civil war – I mean, it’s great if you can, but you can start close to home.

Depending on the type of photography you do and the topic you’re looking for in your photographic essay, you can photograph a local event or visit an abandoned building outside your town.

It will be much easier for you to find a unique perspective and tell a better story if you’re already familiar with the subject. Also, consider that you might have to return a few times to the same location to get all the photos you need.

2. Follow your passion

Most photo essays take dedication and passion. If you choose a subject that might be easy, but you’re not really into it – the results won’t be as exciting. Taking photos will always be easier and more fun if you’re covering something you’re passionate about.

3. Take your time

A great photo essay is not done in a few hours. You need to put in the time to research it, conceptualizing it, editing, etc. That’s why I previously recommended following your passion because it takes a lot of dedication, and if you’re not passionate about it – it’s difficult to push through.

4. Write a summary or statement

Photo essays are always accompanied by some text. You can do this in the form of an introduction, write captions for each photo or write it as a conclusion. That’s up to you and how you want to present the work.

5. Learn from the masters

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Making a photographic essay takes a lot of practice and knowledge. A great way to become a better photographer and improve your storytelling skills is by studying the work of others. You can go to art shows, review books and magazines and look at the winners in photo contests – most of the time, there’s a category for photo series.

6. Get a wide variety of photos

Think about a story – a literary one. It usually tells you where the story is happening, who is the main character, and it gives you a few details to make you engage with it, right?

The same thing happens with a visual story in a photo essay – you can do some wide-angle shots to establish the scenes and some close-ups to show the details. Make a shot list to ensure you cover all the different angles.

Some of your pictures should guide the viewer in, while others are more climatic and regard the experience they are taking out of your photos.

7. Follow a consistent look

Both in style and aesthetics, all the images in your series need to be coherent. You can achieve this in different ways, from the choice of lighting, the mood, the post-processing, etc.

8. Be self-critical

Once you have all the photos, make sure you edit them with a good dose of self-criticism. Not all the pictures that you took belong in the photo essay. Choose only the best ones and make sure they tell the full story.

9. Ask for constructive feedback

Often, when we’re working on a photo essay project for a long time, everything makes perfect sense in our heads. However, someone outside the project might not be getting the idea. It’s important that you get honest and constructive criticism to improve your photography.

How to Create a Photo Essay in 5 Steps

Credit: Quang Nguyen Vinh

1. Choose your topic

This is the first step that you need to take to decide if your photo essay is going to be narrative or thematic. Then, choose what is it going to be about?

Ideally, it should be something that you’re interested in, that you have something to say about it, and it can connect with other people.

2. Research your topic

To tell a good story about something, you need to be familiar with that something. This is especially true when you want to go deeper and make a compelling photo essay. Day in the life photo essays are a popular choice, since often, these can be performed with friends and family, whom you already should know well.

3. Plan your photoshoot

Depending on what you’re photographing, this step can be very different from one project to the next. For a fine art project, you might need to find a location, props, models, a shot list, etc., while a documentary photo essay is about planning the best time to do the photos, what gear to bring with you, finding a local guide, etc.

Every photo essay will need different planning, so before taking pictures, put in the required time to get things right.

4. Experiment

It’s one thing to plan your photo shoot and having a shot list that you have to get, or else the photo essay won’t be complete. It’s another thing to miss out on some amazing photo opportunities that you couldn’t foresee.

So, be prepared but also stay open-minded and experiment with different settings, different perspectives, etc.

5. Make a final selection

Editing your work can be one of the hardest parts of doing a photo essay. Sometimes we can be overly critical, and others, we get attached to bad photos because we put a lot of effort into them or we had a great time doing them.

Try to be as objective as possible, don’t be afraid to ask for opinions and make various revisions before settling down on a final cut.

7 Photo Essay Topics, Ideas & Examples

Credit: Michelle Leman

• Architectural photo essay

Using architecture as your main subject, there are tons of photo essay ideas that you can do. For some inspiration, you can check out the work of Francisco Marin – who was trained as an architect and then turned to photography to “explore a different way to perceive things”.

You can also lookup Luisa Lambri. Amongst her series, you’ll find many photo essay examples in which architecture is the subject she uses to explore the relationship between photography and space.

• Process and transformation photo essay

This is one of the best photo essay topics for beginners because the story tells itself. Pick something that has a beginning and an end, for example, pregnancy, the metamorphosis of a butterfly, the life-cycle of a plant, etc.

Keep in mind that these topics are linear and give you an easy way into the narrative flow – however, it might be difficult to find an interesting perspective and a unique point of view.

• A day in the life of ‘X’ photo essay

There are tons of interesting photo essay ideas in this category – you can follow around a celebrity, a worker, your child, etc. You don’t even have to do it about a human subject – think about doing a photo essay about a day in the life of a racing horse, for example – find something that’s interesting for you.

• Time passing by photo essay

It can be a natural site or a landmark photo essay – whatever is close to you will work best as you’ll need to come back multiple times to capture time passing by. For example, how this place changes throughout the seasons or maybe even over the years.

A fun option if you live with family is to document a birthday party each year, seeing how the subject changes over time. This can be combined with a transformation essay or sorts, documenting the changes in interpersonal relationships over time.

• Travel photo essay

Do you want to make the jump from tourist snapshots into a travel photo essay? Research the place you’re going to be travelling to. Then, choose a topic.

If you’re having trouble with how to do this, check out any travel magazine – National Geographic, for example. They won’t do a generic article about Texas – they do an article about the beach life on the Texas Gulf Coast and another one about the diverse flavors of Texas.

The more specific you get, the deeper you can go with the story.

• Socio-political issues photo essay

This is one of the most popular photo essay examples – it falls under the category of photojournalism or documental photography. They are usually thematic, although it’s also possible to do a narrative one.

Depending on your topic of interest, you can choose topics that involve nature – for example, document the effects of global warming. Another idea is to photograph protests or make an education photo essay.

It doesn’t have to be a big global issue; you can choose something specific to your community – are there too many stray dogs? Make a photo essay about a local animal shelter. The topics are endless.

• Behind the scenes photo essay

A behind-the-scenes always make for a good photo story – people are curious to know what happens and how everything comes together before a show.

Depending on your own interests, this can be a photo essay about a fashion show, a theatre play, a concert, and so on. You’ll probably need to get some permissions, though, not only to shoot but also to showcase or publish those images.

4 Best Photo Essays in Recent times

Now that you know all the techniques about it, it might be helpful to look at some photo essay examples to see how you can put the concept into practice. Here are some famous photo essays from recent times to give you some inspiration.

Habibi by Antonio Faccilongo

This photo essay wan the World Press Photo Story of the Year in 2021. Faccilongo explores a very big conflict from a very specific and intimate point of view – how the Israeli-Palestinian war affects the families.

He chose to use a square format because it allows him to give order to things and eliminate unnecessary elements in his pictures.

With this long-term photo essay, he wanted to highlight the sense of absence and melancholy women and families feel towards their husbands away at war.

The project then became a book edited by Sarah Leen and the graphics of Ramon Pez.

Picture This: New Orleans by Mary Ellen Mark

The last assignment before her passing, Mary Ellen Mark travelled to New Orleans to register the city after a decade after Hurricane Katrina.

The images of the project “bring to life the rebirth and resilience of the people at the heart of this tale”, – says CNNMoney, commissioner of the work.

Each survivor of the hurricane has a story, and Mary Ellen Mark was there to record it. Some of them have heartbreaking stories about everything they had to leave behind.

Others have a story of hope – like Sam and Ben, two eight-year-olds born from frozen embryos kept in a hospital that lost power supply during the hurricane, yet they managed to survive.

Selfie by Cindy Sherman

Cindy Sherman is an American photographer whose work is mainly done through self-portraits. With them, she explores the concept of identity, gender stereotypes, as well as visual and cultural codes.

