memoir biography books

27 Best Memoirs: Unforgettable Stories That Inspire

These autobiographies deliver poignant self-reflection, humor, and resilience.

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Memoirs always combine storytelling and inspiration . These intensely personal narratives offer unique insights and lessons learned from the author's past. When you read one of the best memoirs on our list, you're invited into someone's life, experiencing their story through their own words, complete with all the emotions, reflections, and raw honesty that accompanies personal recollection. The journeys that shaped who they are today can also sometimes provide readers with a fresh perspective, allowing them to see the world from a different vantage point.

Whether it's an account of someone else's childhood adventures, professional triumphs, or personal struggles, these stories are meant to transport you — the reader — to new places and broaden your understanding of the human experience. The memoirs in this roundup resonate deeply and will leave you with a lasting impression you won't be able to unsee in the best possible way. We know you'll appreciate these selections. Memoirs or not, they represent some of the best books ever published .

From juicy tales from celebrities to acclaimed writers to renowned chefs and even lesser-known yet compelling voices, each book offers a unique lens on life. Check out the best memoirs below!

More Books: The Best Books from Reese Witherspoon’s Book Club • 19 Books About the Royal Family • The Juiciest Celebrity Memoirs

Patric Gagne "Sociopath: A Memoir" (2024)

"Sociopath: A Memoir" by self-identified Patric Gagne takes a deep dive into the author's life as he navigates the complexities of living with antisocial personality disorder. Gagne, now a writer and mental health advocate, offers an unflinching look at her experiences. Throughout its chapters, she sheds light on the challenges and misunderstandings surrounding sociopathy.

With personal anecdotes and introspective insights, she aims to humanize the condition and foster empathy for others in the same position. For those interested in mental health, it's a crucial read and one of the best memoirs you can opt for, as it provides a rare, authentic perspective on a frequently stigmatized disorder of sociopathy.

Michelle Obama "Becoming" (2018)

In Michelle Obama 's memoir, "Becoming," the former First Lady of the United States chronicles her journey from growing up on the South Side of Chicago to her time in the White House . Obama shares personal stories about her childhood, education, career, motherhood, and experience as a First Lady.

This powerful and inspiring read gives insights into her challenges and triumphs, including moments in history you might even remember. Her advocacy for education, health, and women's rights are major themes in her book and life. It is a must-read for those interested in personal growth, resilience, and the life of one of the most influential women in recent history.

Read more about Michelle Obama

Drew Barrymore "Wildflower" (2015)

Drew Barrymore's memoir "Wildflower" comprises of personal essays where the actress reflects on her unconventional upbringing , career in Hollywood, and her journey to becoming a successful actress and mother. Through candid and heartfelt stories, she shares the lessons learned from her tumultuous childhood , early fame, and struggles with addiction.

"Wildflower" is an inspiring read for its honesty and resilience, offering an intimate glimpse into her life and evolution into the grounded and joyous adult we see today on her own talk show.

Read more about Drew Barrymore

Sandra Tsing Loh "The Madwoman and the Roomba: My Year of Domestic Mayhem" (2020)

"The Madwoman and the Roomba: My Year of Domestic Mayhem" is a humorous memoir by award-winning columnist Sandra Tsing Loh. The book captures Loh's chaotic and relatable experiences managing household life, technology mishaps, and the everyday challenges of modern domesticity.

Through her witty anecdotes and sharp observations, she explores themes of middle age, parenting, and the absurdities of suburban life. You should read it for its laugh-out-loud humor and keen insights into the trials and tribulations of family and home management. It may even give you a comforting and comedic take on the universal struggles of domestic life if that's where you're at in life.

Frank McCourt "Angela's Ashes: A Memoir" (1999)

"Angela's Ashes: A Memoir" is an evocative recount of Frank McCourt's impoverished childhood in Limerick, Ireland. The author narrates his early years with humor and resilience despite facing extreme poverty, his father's alcoholism, and the loss of siblings. This memoir vividly depicts the harsh realities of life in mid-20th-century Ireland.

You should read it for its poignant storytelling and its ability to find hope and humanity amidst adversity. McCourt's narrative is both heartbreaking and inspiring, making it a compelling read that highlights the strength of the human spirit.

Sonali Deraniyagala "Wave by Sonali Deraniyagala" (2013)

Sri Lankan writer and economist Sonali Deraniyagala lost her parents, her husband, and her two young sons in the 2004 tsunami that devastated parts of Thailand, Sri Lanka, Indonesia, and India. In this relentless memoir, she explores the seemingly bottomless depths of grief and how our power to remember the past can be healing. Readers who love a resolution might look elsewhere, but they’d be missing out on some unflinching, courageous writing.

Joan Didion "The Year of Magical Thinking" (2005)

From acclaimed writer Joan Didion, The Year of Magical Thinking recounts the sudden death of her husband and the hospitalization of their daughter within days of each other. (Her daughter eventually died at 39, which Didion writes about in Blue Nights .) It’s an engrossing and vulnerable look into a year of experiencing and coping with tragedy—filled, of course, with the writer’s famously incisive prose.

Dave Holmes "Party of One: A Memoir in 21 Songs" (2017)

We all have songs that can conjure specific memories. Writer, comedian, and TV personality Dave Holmes takes that notion to heart in his memoir, where he writes about growing up Catholic and closeted in Missouri and how he “accidentally” became an MTV VJ. There’s a plethora of references to ʼ80s and ʼ90s music and self-deprecating humor that strikes the perfect balance.

Glennon Doyle "Untamed" (2020)

"Untamed" by Glennon Doyle is a memoir that chronicles the author's journey to find her true self. Doyle, a renowned speaker and activist, shares her experiences with personal struggles, including divorce and coming out. During the process, she learns to trust her inner voice. It's one of the best memoirs you can read because it challenges societal norms, encouraging readers to break free from expectations and live authentically just as Doyle did. With its powerful message of self-discovery and empowerment, "Untamed" is a compelling read for anyone looking to embrace their true identity and find liberation in their own lives.