One of her latest photo essays was a collaboration with W Magazine entitled Selfie. In it, the author explores the concept of planned candid photos (‘plandid’).

The work was made for Instagram, as the platform is well known for the conflict between the ‘real self’ and the one people present online. Sherman started using Facetune, Perfect365 and YouCam to alter her appearance on selfies – in Photoshop, you can modify everything, but these apps were designed specifically to “make things prettier”- she says, and that’s what she wants to explore in this photo essay.

Tokyo Compression by Michael Wolf

Michael Wolf has an interest in the broad-gauge topic Life in Cities. From there, many photo essays have been derived – amongst them – Tokyo Compression .

He was horrified by the way people in Tokyo are forced to move to the suburbs because of the high prices of the city. Therefore, they are required to make long commutes facing 1,5 hours of train to start their 8+ hour workday followed by another 1,5 hours to get back home.

To portray this way of life, he photographed the people inside the train pressed against the windows looking exhausted, angry or simply absent due to this way of life.

You can visit his website to see other photo essays that revolve around the topic of life in megacities.

Final Words

It’s not easy to make photo essays, so don’t expect to be great at it right from your first project.

Start off small by choosing a specific subject that’s interesting to you –  that will come from an honest place, and it will be a great practice for some bigger projects along the line.

Whether you like to shoot still life or you’re a travel photographer, I hope these photo essay tips and photo essay examples can help you get started and grow in your photography.

Let us know which topics you are working on right now – we’ll love to hear from you!

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Ana Mireles is a Mexican researcher that specializes in photography and communications for the arts and culture sector.

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The Story of My Journey in Photography

They say everything in life happens for a reason and while I didn’t hold much faith in that phrase before, I definitely do now. It took a serious life threatening experience to ignite in me a passion for my own photography as part of the healing process and then turn it into a career. I know in my heart that I have always loved photography, but the way I stumbled into becoming a photographer is anything but a fairy tale — in fact, it’s quite the opposite. I’ve always enjoyed looking at photographic images throughout my life. I can even remember going for visits to my parents as I grew older and always pulling out the family albums to look at the photos — it didn’t matter if I had already seen them. A few months ago, I was going through my old report cards and came across my grade school reports and was somewhat surprised that my kindergarten teacher had written that I knew my colors very well and that my art work was very good. My report cards, all through school, consistently reinforced that I had strong artistic ability although an art career never became the focus of further studies.

My first camera was a Pentax K1000 35mm film camera, and I think I was about 18 at the time. While I learned how to use it and shot some good images, this first venture into photography only lasted a year or two, and then the camera was put away. Sadly, it was about 25 years until I picked it up again. I never really gave photography serious consideration back then. There were others in my family who participated in artistic pursuits but they were mainly on the male side. Both of my brothers and my father were very good at drawing and my brothers were also musically inclined. Influenced by my sisters, I chose a different path, setting my sights on working in an office as they did. I don’t think I really had my priorities straight at that age, and to be honest I don’t remember being too focused on what career path I would take. So that is what I did for a little over 22 years. I worked in an office environment in accounting/payroll and eventually became an office manager. Had the incident I’m about to speak of never happened, I would probably still be working in the office and would never have found my passion in life.

Now here’s where life threw one of those infamous curve balls into our lives: Fast forward a few years of marriage, about 25 to be exact, and in 2008 and my husband and I are expecting our second child. Even with an advanced maternal age (that’s what the doctors called it, I didn’t think of myself that way!) I had no issues and had a perfectly healthy pregnancy all the way through up until after my son was born. That’s when the nightmare started, and to make a long story short, I suffered some life threatening issues and almost didn’t pull through. Basically my bowels had shut down after my son’s birth and 11 days later it ruptured causing me to become septic. I was put into a medically induced coma for weeks, leaving my husband with a three year old and newborn while having to deal with what was happening with me in the hospital. Fortunately some family members came up and stayed with our boys while my husband stayed by my side.

I don’t really have much memory of what happened after my son was born, up until after I was awakened from the coma. Thankfully I pulled through and after three major surgeries and several side effects from that ordeal, I was released from the hospital, with a colostomy bag attached.

It was a very lengthy recovery lasting about 3 years. It was a time of losing all my hair, learning to walk again, an additional four surgeries, and the depression that resulted from all that. It was a very physically demanding and emotional time in our lives but I was determined to pull through as I had 2 small boys at home that needed me. It was at this time in my life that I unwittingly stumbled into photography. I had been off work for over 3 years and never returned to my old job. I was hoping to find something new and start fresh. I felt like I needed that in my life. However, with the unemployment rate being so high in this area, it proved to be more difficult than I had originally thought. I felt like there was something missing from my life, the whole incident left me feeling like there was a void that needed to be filled.

Between living with the constant reminders from all the scars mentally and physically, I needed something to redirect my thoughts. That was in May 2011. That’s when I bought a camera, my first DLSR and kit lens. I started out shooting anything and everything in my backyard and front yard, day after day while I tried to figure out how to shoot in manual mode. It wasn’t an easy transition at first but with much persistence, trial and error I gradually had a grasp of it. By October 2011, I was a little braver and headed down to Niagara Falls with my camera to broaden my horizons. I was experimenting with long exposures and night photography and remember feeling so enthralled with it all. It wasn’t just an escape for me; I felt something when I was out shooting. It was and still is an indescribable feeling that overcomes me. It’s like I was in my own world, no worries or stress, just such a calmness about me and an easy flow. When I see “pockets of light” or an interesting composition, I get goosebumps. I started looking into photography programs around November 2011. I felt like I couldn’t learn everything I wanted to know about photography fast enough. I remember looking at other photographers work online and feeling so frustrated at times, wondering when or if I would ever be as good. I decided that I would enroll in the Continuing Education Certificate Photography program at Niagara College, a class that was held one night a week at the college. As much as I would’ve loved to take the two year full time digital photography program, I really couldn’t afford it and I also had two young boys to look after. In January 2012, I began the photography program at the college and once again, I felt I couldn’t learn enough, fast enough.

Later on in the fall that same year, I joined the Niagara Falls Camera Club with the hopes that I could learn even more about photography by being around seasoned photographers. I’ve been told by a few photographers that I actually had the “eye” for photography, my schooling helped to fine tune what was already there. I remember one particular sunrise that I went out to shoot at the falls in the winter of 2012. I got to the falls and was a little apprehensive and felt somewhat intimidated because there was a lineup of photographers there already, waiting to shoot the sunrise. In my mind I was sure they must have been much more experienced than I was. It took everything I had to continue walking up to them and pull out my camera and to set up for the shoot.

That was one of the most spectacular sunrises that I have ever witnessed in my life. Never again have I seen such a glorious combination of pastel colors, all glistening and reflecting off the ice coated tree branches by the falls. I think that truly was the “aha” moment for me, when I thought this is definitely what I want to do, I want to make a career from photography, more specifically landscape photography. The image that I shot that morning was entered into a competition held by Canadian Geographic and The Weather Network, and it was actually chosen and published in a Canadian Geographic magazine in July 2013 as the centerfold image. I remember walking into the store when the magazine hit the stores; I lined them all up on the shelf opened up to my image and took a cell phone shot of it. Needless to say, that added fuel to the fire and had me falling even harder. Since then, I have secured several contractual photography jobs in the tourism industry for Niagara Falls Tourism, Hornblower Cruises and Niagara Parks Commission to name a few and they have also purchased many of my images for their promotional materials both print and web based. It’s a great feeling when I see my work on a billboard for tourism advertising or even the NPC and NFT tourism guides, it reassures me that following my heart and pursuing a career in something I love was the right decision for me. Earlier this year, Niagara Parks Commission did a short video on me and used it in their advertising. It was under their “Niagara Parks Big Picture” series:

The Niagara Falls Review ran a story on my journey and my photography in December 2014, it was very well received and I had numerous people reach out to me saying that I had helped them and was an inspiration to them during their rough times. I have been a member of NPS (Nikon Professional Services) for the last 1.5 years and have had some of my work has been on display for 2 years in a row at the Nikon Canada booth in Toronto at the Exposure Photography show. Last fall one of my portraits was selected to be on display at 4 galleries across the country with Nikon Canada at the member exhibition tour. There were 30 images selected from all the entries received to be on display and I’m honoured to be one of them.

My most recent accomplishment was having one of my Niagara Falls images being selected as one the Top Ten Travel Pictures of 2015 by 500px. To be recognized in this group was extremely humbling to say the least, especially when I found out that others named in this group are very highly talented artists such as Scott Kelby and Elia Locardi — some of my favourite photographers! I think one of my most exciting moments so far was when I had 2 of my images go viral earlier last year in the winter. They were images of the American Falls in the winter with the ice bridge at night and the falls appeared to be frozen over. In the matter of 2 days they were seen worldwide and had aired on TV stations in Texas, Pittsburgh and were even shown on CNN to name a few. I had the LA Times contact me for an interview as well as other companies overseas contacting me through social media channels and emails. It was a pretty amazing couple of days, with quite a whirlwind of activity from it.

My thirst for knowledge and desire to become a better photographer has changed in this way from the first day I picked up the camera; it has increased tenfold. Some say that I’ve found my calling in photography and if that is so, I feel so incredibly lucky to have found it as some go through life never finding their special niche. Just when you don’t think you have the strength in you to go for it, give yourself that extra push, you’ll be amazed at what can be achieved with some hard work and determination and believing in yourself.

While the circumstances that lead me down the path and on the road to photography were very traumatic and life threatening and the road itself had its fair share of potholes, I believe there was a reason for these challenges and personal trials in my life and I think that they have just increased my passion for photography which truly holds a special place in my heart. I look forward to growing and continually learning as a photographer and I know that my love for photography will only grow over the years and increase my passion that already feels like it’s been with me my whole life.

If I could sum up my experience over the past years of my life’s story, I would say that I am grateful for the skilled doctors may have saved my life and mended me physically, but it has been photography that saved me and mended my mind, my spirit and my soul.

Essays About Photography: Top 5 Examples Plus Prompts

Discover the joy of photography by reading our guide on how to write essays about photography, including top essay examples and writing prompts. 

It is truly remarkable what pictures can tell you about the time they were taken and their subjects. For example, a well-taken photograph can expose the horrors of conflict in a war-torn country or the pain endured by victims of racial persecution. At the same time, it can also evoke a mother’s joy after seeing her newborn baby for the first time. Photography is crucial to preserving precious moments that deserve to be remembered.

Photography can be considered a form of art. So much intent is put into a picture’s composition, subject, angle, and lighting. There is a lot of talent, thought, and hard work that goes into photography to produce such thought-provoking images, 

If you are writing essays about photography, you can start by reading some examples. 

5 Essay Examples To Inspire You

1. why photography is a great hobby by lillie lane, 2. the importance of photography by emily holty, 3. why i love photography by bob locher.

• 4.  The Shocking History Of Death Photography by Yewande Ade
• 5. ​​Fashion photography by Sara Page

5 Helpful Prompts On Essays About Photography

1. what is your favorite thing to photograph, 2. why is photography so important, 3. should photography be considered an art form, 4. different types of photography, 5. interpretations of photographs.

“Be imaginative when writing your shots. Photography is about the impact of your chances. The odds are good that nobody will care to check over your picture When it is an item in a background. Discover how to produce a fantastic photograph, and take these skills and use them.”

Lane gives readers tips on taking better photos in this essay. These include keeping balance, choosing a subject widely, investing in certain pieces of equipment, and using the appropriate settings for taking pictures. She stresses that photos must appear as natural as possible, and following her advice may help people to get good pictures. 

“No matter where you go photography plays into your life somehow. We don’t realize how big of an impact photography truly has on us until we see the details of our life hidden in a photograph. When you flip through your photo album and start looking for those details you suddenly realize you are truly blessed. A photograph keeps a moment frozen in time so we have it forever. Something like joy becomes clearer as we look deeper into the photograph.”

Holty does an excellent job of describing what makes photography so appealing to many people. You can take a picture of anything you want if you want to remember it, and photos help us look at the intricacies and details of what we see around us every day. Photography also helps us keep memories in our heads and hearts as time passes by, and most of all, it allows us to document the greatness of our world. It is ever-present in our lives, and we will keep taking photos the more adventures we have. 

“Every day in normal circumstances people take thousands of pictures of the Grand Canyon. It takes very little thought to realize that few if any of these pictures will be in any way noteworthy above pictures already taken. But that said, they are OUR pictures, our personal affirmation of the wonderful scene stretched out below us, and that gives them a special validity for us.”

Locher reflects on the role photography played in his life and why he enjoys it so much, partly due to his spirituality. He previously worked in the photographic equipment business and rekindled his love for photography in his 60s. Photography, to him, is a way of affirming and acknowledging God’s creations around him and appreciating the natural world. He also briefly discusses the importance of equipment and post-editing; however, no photo is perfect. 

4.   The Shocking History Of Death Photography by Yewande Ade

“In fact, it was easier for the photographer if the dead person was in a sleeping position because there would be no need to put him or her in an appropriate position or prop the eyes open. The restful pose gave some families comfort because it made them believe that their loved one(s) had passed on happily and to a more peaceful realm. It gave the semblance of death as a painless act like sleep.”

An interesting phenomenon in the history of the camera is post-mortem photography, in which deceased people, usually children, were posed and made to look “alive,” to an extent, so their loved ones could remember them. This was done as a way of mourning; the subjects were made to look as if they were merely asleep to give their loved ones comfort that they had passed on peacefully and happily. Eventually, a reduction in the death rate led to the end of this practice. 

5. ​​ Fashion photography by Sara Page

“Modern fashion photography differs because photographers aim to be extraordinary with their work, they know that extra ordinary will interest the audience much more It is extremely evident that fashion photography has changed and developed throughout the years, however there is not just reason. It is clear that fashion photography has changed and developed because of advancements in technology, change in attitudes and the introduction of celebrities.”

Page’s essay focuses on the history of fashion photography and some techniques used in practice. It dated back to 1911 and astonished the public with glamorous photos of people wearing perfectly-styled outfits. As the years have gone on, photographers have taken the lighting of the photos more into account, as well as their settings. In addition, editing software such as Photoshop has allowed even better photos to be produced. Fashion photography has only become more extravagant with the current social culture. 

In your essay, write about your favorite subject when you take pictures- is it people, landscapes, objects, or something else? Explain why, give examples, and perhaps elaborate on your camera settings or the lighting you look for when taking photos.  

Photography is an important invention that has helped us immensely throughout the years- how exactly? Explain why photography rivals painting and why it is essential. Then, write about its importance to you, the entire world, and humanity. 

Some say photography pales compared to the intricacies of music, painting, sculpture, and even cinema and should not be considered a form of art. For an interesting argumentative essay, determine whether photography is genuine art or not and defend your position. Explore both sides of the topic and give a strong rebuttal against the opposing viewpoint. 

From street photography to food photography to portraiture, many different types of photography are classified according to the subject being captured. Write about at least three types of photography that interest you and what they entail. You may also discuss some similarities between them if any. Check out our list of the top CreativeLive photography courses .

Like other works of art, a photograph can be interpreted differently. Choose a photo you find exciting and describe how you feel about it. What is being portrayed? What emotions are being evoked? What did the photographer want to show here? Reflect on your chosen work and perhaps connect it with your personal life. 

For help with your essays, check out our round-up of the best essay checkers . If you are interested in learning more, check out our essay writing tips !

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Advice for an Unforgettable Photo Essay

Six steps for turning your images into a memorable photo essay, from curating your best work to crafting a title.