Maya Angelou "I Know Why the Caged Bird Sings" (1969)

An American classic, Maya Angelou ’s debut memoir recounts the acclaimed author ’s childhood and adolescence from Arkansas to Missouri to California. She touches on themes of identity and self-acceptance and recounts the abhorrent racism she and her family experienced, as well as the sexual violence she suffered at the hands of her mother’s boyfriend. But there’s great joy here, too, especially when young Angelou learns to come out of her shell through her love of literature.

Read more about Maya Angelou

Anthony Bourdain "Kitchen Confidential: Adventures in the Kitchen Underbelly" (2000)

You’ve probably seen this book on several similar lists, but that’s because it’s endlessly interesting. Bourdain dishes on such a niche culture—that of high-octane kitchens in some of the world’s best restaurants—and doesn’t shy away from some of its ugliest qualities. He gets personal, too, with anecdotes both amusing and somber.

Read More about Anthony Bourdain

Kiese Laymon "Heavy" (2018)

With the deeply moving Heavy , Kiese Laymon shares the trials of his upbringing in Jackson, Mississippi. It’s written in the second person, addressing his mother, and it touches on his relationship to his body and how racism permeated his views of himself and the world around him. This modern memoir should be on every reading list.

Roald Dahl "Boy and Going Solo" (1984)

"Boy and Going Solo” consist of two autobiographical works by renowned author Roald Dahl published in 1984 and 1986. "Boy" recounts Dahl's early childhood and school years in England, filled with vivid, often humorous tales of pranks and strict teachers. "Going Solo" continues his story into young adulthood, focusing on his adventures as a pilot in World War II.

These memoirs are rich with the storytelling flair that characterizes Dahl's fiction, offering insight into the experiences that shaped his creative imagination. You should read them for their engaging narrative, historical context, and to understand the formative years of one of the 20th century’s most beloved children's authors.

Read more about Roald Dahl

Cathy Park Hong "Minor Feelings: An Asian American Reckoning" (2020)

There’s no shortage of powerful writing in this book by writer and poet Cathy Park Hong. Throughout the work—about America’s racialized consciousness—she expertly weaves many personal details of her life as the daughter of Korean immigrants with topics like intersectionality and artistic expression. There’s plenty of enlightening history, too, including on activist Yuri Kochiyama . Her writing demonstrates her self-awareness; she even challenges many of her own thoughts. It’s a fascinating, essential read.

Jennette McCurdy "I’m Glad My Mom Died" (2022)

In what was arguably the most talked-about memoir of the past year, actor and writer/director Jennette McCurdy details what went on behind the scenes in her life before, during, and after making the hit Nickelodeon show iCarly . She bears it all—discussing her eating disorder and the toxic relationship she had with her mother—while using pitch perfect humor, in a memoir that’s hard to stomach at times. But it’s worth it to see how she ultimately takes back control of her life.

Chanel Miller "Know My Name" (2019)

You might remember Chanel Miller as Emily Doe. After being sexually assaulted by Brock Turner on the Stanford University campus in 2015, she wrote a victim impact statement under this name that reverberated around the world. In this profound memoir, she reclaims her real name and reveals the frustrating truths surrounding victimhood and the criminal justice system. But her writing also divulges her incredible strength—it’s a powerful read that this writer finished in one sitting.

Michelle Zauner "Crying in H Mart" (2021)

Maybe you know Michelle Zauner best as the lead singer of renowned alt-pop group Japanese Breakfast. But here, in this recently penned memoir, she recounts taking care of—and ultimately losing—her mother, who was given a terminal cancer diagnosis when Zauner was 25. It’s a complicated, very moving account of the experience that poetically touches on identity and grief. Interspersed within these memories are mouth-watering descriptions of Korean foods that only make readers more greatly feel both the love and the loss.

Carrie Fisher "The Princess Diarist" (2016)

In her final book, actress and writer Carrie Fisher gives fans a peek behind the curtain of her time on set of the first Star Wars movie . She hilariously commentates on excerpts from her diary during that time, recalls her crush on Harrison Ford , and delves into how complicated it can be to navigate the world of celebrity—especially as the face of such an iconic character.

Read More about Carrie Fisher

Roxane Gay "Hunger: A Memoir of (My) Body" (2017)

Widely recommended as one of the best books of 2017, Hunger is Roxane Gay’s raw and powerful memoir about her own self-image and our society’s obsession with appearance. There’s a reason Gay is such a prolific writer today, whether you follow her musings on Twitter or her New York Times column; she is incredibly inquisitive and can make any reader question the status quo. Hunger is no exception.

Saeed Jones "How We Fight for Our Lives" (2019)

Saeed Jones, an award-winning poet, writes with such a distinct style in this searing memoir about coming of age as a young, black, gay man from the South. He writes about grief, about identity in a world that makes it hard to find one, and about acceptance. It’s a short read in length (at 192 pages) but leaves a memorable impression.

Ysolt Usigan is a lifestyle writer and editor who has created share-worthy content for publishers like Shape , What To Expect , Cafe Mom , TODAY , CBS News , HuffPo , The Bump , Health , Ask Men , and BestGifts . A working mom of two, her editorial expertise in shopping, parenting, and home are rooted in her everyday life. Her passion is hunting for the best products and sharing them with the masses, so others don't have to waste time and money.

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Memoirs That Changed a Generation

Personal stories, universal impact.

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There was a time when writing one's memoir was an activity reserved for illustrious public figures (usually men) in their twilight years. Think Winston Churchill. Tales of intimate personal lives, family dynamics, the challenges of coming of age, of facing demons from within and without—these stories were told in novels, through the veil of fictional characters. Then, all of sudden, at the close of the last century, young women stormed onto the shelves, breaking out with books like Girl, Interrupted, by Susanna Kaysen (1993), Autobiography of a Face , by Lucy Grealy (1994), and The Liars' Club (1995), by Mary Karr. The genre was completely reinvented, and a generation of writers (mostly women) came of age rejecting the culture of secrecy and shame that had surrounded everything from addiction to illness to family dysfunction.

In the three decades since, the memoir has become a powerful force for healing and change on both the individual and the cultural level. Here are 33 unforgettable personal narratives: the naked truth of real lives, elevated by gorgeous language, unforgettable scenes, breathtaking humor, and artful suspense. Each has the power to change your life and heal your heart.