A man sits alone on a chair on the side of the road. We see him from above, surrounded by grey cobblestones neatly placed, a broken plastic chair, and some pylons scattered along the curb. A street cat wanders out of the frame and away from the man. He appears lonely, the only person inhabiting the place in which he seems so comfortably seated. As the eye wanders throughout the frame, however, the viewer discovers more: a vast city cast beyond the street and behind the man’s chair. This image closes Sarah Pannell’s photo essay Sehir , a quiet study of urban life.

Possibilities, discovery, and stories: these are some of the most effective elements of a photo essay. Collections of images can help produce a narrative, evoke emotion, and guide the viewer through one or more perspectives. A well-executed photo essay doesn’t rely on a title or any prior knowledge of its creator; it narrates on its own, moving viewers through sensations, lessons, and reactions.

Famous photo essays like Country Doctor by W. Eugene Smith or Gordon Parks’ The Harlem Family are acclaimed for showing a glimpse into the lives of the sick and impoverished. Other well-made photo essays offer a new way to look at the everyday, such as Peter Funch’s much-reposted photo series 42nd and Vanderbilt , for which Funch photographed the same street corner for nine years. As shown by these photographers’ experiences with the medium, a collection of photos can enliven spaces and attitudes. Strong photo essays can give voice to marginalized individuals and shine a spotlight on previously overlooked experiences.

You don’t necessarily need to be a documentary photographer to create a powerful photo essay. Photo essays can showcase any topic, from nature photography to portraiture to wedding shots. We spoke to a few photographers to get their perspectives on what makes a good photo essay, and their tips for how any photographer can get started in this medium. Here are six steps to follow to create a photo essay that tells a memorable story.

Choose a specific topic or theme for your photo essay.

There are two types of photo essays: the narrative and the thematic. Narrative photo essays focus on a story you’re telling the viewer, while thematic photo essays speak to a specific subject.

The most natural method for choosing a topic or theme for your photo essay is to go with what you know. Photograph what you experience. Whether that includes people, objects, or the things you think about throughout the day, accessibility is key here. Common topics or concepts to start with are emotions (depicting sadness or happiness) or experiences (everyday life, city living).

For photographer Sharon Pannen , planning a photo essay is as simple as “picking out a subject you find interesting or you want to make a statement about.”

From Paper & Stories , a photo series by Sharon Pannen for Schön! Magazine.

Consider your photo subjects.

The subjects of your photographs, whether human or not, will fill the space of your photos and influence the mood or idea you’re trying to depict. The subject can determine whether or not your photos are considered interesting. “I always try to find someone that catches my eye. I especially like to see how the light falls on their face and how a certain aesthetic might add to their persona,” says photographer Victoria Wojtan .

While subjects and their interest factor are, well, subjective, when considering your subjects, you should ask yourself about your audience. Do other people want to see this? Is my subject representative of the larger idea my photo essay is trying to convey? Your projects can involve people you know or people you’ve only just met.

“Most projects I work on involve shooting portraits of strangers, so there’s always a tension in approaching someone for a portrait,” says photographer Taylor Dorrell . For Wojtan, that tension can help build trust with a subject and actually leads to more natural images “If there’s tension it’s usually because the person’s new to being photographed by someone for something that’s outside of a candid moment or selfie, and they need guidance for posing. This gives me the opportunity to make them feel more comfortable and let them be themselves. I tend to have a certain idea in mind, but try to allow for organic moments to happen.”

Aim for a variety of images.

Depending on your theme, there are a few types of photos you’ll want to use to anchor your essay. One or two lead photos should slowly introduce the viewer to your topic. These initial photos will function in a similar way to the introductory paragraph in a written essay or news article.

From there, you should consider further developing your narrative by introducing elements like portraiture, close ups, detail shots, and a carefully selected final photo to leave the viewer with the feeling you set out to produce in your photos. Consider your opening and closing images to be the most important elements of your photo essay, and choose them accordingly. You want your first images to hook the viewer, and you also want your final images to leave a lasting impression and perhaps offer a conclusion to the narrative you’ve developed.

Including different types of photos, shot at different ranges, angles, and perspectives, can help engage your viewer and add more texture to your series.

Says photographer Taylor Dorrell: “After I have a group of images, I tend to think about color, composition, the order the images were taken, the subject material, and relevance to the concept.”

From Taylor Dorrell’s photo essay White Fences : “White Fences is an ongoing photo series that explores the theme of suburban youth in the United States, specifically in the midwest suburb New Albany, Ohio.”

Put your emotions aside.

Self-doubt can easily come into play when working with your own photography. The adage that we are our own worst critics is often true. It can be difficult to objectively select your strongest images when creating a photo essay. This is why putting together photo essays is such a useful practice for developing your curatorial skills.

“The most important part for me is getting outside opinions. I don’t do that enough, and have a bias in selecting images that might not be the most powerful images or the most effective sequence of images,” says Dorrell. Your own perception of a photograph can cloud your ability to judge whether or not it adds to your photo essay. This is especially true when your essay deals with personal subjects. For example, a photo essay about your family may be hard to evaluate, as your own feelings about family members will impact how you take and view the photos. This is where getting feedback from peers can be invaluable to producing a strong series.

Collecting feedback while putting your photo essay together can help you determine the strengths, weaknesses, and gaps within the collection of photos you’ve produced. Ask your friends to tell you their favorites, why they like them, and what they think you’re going for in the work you’ve created. Their opinions can be your guide, not just your own emotions.

Edit your photo selection.

Beyond post-production, the series of photos you select as your essay will determine whether you’ve executed your theme or narrative effectively. Can the photos stand alone, without written words, and tell the story you set out to? Do they make sense together, in a logical sequence? The perfect photo essay will give your audience a full picture of the narrative, theme, or essence you’re looking to capture.

A good method to use to cull your images down is to remove as many as half of your images straight away to see if your narrative is still as strong with fewer photos. Or, perhaps, deciding on a small number you’d like to aim for (maybe just five to ten images) and using this as a method to narrow down to the images that tell your story best.

From Taylor Dorrell’s photo essay Over the Rhine , featured in Vice.

Give your photo essay a title, and add a concise written statement.

Finally, you’ll want to create a title and written statement for your photo essay. This will help position your work and can enable the viewer to fully understand your intention, or at least guide their perspective.

A solid written statement and title will be relevant to your topic, detail your primary objective, and introduce your point of view. It’s an opportunity to clarify your intentions to the viewer and ensure they walk away with a clear interpretation of your work. Depending on your photo essay, you may want to include several paragraphs of text, but even just one or two sentences of background can be enough to expand the viewer’s understanding of your work.

Consider if you’d like to add the written statement at the beginning of your essay to introduce it, or at the end as a conclusion. Either one can be impactful, and it depends how you’d like people to experience your work.

For his photo essay White Fences, excerpted above, Taylor Dorrell wrote only one sentence of introduction. But for his series Over the Rhine, Dorell included a longer written statement to accompany the work, which is “an ongoing photo series that seeks to explore the Cincinnati neighborhood of the same name and its surroundings. The series was started in response to the shooting of Samuel DuBose, an unarmed black man, by officer Ray Tensing of the University of Cincinnati Police, which happened July 19th, 2015.” Dorell’s text goes on to offer more background on the project, setting up the viewer with all the information they need to understand the context of the photo essay.

Depending on the motivations behind your photo essay and what sort of subject it depicts, a longer text may be necessary—or just a few words might be enough.

Looking for a place to share your photo essays with the world? Take a look at our guide to creating a photography website for tips on showcasing your photos online.

Cover image by Taylor Dorrell, from his photo essay Hurricane Over Sugar .

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Why We Do It: Photographers and Photo Editors on the Passion That Drives Their Work

T he people who make up today’s thriving photographic community are our eyes to the world. Whether established artists and journalists or passionate emerging voices, they inform us, they inspire us, they amaze us, they put our world in the broader context of history.