Autobiography of a Face, by Lucy Grealy

Childhood cancer left Grealy with half her jaw removed, a disfigurement that filled her with self-loathing. A heartbreakingly wise child reborn as a brilliant writer, she puts readers in touch with a self beyond ugliness or pain.

The Liars' Club, by Mary Karr

With deadpan humor, a killer eye for detail, and a badass persona founded at age 7, Karr makes a convincing case that there's no dysfunctional childhood that can't be redeemed with a great story.

Prozac Nation, by Elizabeth Wurtzel

Wurtzel's raw emotional honesty about coming of age with a diagnosis and a bottomless pill bottle stirred up a storm of criticism and outrage but spoke straight to the hearts of the Kurt Cobain generation.

Angela's Ashes, by Frank McCourt

A childhood of abject poverty and brutal loss in Limerick, Ireland, becomes a luminous legend in this extraordinary account. Feeling sorry for yourself about something? Here's a sure end to that.

Fun Home, by Alison Bechdel

LGBTQIA+ hero Bechdel grew up in a small-town funeral home run by her father, a man with many secrets. This beautifully illustrated graphic memoir inspires us to rethink the mysteries of our own pasts.

Wild, by Cheryl Strayed

Strayed cut short a self-destructive spinout after her mother's death with an 1,100-mile hike up the Pacific Crest Trail, blazing a path for readers who are having trouble forgiving themselves.

Eat, Pray, Love, by Elizabeth Gilbert

Lifting up brokenhearted women since 2006, this iconic story of reinvention after divorce goes from the pits—a cold bathroom floor—to the peaks, a year of sensory delights and spiritual magic in Italy, India, and Bali.

Girl, Interrupted, by Susanna Kaysen

Kaysen's parents were so frightened by her adolescent melodrama that they hustled her into treatment and she spent over a year in a mental hospital. Her ability to recreate the mindset of a miserable 18-year-old qualifies this memoir as a self-help book for parents.

A Heartbreaking Work of Staggering Genius, by Dave Eggers

When their parents died within weeks of each other, leaving him the caretaker of his 8-year-old brother, the 21-year-old author had just one superpower—irony. If there's a grief guide for the cool kids, this is it.

When Breath Becomes Air, by Paul Kalanithi

If you need to know what makes life worth living in the face of a terminal diagnosis, this book has an answer. The heartfelt reckoning of a 36-year-old neurosurgery resident with stage IV cancer was completed by his wife after he died.

Drinking, by Caroline Knapp

Knapp was exactly the kind of well-educated, high-powered woman nobody dreams has a drinking problem, partly because she was so good at hiding it. The gift she gained by ending the denial is one she shares.

Reading Lolita in Tehran, by Azar Nafisi

Does your book club need a reboot? Nafisi's account of gathering with her former students to read forbidden classics in the midst of the Islamist crackdown comes with the world's most powerful reading list.

Running with Scissors, by Augusten Burroughs

Burroughs's no-holds-barred account of his harrowing childhood—gross, hilarious, completely outrageous—writes a bold permission slip for anyone who worries her secrets are too much to share.

H Is for Hawk, by Helen Macdonald

Macdonald's experience of bonding with her goshawk Mabel opens a bright window into the bond between people and animals, deepening our understanding of our role as custodians of the natural world.

Just Kids, by Patti Smith

A magic carpet ride to the bohemian New York of the late ’60s and early ’70s, the future punk heroine's love letter to her friend Robert Mapplethorpe is filled with idealism, beauty, and sweetness.

Men We Reaped, by Jesmyn Ward

Ward wrote this book to understand the unjust, untimely deaths of her brother and four other beloved Black men, revealing the forces of poverty and racism in their most personal and vicious form.

First They Killed My Father, by Loung Ung

The author's survival of the violence and terror of the Cambodian Pol Pot regime is a stirring testimony to the resilience of children, a green shoot of hope and goodness in the devastation of the killing fields.

The Year of Magical Thinking, by Joan Didion

Read this book to be astonished—by the gutting nightmare of Didion's loss, and by the power of her intellect and her sentences to transform it into an immortal thing of beauty and deep humanity.

The Glass Castle, by Jeannette Walls

Without a bit of sugarcoating, Walls shows how we can love our families and our history no matter how much of a nightmare it all was. Her journey from the trailer park to the limo is an all-American success story.

Me Talk Pretty One Day, by David Sedaris

If laughter is the best medicine, Sedaris is a great big bottle of it. The avatar of dysfunctional families everywhere, his sardonic, self-deprecating storytelling is guaranteed to deliver comic relief.

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The Best Reviewed Memoirs and Biographies of 2022

Featuring buster keaton, jean rhys, bernardine evaristo, kate beaton, and more.

We’ve come to the end of another bountiful literary year, and for all of us review rabbits here at Book Marks, that can mean only one thing: basic math, and lots of it.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be calculating and revealing the most critically-acclaimed books of 2022, in the categories of (deep breath): Fiction ; Nonfiction ; Memoir and Biography; Sci-Fi, Fantasy, and Horror; Short Story Collections; Essay Collections; Poetry; Mystery and Crime; Graphic Literature ; and Literature in Translation .

Today’s installment: Memoir and Biography .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. We Don’t Know Ourselves by Fintan O’Toole (Liveright) 17 Rave • 4 Positive • 1 Mixed • 1 Pan

“One of the many triumphs of Fintan O’Toole’s We Don’t Know Ourselves is that he manages to find a form that accommodates the spectacular changes that have occurred in Ireland over the past six decades, which happens to be his life span … it is not a memoir, nor is it an absolute history, nor is it entirely a personal reflection or a crepuscular credo. It is, in fact, all of these things helixed together: his life, his country, his thoughts, his misgivings, his anger, his pride, his doubt, all of them belonging, eventually, to us … O’Toole, an agile cultural commentator, considers himself to be a representative of the blank slate on which the experiment of change was undertaken, but it’s a tribute to him that he maintains his humility, his sharpness and his enlightened distrust …

O’Toole writes brilliantly and compellingly of the dark times, but he is graceful enough to know that there is humor and light in the cracks. There is a touch of Eduardo Galeano in the way he can settle on a telling phrase … But the real accomplishment of this book is that it achieves a conscious form of history-telling, a personal hybrid that feels distinctly honest and humble at the same time. O’Toole has not invented the form, but he comes close to perfecting it. He embraces the contradictions and the confusion. In the process, he weaves the flag rather than waving it.”

–Colum McCann ( The New York Times Book Review )

2. Thin Places: A Natural History of Healing and Home by Kerri Ní Dochartaigh (Milkweed)

12 Rave • 7 Positive • 2 Mixed

“Assured and affecting … A powerful and bracing memoir … This is a book that will make you see the world differently: it asks you to reconsider the animals and insects we often view as pests – the rat, for example, and the moth. It asks you to look at the sea and the sky and the trees anew; to wonder, when you are somewhere beautiful, whether you might be in a thin place, and what your responsibilities are to your location.It asks you to show compassion for people you think are difficult, to cultivate empathy, to try to understand the trauma that made them the way they are.”

–Lynn Enright ( The Irish Times )

3. Ducks: Two Years in the Oil Sands by Kate Beaton (Drawn & Quarterly)

14 Rave • 4 Positive

“It could hardly be more different in tone from [Beaton’s] popular larky strip Hark! A Vagrant … Yes, it’s funny at moments; Beaton’s low-key wryness is present and correct, and her drawings of people are as charming and as expressive as ever. But its mood overall is deeply melancholic. Her story, which runs to more than 400 pages, encompasses not only such thorny matters as social class and environmental destruction; it may be the best book I have ever read about sexual harassment …

There are some gorgeous drawings in Ducks of the snow and the starry sky at night. But the human terrain, in her hands, is never only black and white … And it’s this that gives her story not only its richness and depth, but also its astonishing grace. Life is complex, she tell us, quietly, and we are all in it together; each one of us is only trying to survive. What a difficult, gorgeous and abidingly humane book. It really does deserve to win all the prizes.”

–Rachel Cooke ( The Guardian )

4. Stay True by Hua Hsu (Doubleday)

14 Rave • 3 Positive

“… quietly wrenching … To say that this book is about grief or coming-of-age doesn’t quite do it justice; nor is it mainly about being Asian American, even though there are glimmers of that too. Hsu captures the past by conveying both its mood and specificity … This is a memoir that gathers power through accretion—all those moments and gestures that constitute experience, the bits and pieces that coalesce into a life … Hsu is a subtle writer, not a showy one; the joy of Stay True sneaks up on you, and the wry jokes are threaded seamlessly throughout.”

–Jennifer Szalai ( The New York Times )

5.  Manifesto: On Never Giving Up by Bernardine Evaristo (Grove)

13 Rave • 4 Positive

“Part coming-of-age story and part how-to manual, the book is, above all, one of the most down-to-earth and least self-aggrandizing works of self-reflection you could hope to read. Evaristo’s guilelessness is refreshing, even unsettling … With ribald humour and admirable candour, Evaristo takes us on a tour of her sexual history … Characterized by the resilience of its author, it is replete with stories about the communities and connections Evaristo has cultivated over forty years … Invigoratingly disruptive as an artist, Evaristo is a bridge-builder as a human being.”

–Emily Bernard ( The Times Literary Supplement )

1. Super-Infinite: The Transformations of John Donne by Katherine Rundell (Farrar, Straus and Giroux)

14 Rave • 4 Positive • 1 Mixed

“Rundell is right that Donne…must never be forgotten, and she is the ideal person to evangelise him for our age. She shares his linguistic dexterity, his pleasure in what TS Eliot called ‘felt thought’, his ability to bestow physicality on the abstract … It’s a biography filled with gaps and Rundell brings a zest for imaginative speculation to these. We know so little about Donne’s wife, but Rundell brings her alive as never before … Rundell confronts the difficult issue of Donne’s misogyny head-on … This is a determinedly deft book, and I would have liked it to billow a little more, making room for more extensive readings of the poems and larger arguments about the Renaissance. But if there is an overarching argument, then it’s about Donne as an ‘infinity merchant’ … To read Donne is to grapple with a vision of the eternal that is startlingly reinvented in the here and now, and Rundell captures this vision alive in all its power, eloquence and strangeness”

–Laura Feigel ( The Guardian )

2. The Escape Artist: The Man Who Broke Out of Auschwitz to Warn the World by Jonathan Freedland (Harper)

12 Rave • 3 Positive

“Compelling … We know about Auschwitz. We know what happened there. But Freedland, with his strong, clear prose and vivid details, makes us feel it, and the first half of this book is not an easy read. The chillingly efficient mass murder of thousands of people is harrowing enough, but Freedland tells us stories of individual evils as well that are almost harder to take … His matter-of-fact tone makes it bearable for us to continue to read … The Escape Artist is riveting history, eloquently written and scrupulously researched. Rosenberg’s brilliance, courage and fortitude are nothing short of amazing.”

–Laurie Hertzel ( The Star Tribune )

3. I Used to Live Here Once: The Haunted Life of Jean Rhys by Miranda Seymour (W. W. Norton & Company)

11 Rave • 4 Positive • 1 Pan

“…illuminating and meticulously researched … paints a deft portrait of a flawed, complex, yet endlessly fascinating woman who, though repeatedly bowed, refused to be broken … Following dismal reviews of her fourth novel, Rhys drifted into obscurity. Ms. Seymour’s book could have lost momentum here. Instead, it compellingly charts turbulent, drink-fueled years of wild moods and reckless acts before building to a cathartic climax with Rhys’s rescue, renewed lease on life and late-career triumph … is at its most powerful when Ms. Seymour, clear-eyed but also with empathy, elaborates on Rhys’s woes …

Ms. Seymour is less convincing with her bold claim that Rhys was ‘perhaps the finest English woman novelist of the twentieth century.’ However, she does expertly demonstrate that Rhys led a challenging yet remarkable life and that her slim but substantial novels about beleaguered women were ahead of their time … This insightful biography brilliantly shows how her many battles were lost and won.”

–Malcolm Forbes ( The Wall Street Journal )

4. The Facemaker: A Visionary Surgeon’s Battle to Mend the Disfigured Soldiers of World War I by Lindsey Fitzharris (Farrar, Straus and Giroux)

9 Rave • 5 Positive • 1 Mixed

“Grisly yet inspiring … Fitzharris depicts her hero as irrepressibly dedicated and unfailingly likable. The suspense of her narrative comes not from any interpersonal drama but from the formidable challenges posed by the physical world … The Facemaker is mostly a story of medical progress and extraordinary achievement, but as Gillies himself well knew—grappling daily with the unbearable suffering that people willingly inflicted on one another—failure was never far behind.”