But that community also faces great challenges — dwindling sales, increased competition and a fragile trust in photographers’ mission to inform. Too often, those factors can make those of us in that community, photographers and photo editors alike, lose sight of what drive us.

For this post, my last as editor of TIME LightBox, I asked 13 of my colleagues – some of the many photographers and photo editors who have influenced and inspired me over my last ten years in this industry – to answer these essential questions: Why do they do it? Why do they wake up every morning ready to take photographs, to edit them, to publish them? Why is photography important to them and, by extension, to all of us?

Here are their answers.

Kathy Ryan, Director of Photography, the New York Times Magazine

Photographs are the universal language of our era. Everyone has hundreds, maybe thousands in their pocket. Weightless, they turn the scale when the argument is: What happened here? Images don’t age or warp. A great photographer’s strings never go out of tune.

It is for this reason that we need photographers. They are the ones who sort all the chaos of the world into images that bring clarity to the free-for-all of life. They are the witnesses and artists who can distill the mayhem and beauty that surrounds us. They call our attention to the things we miss in our everyday lives and they call our attention to events and people at a great distance from our own patch of the universe. When they direct our eyes and hearts with precision and honesty, we know what we know differently and better. Photographers teach us to look again, look harder. Look through their eyes.

Ruddy Roye, Photographer

I shoot because I see. I shoot because if I don’t, I don’t know who will. Activism is seen as a dirty word. I shoot because I find peace in being especially active, and being a vigorous advocate for a cause.

How does one define what a “cause” is? According to Webster, it is “a person or thing that acts, happens, or exists in such a way that some specific thing happens as a result; the producer of an effect.”

I wish that every image I photograph reexamines and redefines the image of the black man, the black woman, and the black child. My photography is first and foremost a catalyst or reason to motive human action. Every picture I take asks the questions, “Who am I and what is my role here on this earth?” It is my way of seeing. It is my way of saying this is another way of seeing me.

Sarah Leen, Director of Photography, National Geographic

I have spent my entire professional life creating, editing, critiquing or teaching photography and working with photographers. It has been the way that I have experienced much of the world. In a deeply personal way I feel an image is a poem about time, about “staying the moment.” Photography can defeat time. Images can keep the memory of a loved one alive, hold a moment in history for future generations, be a witness to tragedy or joy. They can also change behavior, stimulate understanding and create a sense of urgency that will move people to action. Photography is the universal language that speaks to the heart.

Photographers are the dedicated, passionate and sometimes half-crazy individuals who are willing to give their lives, too often quite literally, to show us what needs to be seen, what needs to be known. I can think of no greater honor nor privilege than to have lived a life surrounded by images and the amazing individuals who create them and share them with us.

Stacy Kranitz, Photographer

For me it began with this fear of myself as a hermit and a search for a tool that would put me in a position to have to be out engaging with the world everyday.

Then it became this portal to and catalyst for reckoning with the other and how the camera can be used to breaking down barriers between the photographer, subject and viewer.

Now that the image has become devalued as a truth-revealing mechanism, it is free to own its subjectivity and becomes an ideal medium to navigate ideas around humanity, connection, identity, memory, presence, experience and intimacy.

Stephanie Sinclair, Photographer

Why do we do it? I think we all ask ourselves this question, especially as the industry becomes ever more volatile, with colleagues losing their jobs, and even their lives, more often than many of us ever expected when we went into this profession. Not to mention the steeply declining pay for those of us who manage to eke out a living doing editorial work… But for me, it comes down to the people in my photographs.

I still believe in the power of journalism and photojournalism to spark positive change — in a world where the pursuit of self-interest is prioritized by so many, its role speaking truth to power when all other avenues fail is unparalleled. And beyond the big-picture role of journalism, it can also be a revelation at the personal level. I’ve seen that from both sides of stories. For example, not long ago I was a story’s subject when my mother lost her life to medical malpractice in Florida hospitals; and, of course, I’ve been behind the camera interviewing hundreds of girls during my 15-year Too Young to Wed project. From both vantage points, I’ve learned how personally cathartic and validating it can be to share injustices suffered with a global community.

MaryAnne Golon, Director of Photography, Washington Post

Why is photography important? Photography speaks. When I discovered and later understood photographic visual language, I saw that this language could inform, educate and move audiences worldwide without the need for a shared spoken language. A successful photo story, when well-authored and edited, is universally understood. I once presented a photo story in China in silence to a professional photography group where the audience smiled, laughed, and fell quiet in all the right places — without a word in Mandarin or English. After the last frame, we all just beamed at each other. It was so thrilling.

I believe in light. Photography is light. That light is often shined into the darkest of places by the world’s bravest and most talented photojournalists. I have been most honored to support and publish work by many of them. I intend to continue nurturing, encouraging, supporting, cajoling, helping, counseling, appreciating, celebrating, and paying for professional photojournalism for as long as I am able. I believe in its power.

Aidan Sullivan, CEO and Founder, Verbatim

Photographers will tell you it’s almost like a disease, an obsession, a condition that drives them to tell the story at any cost, suffer hardships, isolate themselves and take extraordinary risks, all in an effort to capture and convey the story they are passionate about.

I have been there, as a young photographer, and I understand that passion and drive — and now, as my career has taken me through so many levels and roles in our industry, I feel compelled to support and nurture those storytellers, to help them continue to produce important work and tell those stories, often uncomfortable ones, so that we can, sitting in the comfort of our homes, be made aware of the darker side of our world.

This art, this madness, this compulsion to convey a story we know as photojournalism will not die, storytelling will not die, it will change and evolve but it is human nature to want to learn, to be educated and to understand our world through narratives.

I think photojournalism and the skills required to become a photojournalist are an inherent trait, genetic, it’s built into the DNA, it’s a need to be first to tell a story or pass on knowledge visually, like storytellers through the ages, when storytelling was deemed to be a gift and an important way to educate, when memory was a key requirement for learning.

Early cave drawings were the beginning of the visual narrative, all that has changed really is the method to capture those images and now, with a mobile and digital world, the way we disseminate them, instead of access to a few in our inner social circles, now it’s to hundreds of millions of people within the blink of an eye.

Laura Morton, Photographer

I first became interested in photojournalism primarily out of an interest in history. One day, while studying the Industrial Revolution, I found myself very saddened by a photograph of a child in a factory. I remember realizing in that moment that both the child and photographer were likely no longer alive and I became fascinated by how the photograph could make me so upset for the hard life of someone who lived so many decades before me. In a way both of them became almost immortal through the photograph and there was something very compelling about that.

I believe it’s incredibly important for photographers to document everyday life and even sometimes the seemingly mundane, not just for a better understanding of our times, but for individuals in the future to be able to reflect on who they are and how they got there. A photograph is particularly powerful because it is accessible to most of humanity. There is no language barrier in photography. I pick stories and pursue the projects I do with the goal of documenting not only important issues of our time, but ones that will also be relevant or perhaps even more vital for our understanding of humanity in the future.

Simon Bainbridge, Editorial Director, British Journal of Photography

Twenty years ago, I took a formative road trip across the Southwestern states with my sister and my best friend. She was studying literature at the University of Colorado in Boulder, and he was a film school graduate who was just beginning to take his experiments with a still camera more seriously. We planned to cross the San Juan Skyway, then head West to Canyonlands and Monument Valley, looping through New Mexico and back across the Colorado border, but we ended up taking the circuitous route.

Every few miles my friend would point excitedly at the horizon or some mark on the map, and suddenly we’d be veering off-road, heading for some rock or mountain or strange sounding name. Soon we’d be crossing “no entry” signs into reservation land, or knocking at the door of some crazy who’d spent years on a diet of marijuana and aloe vera, building a five-story tower made from Budweiser cans, or detouring up the aptly-named Oh My Gawd Road, or into Cañon City, “Corrections Capital of the World.” At first frustrated by these diversions, my sister and I soon gave in to the adventure, and over the next two weeks let ourselves be led by our random guide, in search of Kodak Gold. I would stand next to my friend, and see what he saw. But somehow he captured something ethereal and profound that I hadn’t recognized. We came to see the world differently; not through some new point of view, but by giving in to our heightened sense of curiosity.

Two decades later, this is still the Holy Grail. The photographers I most admire go out into the world with a sense of wonder and freedom and, yes, arrogance, challenging our apathy, making us see it afresh, for better or worse. Today, I am as willing and eager as ever to wade through the endless repeated themes and subjects to find those rare works that provoke, challenge and thrill me through their brave and insightful perspectives, or their sheer visual sublime.

Alex Potter, Photographer

When I left Yemen in August 2015, the place where I learned to photograph, build a story, and really love a community, I felt very lost. For over a year I tried to seek out a new base, a new story and group of people that had meaning to me, for something I felt connected to, without success. By November I was asking myself that very question — why am I still trying to do this?

I arrived in Iraq in November 2016, looking for stories having nothing to do with Mosul, yet I felt with so many other journalists around, I needed to find meaning elsewhere. I’m a registered nurse, so I sought out a small group of foreign medics working with the Iraqi military medics to treat people wounded during the battle. Living with this tight knit group, I began photographing our surroundings, the Iraqi medics whose job was so morbid, but who were so jovial in our downtime.

By working side by side with them and photographing what we went through together, I was useful, needed, and passionate about something again: I felt the desire to photograph for the first time in over a year. For me, photography is something I’ll always come back to, having assignments or not, to process my reality, to document the world around me, and to remember small details in difficult times that may have otherwise been forgotten.

Jeffrey Furticella, Sports Photo Editor, the New York Times

A favorite childhood memory is of my father driving us to a hobby store, purchasing a few packs of trading cards and me excitedly ripping them open to see what was inside. The bulk of what I’d find were mainstream releases, but what kept me tearing apart those cellophane wrappers week after week was the hope of unearthing something unique, something beautiful, something rare.

That same rush is what propels my belief in picture editing. In a time when our global awareness is under siege by an increasingly insular perspective, the responsibility of empowering photographers whose mission is to not just capture but to investigate, to enlighten, to excite, is one of the great privileges of our time.

Today there are more photographers producing more photographs and populating more platforms than have existed at any other point in our history. With that ubiquity has come an evolution in our audiences, which are more sophisticated and demanding than ever. What a thrilling time then to be tasked with looking through the mainstream releases in the hope of unearthing something unique, something beautiful, something rare.

Peter Di Campo, Photographer

Why is it important? Look at where we are right now. The world today scares me, frankly – people, cultures refusing to understand each other, and the results are frightening, and it’s to the benefit of the people at the top to keep it that way. So I have to believe in a more diverse and inclusive media (yes, to believe it’s dangerously problematic that the world has been predominantly visualized by people who look like me), and I have to believe in the innovations that allow for people to share their own stories with a wide audience. I care deeply about both investigative journalism and user-generated forms of storytelling, and I’m naive enough to believe that those two genres can coexist.

Everyday Africa recently had a big exhibition opening in Nairobi. It was wild, a full house. I couldn’t believe my eyes. A lot of the contributing photographers came in from across the continent, and we all met for the first time. You should have seen how the African photographers were treated – like celebrities! – by the fans who have been following them on social media for years. They’re seen as role models in the African art, photography and social-media circles because they’re black people imaging black people, and that’s Power. Anything I can do to continue supporting that – that’s what gets me out of bed in the morning.

Is it odd to be a white American man saying all this? I don’t let it bother me. We all have to care about this.

Jean-François Leroy, Director, Visa pour l’Image Photojournalism Festival

I’ve been doing what I do for 40 years because I’ve always had the same gluttony to discover, among all the proposals I receive, the pure nugget, the young photographer whose photographs are a slap in the face, the young photographer that has that rare talent. Today, to see established photographers, recognized by everyone, whom I exhibited first – I’m beyond proud.

Even if it can be difficult, at times, to work with photographers, I love to reveal them, to help them edit, to build, with them, a story. After all these years, I have the same passion for this witnesses of what we’re living through. They are our eyes. They show us what’s happening. They astonish us. They move us. They make us smile, sometimes. Cry, as well.

I can’t imagine my life without all these encounters, so enriching, so surprising, so astonishing. Life!

Olivier Laurent was the editor of TIME LightBox from 2014 to 2017. He previously was a news editor at the British Journal of Photography. Follow him on Twitter and Instagram @olivierclaurent

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5 Tips for Creating a Photo Essay with a Purpose

A Post By: Lynsey Mattingly

As a photographer, you are a storyteller. The nouns are your subject matter; the verbs are the color and contrast that keep the story moving. A cast of characters all working together to get your point across. Instead of proper grammar, you ensure proper exposure. Instead of spelling errors, you watch for tack-sharp focus. For those times when the story is especially important and meaningful, or for when one image doesn’t say it all, there is the photographic essay. With blogging and social media, photo essays are more popular than ever: humorous or emotionally relevant, sparking debate or encouraging compassion, each with a story to tell.

I’ve mentioned before  that taking on a photo project is one of my favorite ways to reignite my love for photography, but beyond that, it’s a great way to get your message across and have your work seen by a larger group. A photo essay is intriguing; it’s something to talk about after people hear that you’re a photographer and want to know about the glitz and glamour of it all. It’s the perfect thing to tell them after you’re done going on and on about all of the red carpets, the celebrities, the fame, and the fortune. It also can be extremely satisfying and kick-start your creative wonderment.

By definition, a photographic essay is a set or series of photographs intended to tell a story or evoke emotions. It can be only images, images with captions, or images with full text. In short, it can be almost anything you want it to be. Which is where I struggle most–when the options are limitless. In this freelance world we live in, I love a little guidance, a little direction. Ideally, someone to tell me exactly what they want and promise to be thrilled with whatever I produce, for my fragile artist ego can’t take any less. While I continue my quest for that, I offer you these 5 tips for creating your own, completely without bounds, photographic essay:

1) Let it evolve on its own

Each time I’ve had a very specific concept in mind before I started shooting, it’s never been the end result. An example: for a hot minute, I offered a “day in the life” session to my clients. I was photographing so many of the same clients year after year that I wanted to be able to offer them a different spin on the portrait sessions I was doing for them. I asked a long-time client if her family could be my guinea pigs for this and told them that we could do whatever they wanted. We went out for ice cream, had a mini dance party in their living room, and I photographed a tooth that had been lost that very morning. Then, very last, I photographed the two young daughters with notes they had written, which to be honest, I’m not even sure how they had come about. I rushed home after the session and edited those last note pictures first just because they were so different from what I usually shoot, and posted them on my personal Facebook page the heading Notes Girls Write .

Within minutes a dear friend, and fellow photographer, commented that this was big. Bigger than just the two pictures. She and I would spend the next year working on a photo essay that became a blog, that in turn became a book entitled Notes Girls Write . We photographed hundreds of women of all ages with their notes, each one later expressing having their portrait taken with their own words was an extremely powerful moment for them. Beyond my beautiful children, the fact that I can make a bed with hospital corners like no one’s business, and the award I won in the 4th grade for “Most Patient”, Notes Girls Write is one of my proudest accomplishments. It evolved on its own, starting from a few similar photographs that struck a cord in viewers and becoming a large and powerful project, one of the biggest markers in my career so far.

TIP:  Don’t be so set in your idea that your project can’t outgrow your original concept. Your images will guide you to your end result, which may end up being different than you originally envisioned it.

2) If you think there’s something there, there’s likely something there

For the last year I have been a “foster mom” with a dog rescue group. Volunteers transport dogs that would otherwise be put down from overpopulated shelters, or seized from terrible situations, to my area, where dog adoption rates are much higher. These dogs live in foster homes while they receive medical care and basic training so that they can be adopted out to loving homes. It’s incredibly rewarding. Especially when I had hardwood floors.