5. Buster Keaton: A Filmmaker’s Life by James Curtis (Knopf)

8 Rave • 6 Positive • 1 Mixed

“Keaton fans have often complained that nearly all biographies of him suffer from a questionable slant or a cursory treatment of key events. With Buster Keaton: A Filmmaker’s Life —at more than 800 pages dense with research and facts—Mr. Curtis rectifies that situation, and how. He digs deep into Keaton’s process and shows how something like the brilliant two-reeler Cops went from a storyline conceived from necessity—construction on the movie lot encouraged shooting outdoors—to a masterpiece … This will doubtless be the primary reference on Keaton’s life for a long time to come … the worse Keaton’s life gets, the more engrossing Mr. Curtis’s book becomes.”

–Farran Smith Nehme ( The Wall Street Journal )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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15 Memoirs and Biographies to Read This Fall

New autobiographies from Jemele Hill, Matthew Perry and Hua Hsu are in the mix, along with books about Martha Graham, Agatha Christie and more.

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By John Williams Joumana Khatib Elizabeth A. Harris and Alexandra Alter

• Published Sept. 8, 2022 Updated Sept. 15, 2022

Solito: A Memoir , by Javier Zamora

When he was 9, Zamora left El Salvador to join his parents in the United States — a dangerous trek in the company of strangers that lasted for more than two months, a far cry from the two-week adventure he had envisioned. Zamora, a poet, captures his childhood impressions of the journey, including his fierce, lifesaving attachments to the other people undertaking the trip with him.

Hogarth, Sept. 6

A Visible Man: A Memoir , by Edward Enninful

The first Black editor in chief of British Vogue reflects on his life, including his early years as a gay, working-class immigrant from Ghana, and his path to becoming one of the most influential tastemakers in media.

Penguin Press, Sept. 6

Agatha Christie: An Elusive Woman , by Lucy Worsley

Not many authors sell a billion books, but Christie’s nearly 70 mysteries helped her do just that. Born in 1890, she introduced the world to two detectives still going strong in film adaptations and elsewhere: Hercule Poirot and Miss Marple. Her life even included its own mystery, when she vanished for 11 days in 1926 . Worsley, a historian, offers a full-dress biography.

Pegasus Crime, Sept. 8

Ducks: Two Years in the Oil Sands , by Kate Beaton

This graphic memoir follows Beaton, a Canadian cartoonist, who joins the oil rush in Alberta after graduating from college. The book includes drawings of enormous machines built to work the oil sands against a backdrop of Albertan landscapes, boreal forests and northern lights.

Drawn and Quarterly, Sept. 13

Like a Rolling Stone: A Memoir , by Jann S. Wenner

In 2017, Joe Hagan published “Sticky Fingers,” a biography of Wenner, the co-founder of Rolling Stone magazine. Now Wenner recounts his life in his own words, offering an intimate look at his time running the magazine that helped to change American culture.

Little, Brown, Sept. 13

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The Best Memoirs of 2023

These ten books explore what it means to be a person..

The beauty of memoir is its resistance to confinement: We contain multitudes, so our methods of introspection must, too. This year’s best memoirs perfectly showcase such variety. Some are sparse, slippery — whole lives pieced together through fragmented memories, letters to loved ones, recipes, mythology, scripture. Some tease the boundary between truth and fiction. Others elevate straightforward narratives by incorporating political theory, philosophy, and history. The authors of each understand that one’s life — and more significantly, one’s self — can’t be contained in facts. After all, the facts as we remember them aren’t really facts. It’s their openness and experimentation that allow, at once, intimacy and universality, provoking some of our biggest questions: How does a person become who they are? What makes up an identity? What are the stories we tell ourselves, and why do they matter? These books might not spell out the answers for you, but they’ll certainly push you toward them.

10. Hijab Butch Blues , by Lamya H

NYC-based organizer Lamya H (a pseudonym) has described her memoir as “unapologetically queer and unapologetically Muslim .” What this looks like is a book that isn’t so much grappling with or reconciling two conflicting identities, but rather lovingly examining the ways each has supported and strengthened the other. Lamya provides close, queer readings of the Quran, drawing connections between its stories and her own experiences of persecution as a brown girl growing up in an (unnamed) Arab country with strict colorist hierarchies. Beginning with her study of the prophet Maryam — whose virgin pregnancy and general rejection of men brings a confused 14-year-old Lamya real relief during Quran class — Lamya draws on various religious figures to track her political, spiritual, and sexual coming of age, jumping back and forth in time as she grows from a struggling child into a vital artist and activist.

9. Better Living Through Birding , by Christian Cooper

On May 25, 2020, birder Christian Cooper was walking the Central Park Ramble when he asked a white woman on the same path to leash her dog. She refused, he started recording, and after both he and his sister posted the video on social media , the whole world saw her call 911 and falsely claim that an African American man was threatening both her and her dog. Cooper quickly found himself at the center of an urgent conversation about weaponized whiteness and police brutality against Black men in the U.S., amplified by another devastating video circulating that same day: George Floyd’s murder by Minneapolis police. Many will pick up Cooper’s memoir for his account of the interaction that captured international attention and forever changed his life — and it is a powerful, damning examination — but it is far from the main event. By the time it shows up, Cooper has already given us poignant recollections of growing up Black and gay (and in the closet) in 1970s Long Island, a loving analysis of science fiction, a behind-the-scenes look at the comic-book industry as it broke through to the mainstream, and most significantly, an impassioned ode to and accessible education on recreational birding. (The audiobook comes with interstitial birdsong!) Recalling his time at Harvard, Cooper turns repeatedly to his love of his English classes, and this background comes through in his masterful writing. An already prolific writer in the comic-book space, his memoir marks his first (and hopefully not last) foray into the long-form territory.

8. Love and Sex, Death and Money , by McKenzie Wark

McKenzie Wark is one of the sharpest, most exciting voices writing at the intersections of capitalism, community, gender, and sex — more broadly, everything in this title — and she is also criminally underread. In her epistolary memoir Love and Sex … , she looks at a lifetime of transitions — journeys not only through her gender, but also politics, art, relationships, and aging — and reflects on all the ways she has become the woman she is today, in letters to the people who helped shape her. Wark’s first letter is, fittingly, directed to her younger self. She acknowledges their infinite possible futures and that, in this way, this younger Wark on the brink of independence is the one most responsible for setting her on the path to this specific future. In theory, it’s a letter to offer clarity, even guidance, to this younger self, but really it’s a means of listening to and learning from her. Her letters to mothers, lovers, and others are as much, if not more, about Wark as they are about the recipients, but that self-reflection doubles as a testament to the recipients’ power. What comes across most strongly is Wark’s belief in ongoing evolution and education, and it’s hard not to leave inspired by that possibility.

7. A Man of Two Faces , by Viet Thanh Nguyen

Pulitzer Prize winner Viet Thanh Nguyen’s memoir maintains the singular voice of his fiction: audacious, poetic, self-aware. Written in nonlinear second-person stream of consciousness — its disjointedness represented on the page by paragraphs volleying from left to right alignment across the page — A Man of Two Faces recounts his life as a Vietnamese refugee in the U.S. When his family moves from wartime Vietnam to San Jose, California, 4-year-old Nguyen is placed in a different sponsor home than the rest of his family. The separation is brief, but it sets a tone of alienation that continues throughout his life — both from his parents, who left their home in pursuit of safety but landed in a place with its own brand of violence, and from his new home. As he describes his journey into adulthood and academia, Nguyen incorporates literary and cultural criticism, penetrating analyses of political history and propaganda, and poignant insights about memory and trauma.

6. Sure, I’ll Join Your Cult: A Memoir of Mental Illness and the Quest to Belong Anywhere , by Maria Bamford

It’s safe to say alt-comedian Maria Bamford’s voice isn’t for everyone. Those who get her anti-stand-up stand-up get it and those who don’t, don’t. Her absurdist, meta series Lady Dynamite revealed the work of a woman learning to recognize and love her brilliant weirdness, and in Sure, I’ll Join Your Cult , she channels that weirdness into a disarmingly earnest, more accessible account of both fame and mental illness. Centered on Bamford’s desperate pursuit of belonging, and the many, often questionable places it’s led her — church, the comedy scene, self-actualization conferences, 12-step groups, each of which she puts under the umbrella of the titular “cults” — Sure, I’ll Join Your Cult is egoless, eye-opening, uncomfortable, and laugh-out-loud funny. These are among the best qualities — maybe even prerequisites — of an effective mental-illness memoir, and Bamford’s has earned its keep in the top tier. If you’re thinking of skipping it because you haven’t connected with Bamford’s work before: don’t.

5. In Vitro: On Longing and Transformation , by Isabel Zapata

In Isabel Zapata’s intimate, entrancing memoir In Vitro , the Mexican poet brazenly breaks what she calls “the first rule of in vitro fertilization”: never talk about it. Originally published in Spanish in 2021, and with original drawings woven throughout, In Vitro is a slim collection of short, discrete pieces. Its fragments not only describe the invasive process and its effects on her mind and body, but also contextualize its lineage, locating the deep-seated draw of motherhood and conception, analyzing the inheritances of womanhood, and speaking directly to her potential child. All together, it becomes something expansive — an insightful personal history but also a brilliant philosophical text about the very nature of sacrifice and autonomy.

4. The Night Parade , by Jami Nakamura Lin

When Jami Nakamura Lin was 17 years old, she checked herself into a psych ward and was diagnosed bipolar. After years experiencing disorienting periods of rage, the diagnosis offers validation — especially for her historically dismissive parents — but it doesn’t provide the closure that mainstream depictions of mental illness promise. In The Night Parade , intriguingly categorized as a speculative memoir, Lin explains that if a story is good, it “collapses time”; in other words, it has no beginning or end. Chasing this idea, Lin turns to the stories of her Japanese, Taiwanese, and Okinawan heritage, using their demons, spirits, and monsters to challenge ideas of recovery and resituate her feelings of otherness. Intertwined in this pursuit is her grappling with the young death of her father and the birth of her daughter after a traumatic miscarriage. Extensively researched — citing not only folklore but also scholars of history, literary, and mythology — and elevated by her sister Cori Nakamura Lin’s lush illustrations, The Night Parade is both an entirely new perspective on bipolar disorder and a fascinating education in mythology by an expert who so clearly loves the material. It might be Lin’s first book, but it possesses the self-assurance, courage, and mastery of a seasoned writer.

3. Doppelganger , by Naomi Klein

After the onset of the COVID pandemic, as the U.S. devolved into frenzied factions, sociopolitical analyst Naomi Klein found herself in the middle of her own bewildering drama: A substantial population, especially online, began to either confuse or merge her with Naomi Wolf, a writer who’d gone from feminist intellectual to anti-vaxx conspiracy theorist. Klein’s initial bemusement becomes real concern verging on obsession as she fixates on her sort-of doppelgänger and starts questioning the stability of her identity. Klein becomes entangled in the world of her opposite, tracing the possible pipelines from leftism to alt-right and poking at the cracks in our convictions. Throughout, she nails the uncanniness of our digital existence, the ways constant performance of life both splinters and constrains the self. What happens when we sacrifice our humanity in the pursuit of a cohesive personal brand? And when we’re this far gone, is there any turning back?

2. The Woman in Me , by Britney Spears

Throughout the yearslong campaign to release Britney Spears from a predatory conservatorship , the lingering conspiracy theories questioning its success , and the ongoing cultural discourse about the ways public scrutiny has harmed her, what has largely been missing is Spears’s own voice. In her highly anticipated memoir, she lays it all out: her upbringing in a family grappling with multiple generations of abuse, the promise and betrayal of stardom, her exploitation and manipulation by loved ones, and the harrowing, dehumanizing realities of her conservatorship . These revelations are tempered by moments of genuine joy she’s found in love, motherhood, and singing, though it’s impossible to read these recollections without anticipating the loss — or at least the complication — of these joys. Most touching are her descriptions of her relationships with her sons; her tone is conversational, but it resonates with deep, undying devotion. It’s an intimate story, and one that forces questions about our treatment of mental illness, the ethics of psychiatric practices, the relationships between public figures and their fans, and the effects of fame — especially on young women. Justice for Britney, forever.