I knew from the first time I met the transport van I wanted to document what it looked like: a van full of dogs that just narrowly escaped death arriving to temporary homes where they will experience a level of love and care which they’ve likely never known. I tear-up every time I see it. I am also put to work every time I am there, so taking photos while holding onto a 100 pound German Shepard is tough. It’s going to take me several trips to have enough images to do anything with, but that’s fine. I have no idea what I will be doing with these photos. I know they will find a home somewhere: maybe with the rescue group to raise awareness, or to help bring in volunteers, or maybe they will do nothing more than document my own story with volunteering, or perhaps something more. I’m not sure yet, but the point is that I have the images, ready for their time, whenever that is.

TIP: If you think there is something to it, there likely is. Even if it’s just a personal passion project. Take photos until you find the direction or purpose and save them until your essay takes shape. You may not end up using all, or any of the images, but in continuing to take photographs, your project will be defined.

3) Shoot every single thing

I’m the “World’s Worst Over-Shooter”. Need one image? Let me take a hundred so we know we have it. Luckily for my bad habit, the photographic essay needs over shooting. Whether you know what your plan is, or have no idea want your end result will look like, the more coverage you have, the better. This is one of the few times I push my luck and ask my subjects to work for me until they never want to see me again (I only photograph people though, so if you are photographing mountains or something, you have the added advantage of not pushing people until they cry or yell). Don’t be shy. Shoot everything you know you don’t need, just in case you need it. Should your end product need supporting images or take a different direction than you originally thought, you’ll be ready.

Take advantage of digital (if that’s how you shoot) and fill a memory card. You may end up trashing everything, or you may not. I had no idea that my Notes Girls Write project would span for as long as it did, but because I didn’t turn down anyone who was interested in the very beginning I ended up with some shots that told complete stories and expanded on the original concept.

TIP:  Think big. If you are shooting an essay where mountains are your subject matter, see the mountain in pieces and photograph the surrounding trees, rocks, and whatever else. This will save you having to return to the beginning of the project for supporting shots, or having to reshoot if your essay takes a different turn than you planned.

4) Ask for help with image selection

I struggle with this one–I let my personal feelings get involved. Throughout our Notes Girls Write project I was constantly picking images based on my personal feelings–the subjects that I had connected with more, and the girls that I knew were most interested in the project. This is where it is so helpful to have someone else help. Someone who has no personal feelings towards the images and will help you pick based only on the strength of the image and not your own feelings. Even if people were not involved as subjects, you tend to have personal feelings toward images that the general public may not see the power behind.

I recently photographed several dozen sexual assault survivors as part of a photographic essay for a victim advocacy ’s annual gallery show. This event is meant to put faces on the survivors and raise awareness, and has been a large local event for years. I was thrilled to be selected to be the exclusive photographer, though this was one of the hardest projects I’ve ever taken on. The photo sessions themselves, whether five minutes or 30, were extremely emotional for the survivors and in the time I spent with them, I often learned a lot about their journey and experience. This made it difficult for me to pick which final images would be used for the show, based only on the power of the image and not my personal feelings. In the end several select friends helped me narrow each survivor’s images down, and the subjects themselves selected which would be the final image used, as ultimately this is their story.

TIP: All creative work is personal, and looking at photographs we take ourselves is incredibly hard to do with clear eyes. We see the mistakes, the personal feelings, the shot that could have been better. It’s impossible to always set these aside so when working on a project that is incredibly important to you, or large in scale. Have others help you decide what images to use for your final pieces. Bring in people who are interested in photography and people that aren’t. People that know about your subject matter and people that don’t understand it at all. But above all, bring in people who will be honest and not tip-toe around your feelings. Lastly, also bring a thick skin.

5) Tell your story, in fact shout it from the rooftops if you can

Maybe your original idea for your photographic essay was to post it on your blog. Awesome, nothing wrong with that, but are you sure it can’t be more? Shop it around, who can it help? Does this benefit a group, an organization, or a person? Could it inspire people? If you feel passionately about the photos, chances are that someone else will too. Your photographic eye doesn’t stop when your shooting is done. If you felt compelled to take the time to create a photographic essay, there are likely “readers” for your story.

TIP: This isn’t the time to be humble. Taking on a photo essay is a large endeavour. While there’s nothing wrong with having it be something you only did for your own personal growth, showing it around can be helpful both in experience and longterm benefit. Post it on social media, find appropriate places your essay could be displayed, and think about how it helped you. Every single photo essay I have done has led to an outstanding connection, or more work, and there is nothing wrong with getting those things along with the personal gain of accomplishing something you’re proud of.

The ideas are truly for a photographic essay are limitless. Truly.

Want a few more ideas for projects, try these?

• Using a Photography Project to Spark your Creativity
• Photography projects that make you feel alive
• Jumpstart Your Photography – Start a 365 Project
• 8 Photo Projects in Your Own Backyard

Have you ever done a photographic essay? What is your experience? Share with in the comments if you have, or have considered it. If you haven’t, what are you waiting for?

Read more from our Tips & Tutorials category

photographs families, kids, couples, and other groups of people who, for whatever reason, kind of like each other. Her portrait work has been featured in People Magazine, Us Weekly, BBC Magazine, and on national TV including CNN, Oprah, and Ellen, but most importantly, in the personal galleries of clients across the country. Her photography can be viewed at www.lynseymattingly.com or on Facebook .

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How To Create a Meaningful Photography Essay In 5 Steps

The storytelling nature of photography is no secret. It has been used for a century to narrate stories in a very peculiar and effective way. Narrative photographic projects have great power, and regardless of the level of experience and maturity of the photographer, they are very appealing. Find out how to create a meaningful photography essay in 5 steps.

Photography is an amazing art form that portrays interesting stories, events, adventures, life stories, experiences, history and has been around for a very long time having great influence in human life and emotions. Photography freezes the moment and records real life happenings that can be cherished for a lifetime and beyond. To make a good photograph, the photographer needs to look for perfect locations, light, subjects and add a little creativity to it.

Rather than a single image, a set or collections of images are always more powerful in telling a story, bringing in emotions within the viewer and taking/guiding the viewer through the path of the story. It is self consistent, self explanatory and doesn't another person to help with any form of narration. Besides these, photography essays can be a powerful source to bring out suppressed problems in the societies and other issues that are often overlooked.

Photographic essays invite us to research a topic or a theme in depth. Documentary photography is perhaps one of the closest things to “narrative” as we traditionally know it. Even though times have changed, and photography has been open to more independent photographers who don't have the same resource bonanza as the editorial or journalistic photographers of previous decades, this new democracy opens the door to the freedom of speech – a freedom that doesn't have to obey any media interests whatsoever.

Alright, But What Is A Photography Essay In The First Place?

A photo essay is a narrative that uses a group or series of photographs to tell a story, evoke emotions or emphasize a specific concept. The camera plays a utilitarian role, and is pretty far from what the final result can convey to those who read it (either completely or just partially). Photography essays can be either just photographs or photographs with comments, captions or text that accompany them to complete the story.

Some examples of photography essays include collage (simplest form of telling a story), an article, a book, an art show or exhibition, part of a website or a dedicated website and so on. Earlier photography essays were printed in the printing press, but in recent times they have moved to the web which is better in terms of easy access, but will not have a similar effect to looking and reading one physically.

What Elements Should A Photography Essay Include?

Being a narrative in a very holistic form, a photography essay should include the following elements in the most extreme cases:

• Introduction
• Contextualization
• Development
• Continuation

Not all essays will allow such a complex storyline, but we can take some of these elements to formulate an idea of what an essay should include. Therefore, a photo essay is a way to tell a story from beginning to end, with substance and a meaningful content.

Most photographic essays require preparation, organization and direction. Photographic essays began to be published in the 1930s after magazines saw that a story could best be told if text was accompanied by photographs. It is no coincidence that, by this time, cameras had evolved such that they could capture images quickly enough to freeze motion.