1. Pulling the Chariot of the Sun , by Shane McCrae

When Shane McCrae was 3 years old, his white maternal grandparents told his Black father they were taking Shane on a camping trip. It wasn’t the first time they’d done so, but this time, they never returned. What followed was a life full of instability, abuse, and manipulation, while his grandparents — including a grandfather who had, more than once, trawled cities for Black men to attack — convinced McCrae his father had abandoned him and that his Blackness was a handicap. It’s clear McCrae is first and foremost a poet; the rhythm of his prose and his hypnotic evocation of sensory memory reveals the way a lifetime of lies affected his grasp on his past. Maybe he can’t trust the facts of his past, but he certainly knows what it felt like, what it looked like. As he excavates and untangles muddied memories, contends with ambivalent feelings about his grandmother and mother, and ultimately comes to terms with their unforgivable robbery of a relationship with both his father and his true, full self, McCrae’s pain bleeds through his words — but so too does a gentle sense of acceptance. We are lucky to bear witness.

• vulture section lede
• celebrity memoirs
• britney spears
• maria bamford
• year in culture
• best of 2023

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Best memoirs and biographies: from Britney Spears to the Beckhams

Dive into some of the most compelling life stories – including David Bowie to Keir Starmer

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Billionaire, Nerd, Saviour, King by Anupreeta Das

The house of beckham by tom bower, naked portrait: a memoir of lucian freud by rose boyt, the diaries of franz kafka, me and mr jones by suzi ronson, queen victoria and her prime ministers by anne somerset, byron: a life in ten letters by andrew stauffer, keir starmer: the biography by tom baldwin, hardy women by paula byrne, the woman in me by britney spears, marcia williams by linda mcdougall, lou reed: the king of new york by will hermes, original sins by matt rowland hill.

Entrepreneurial genius? Aggressive monopolist? Major philanthropist? As the title of this book suggests, people have a range of takes on Bill Gates, said Nicole Kobie in The Times . The Microsoft co-founder was the original nerd-turned-billionaire – the "classic model" who paved the way for the likes of Jeff Bezos and Elon Musk. Once famed for his ruthlessness, Gates reinvented himself as a global philanthropist after Microsoft's alleged monopolistic practices landed the company in legal difficulty, and for six straight years YouGov polls found him to be the world's "most admired" man.

More recently, however, revelations about his ties to the paedophile Jeffrey Epstein – as well as his extra-marital affairs – have tarnished his reputation. In her well-researched and entertaining book, the New York Times journalist Anupreeta Das charts these "ups and downs" while using her subject to reflect on the "hidden influence of billionaires". Full of "intriguing titbits" – from Gates's love of fast cars to his "cringeworthy" pursuit of female employees – it "makes for compelling reading".

As Das delves into different facets of Gates's life, "eye-opening" details emerge, said The Economist . Gates, we learn, is the biggest private owner of farmland in America. The charitable foundation he started with his ex-wife Melinda outspends many governments – and even the WHO; this enables it to shape health policy in many countries, yet it is "accountable to no one". But the book has a major flaw: Gates never really comes alive as a person (he declined to be interviewed for it). Das's narrative has a "Gates-shaped hole" at its centre.

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It also struck me as overly critical, said Felix Salmon in The Washington Post . Whatever his personal failings, there is surely a "lot to commend about Gates". Yet you won't read much in this book about the way he translated his ambitious vision of "a computer on every desk" into reality, or the key role he has played in the "spectacularly successful fight" against diseases such as HIV/Aids and malaria. Instead, the book "often reads like an extended list of all the major and minor complaints Das could find"; and not just about Gates, but about billionaires, nerds and philanthropists more generally.

Still, it does raise important questions, said Richard Waters in the Financial Times – about the growing chasm between the richest and the rest, and the moral demands we can make of those who use their wealth to do good. Even if it is not the final word on Gates, this book adds to our "understanding of the man".

If you judged David and Victoria Beckham from their Instagram posts, you'd assume that theirs is a "love story for the ages", said Anita Singh in The Telegraph . In countless shots taken at home or on holiday, they gaze adoringly into each other's eyes, seemingly as loved-up as they were 25 years ago, when they were married in "matching outfits of Ribena purple". Or they're surrounded by their four children, looking like a close-knit clan. 

Yet according to Tom Bower's " The House of Beckham ", this "happy-families image" is pure fabrication, said Hannah Betts in the same paper . Bower, a veteran biographer, portrays their relationship as a "devil's bargain", designed to prop up their staggeringly profitable global brand. Posh and Becks, he says, don't actually like each other very much, and as individuals they leave a lot to be desired: "David is stingy, squeaky-voiced and volatile. Victoria is a tuneless, furious-faced WAG whose fashion line is a much-puffed vanity project." While Bower scores highly "in terms of research and truth-telling", he struggles to get past the "ghastliness of his subjects"; the narrative is "oddly flat". 

There's little in this book that's revelatory, said Camilla Long in The Sunday Times : mostly, it's "culled from available records". Yet the details are still "kind of gripping", from David's multiple alleged affairs – he emerges as a "shagging automaton" – to the many ways in which the Beckhams are money-obsessed: neither apparently likes tipping in restaurants, and every business decision David has ever made can, it seems, "be traced back to his desire to avoid tax". No less entertaining are his "superhuman" efforts to get a knighthood. "Unappreciative c**ts," he thundered, when the honours committee turned him down. "His leaked emails will simply never get old." 

The Beckhams are certainly shielded by a "staggeringly slick" PR operation, said Katie Rosseinsky in The Independent . Yet Bower's efforts to pierce it are not terribly effective. This is an underwhelming and "overly long tome", which rehashes stereotypes that have always existed in the media – David as airhead, Victoria as "thin and miserable". By the end, the couple "seem no more real" than they did at the book's start. All the real details about David's affairs are 20 years old, said Zoe Williams in The Guardian . Beyond that, Bower relies on insinuation: David "appeared to be smitten" by an aristocratic party girl, or "attracted the attention of a glamorous Australian bikini model". It's not so much a take-down, as an "epic symphony of snide".