Also around this time, portability came into the picture, thanks to the practical nature of 35mm film . It was LIFE magazine that coined the term “Photographic Essay”. One of the most classic photography essays they published is “ Country Doctor ” by W. Eugene Smith . This essay documented Dr. Ceriani’s working life as a traveling doctor in rural areas of the United States.

An essay can be short, mid- or long-term according to various factors that can affect the image recording process. After achieving a certain number of images, the editing process can take place and the story can begin its narrative course. Some things that can affect the recording process are the limited resources we endure while working abroad, and limited access to the subject or the circumstances-recurrence ratio.

Here Are The 5 Steps Involved In Creating A Photography Essay:

1. pick a topic.

Obvious indeed, but choosing a good topic can be difficult without prior research. This is perhaps the hardest part of creating a photographic essay.

The wisest way to approach this is to select a topic that won't be so hard to access – not just because it might be easy. Since it will be accessible, the risk of frustration will be lower than it is when handling a difficult topic. Experience will eventually lead us into working with trickier subjects.

A photo essay doesn't need to always be dramatic and dense. They can be done just for the fun of it, or to discover new possibilities for the photographic narrative. Some topics that are generous when they are addressed are:

• Everyday Work  

2. Choosing The Subjects Correctly

When working on a photographic essay, it is important to choose subjects correctly to keep ourselves within a certain scope. Check to see if your subjects are suitable or the story you are planning to tell and if the stories made with them will be interesting for your target audience.

Even if you don't have a human subject to portray, making use of personification can always be a good guide to avoid losing course. For example, you can focus on silence by stating that the images attempted to capture the presence of silence.

Also, solitude can be addressed without any human elements, but still maintain the purpose of capturing “the human footprint”, for example.

3. Quantity Of Images

It is important to define the number of pictures we are willing to present on our final essay. Defining that number is important for a couple of reasons.

• The first one is because it will set the bar of our project's scope (critical when we start to consider our resources).
• The second one is our readers. The story should be told from start to finish with high impact, just like a short novel or a story. If we stuff our essay with “filler” images, it will ultimately lose its power.  

4. Execution

Let the fun part begin! After defining the previous three elements, we can start shooting to create a great storytelling essay.   Shooting story telling photographs for a photography essay need to be powerful just like how you would shoot individual images to tell a story. Look for perfect light, relevant locations relating to the story to be told, perfect subjects for the story and also compositional guidelines.

Always have introductory and closing images just like how you would have an introduction and conclusion to any essay. Shoot at different light, angles, perspectives, etc. and finalise during the editing part the images that will work together to complete the photography essay.

Editing must not be confused with post-processing, which is an important element of the production of the final photographs. Editing refers to the precise selection of the images that will be included in the essay. There is no perfect quantity or order. You (or your editor) will have to be very objective to select the perfect mix to tell the story the way you want it to be told.

Ak yourself questions like, do the photographs speak the story or will they require accompanying text, is the sequence or series logical, do they stand together and complete the story from start to finish, etc. Try and tell the story with minimal images by avoiding repetition as that can bore the viewers.

Who Can Create A Photography Essay?

Some photographers believe that only photojournalists or documentary photographers can create photography essays. That is not the case – photo essays can be created on any topics like nature, wedding, events, portraits, travel, etc.

Constant planning, execution and checking can and should be applied to all the stages discussed above. You will need to have a powerful title and written text that is strong and concise. Sometimes longer text may be required.

Photo essays are a great way to improve not just as photographers, but as storytellers, too. Viewing photo essays with a reader's mindset will give you a better feeling of photography’s storytelling power.

About Author

Federico has a decade of experience in documentary photography , and is a University Professor in photography and research methodology . He's a scientist studying the social uses of photography in contemporary culture who writes about photography and develops documentary projects. Other activities Federico is involved in photography are curation, critique, education, mentoring, outreach and reviews. Get to know him better here .

Dear Federico, this is a very informative, to the point article for everyone who wants to enter the world of creating photo essays. Currently, I am teaching photography at one of the well known institutes in India and I am playing a role of a honeybee. I am creating a blend of my experience along with such articles and letting the student know what are the pros and cons of various genres of photography and how to go about it. I am obviously giving you credit for this article. Thanks and you are welcome to India. You will love my country!

Frederico, thank you for this article about photo essays! I am both a digital photographer and a freelance writer, and this idea combines both of my passions. What are the most successful photo essays that you have done that you can share?

Hi, Thank you for the article, very interesting, something I would really love to try. I do have one question though, how do I know whether a photo essay would be a success, who would judge it?

I have emailed Frederico asking permission to reprint this article in my photo club’s digital newsletter (www.spsphoto.org). I would like your permission as well. We are having a photo essay competition this month. I will include links to the original article, as well as yours and Federico’s website. Thank you.

Fine by us, Linda. Thanks for asking first.

Thank you, and Federico, for permission to reprint. I am sure my photo club members will appreciate this timely article for our annual photo essay competition !

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Table of Contents

Latest Posts

Get Going – How to Motivate Yourself To Shoot At The Best Times

Understanding Diffraction – The Silent Killer Of Your Photos’ Sharpness

Drone Safety and Etiquette: Responsible Aerial Photography

How to Shoot Panoramic Photographs

PHOTOGRAPHY. MY PASSION. MY LIFE

2021 marks the fifth anniversary of Fan Ho’s passing and what would have been his 90th birthday. For the occasion, this new publication “Photography. My Passion. My Life.”, bundling the best of Fan Ho’s work, was released in December 2021.

This photo-book contains a selection of 138 photos by the celebrated photographer, intertwining his internationally renowned works with those that have yet to be released. The book contains an essay “My Quest” written by Fan Ho himself in the 70’s, explaining his own practice and his stylistic journey as he was influenced by different movements in photography occurring at that time. Through his essay, we learn about his interpretations of aesthetics, poetics, philosophy and synergy, as seen in his photographs.  

Hard Cover Case Binding

Size: 13 x 10.5  in.

Language: English and Chinese

Publisher: WE Press Co. Ltd.

ISBN: 978-988-79341-0-3 $160

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What is The Importance of Photography Essay

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Photography-my Passion

I use my camera to capture and document moments in life, through visual story. Photography is my favorite way to express myself. My photos give people a chance to see the way I think. My photos help bring attention to the little things that often get overlooked. Almost like collaborating thoughts, photography shows people new angles and perspectives on life. I love presenting my work to people, because my photos are like a peek through my eyes. My photos show my unique thought process and my interpretation of the world around me. The exploration of these small moments in time help me to deeper indulge in the moment. My goal and ultimate feeling of success is drawing other people into that moment as well. My subject of choice is people. This comes from my true love and appreciation for the human experience of emotion and life. I really enjoy getting candid photos that personify pure feeling, enhanced by use of light and composition. I want my subject to feel beautiful and comfortable during the process of being photographed, so they can show me who they really are. I want the subject to see the results and feel like they are being represented well. Only recently have I began to work more with landscapes. I love finding beauty in everyday spots that may be passed by without a second glance. Through landscapes I have learned that I would really love to travel and see more interesting parts of the world. Thanks to landscape photos, one photographer can take thousands of people to the featured spot and everyone can interpret it differently. Thanks to other’s photography, I have experienced a lot more than my own eyes have seen. I hope more exploration soon broadens my horizons to see different parts and moods of nature. I am inspired by the little moments that we so often lose to memory. The best photos are the photos that resurface with it, a scent, a feeling, an essence. And for those not involved behind the scenes, a certain appreciation. I am inspired by emotion. I am inspired by personality. I’ve always been encouraged to think outside the box; I am inspired to find, with my lens, something different. Something beautiful. I tend to over think things, but with my camera, I don’t think. I just see. I imagine, and I experience. Photography made me an extrovert. I am not the best speech giver, and it’s often difficult for me to say exactly what I’m feeling. Good photography needs no words.

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