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Rose Boyt was 18 when she posed naked on a sofa for Rose, 1978-79, a painting by her father, Lucian Freud. "Nothing had been discussed," her memoir Naked Portrait begins. "I just assumed I would be naked." As one of Freud's 14 acknowledged children by various women, Boyt was "grateful for any attention from her father", said Laura Freeman in The Sunday Times . While he painted her in "full- frontal sprawl" during nocturnal sittings that lasted for months, they talked about art, literature, and Freud's childhood glimpse of Hitler in Berlin. The painter comes across as "a charismatic monster", with a talent for inspiring "abasement" in the women in his life. "I can't think of an art book with an opening page like it," said Freeman. "The writing is hypnotic and compulsive, the set-up compelling." But the intensity proves "unsustainable". 

Boyt's own life to that point is evidence of Freud's "incorrigible selfishness" and "terminal irresponsibility", said Peter Carty in The i Paper . Her mother, Suzy, was a student at the Slade School of Art in the 1950s, when Freud was a lecturer there. The school expelled her for getting pregnant by Freud, who wasn't fired or even challenged about his behaviour. Days after Rose was born, Freud showed up with two lobsters and made Suzy, who was allergic to shellfish, get up and cook them. Despite Freud's great wealth, Rose grew up in bohemian poverty, not helped by her mother's impulsive nature, which led her to swap the family home for a long voyage on a leaky cargo ship when Rose was seven. As a "comprehensive and honest chronicler of her family history", Boyt is compelling. But she has "unburdened herself of everything. Unfortunately, this includes large amounts of unrelated autobiographical material." Most of this "should have been cut". 

Not so, said Evgenia Siokos in The Telegraph . Some of the best chapters detail Boyt's life as an art-world It girl in the late 1970s. When Boyt isn't "being complimented on her Vivienne Westwood bondage trousers by Francis Bacon", she's being taken to Studio 54 by Andy Warhol. Some of it is admittedly not so "gossip-worthy": there are long diary excerpts and details of her therapy. "It seems like tedium, but it's a strength... Naked Portrait is a hall of mirrors with the young Boyt at its centre... Its events juxtapose, clash and occasionally confuse, painting a portrait of Freud that's even more revealing than his nude depiction of Rose."

When Franz Kafka's diaries were first published soon after his death, aged 40, in 1924, they were heavily polished by his friend Max Brod, said Dwight Garner in The New York Times . Brod – who'd ignored Kafka's instruction to burn all his manuscripts – set out to turn him into a saintly figure, untouched by "human impulses". He cut out anything remotely sexual (including his visits to prostitutes) and excised anything else he judged extraneous – including the letters, draft stories, dreams and aphorisms that Kafka had "stuffed" into his diaries. Now, more than 30 years after they appeared in Germany, the unexpurgated diaries have finally been published in English, sensitively translated by Ross Benjamin. And they're a "revelation". 

Apart from anything else, this new edition is "a lot funnier than Brod's version", said Morten Høi Jensen in Literary Review . We see Kafka noticing that a fellow train passenger's "sizeable member makes a large bulge in his pants", and commenting on a friend's pornography collection. But more valuable still is the restoration of the "open-endedness" of the original text. Kafka's diaries were really closer to notebooks: they were, Benjamin notes, a "laboratory" for his fiction – and now we can peer into that laboratory, seeing how the themes of his writing (alienation and loss, futility and repetition) "grew out of his circumscribed life". 

At times Kafka cuts a surprisingly ordinary figure, said Chris Power in The Guardian . We see him off to the theatre, or "watching a ski-jumping competition" – though at other times he expresses "profound loneliness and isolation". He emerges not just as the tortured genius he is known as now, but also as a "youngish man finding his way, hungry for experience and inspiration" – and the contradiction between the two "brings him closer to us".

In 1971, Suzi Ronson (then Suzanne Fussey) was a 21-year-old hairdresser at a salon in Beckenham, southeast London, when one of her customers – Mrs Jones – mentioned her "artistic" son David, said Anthony Quinn in The Observer . The next week, Mrs Jones brought in David's wife, Angie, who was so delighted with the "outrageous" haircut Suzi gave her that she took her to meet David himself – "a pale and epicene young man" who had just started calling himself David Bowie. With the help of a German anti-dandruff product, Suzi transformed David's "mousy" hair into a "spiky red feather cut". It was the birth of the "look of Ziggy Stardust".

Suzi, infatuated with the couple and their bohemian world, became Bowie's stylist, and soon after went on the road with him and the Spiders from Mars. Five decades on, she has written an "honest and troubled memoir" of her time as his "hair'n'make-up mascot". It belongs to a niche genre – call it "I-was-Sinatra's-valet" – but her book offers a compelling portrait of Bowie "on the verge of stardom".

Ronson skilfully charts her drab suburban upbringing, so different from Bowie's "countercultural" mileu, said Deborah Levy in Literary Review . With "perfect pitch and tension", she recounts key moments in his early career – from his legendary performance of Starman on Top of the Pops in 1972 to the night a year later when he unexpectedly "retired" Ziggy Stardust.

Her book makes a refreshing change from the hagiographic tone of most Bowie biographies, said John Aizlewood on iNews . Here, "the star emerges as cold": he sacks his drummer on his wedding day, and expects Suzi to procure him an "endless supply of young girls and boys". Suzi herself is soon "cut adrift", at which point she marries the guitarist Mick Ronson, who had also been ditched by Bowie. After that, the book loses its dynamism.

Much Bowie literature consists of "pretentious evaluation" of his lyrics and influences, said Suzanne Moore in The New Statesman . Ronson, by contrast, barely mentions his music, and instead focuses on practical matters – such as sewing the jewels onto Bowie's jockstrap, or worrying "about all the sweat breaking the zips of his costumes". She tells us that she slept with him once, but is "discreet" about the details. It makes for an engaging, often endearing account of the "magical rising of Ziggy, by the woman who put the colour in his hair".

Elizabeth II once described her great-great-grandmother as a "believer in moderation in all things", said Matthew Dennison in The Telegraph . But as Anne Somerset demonstrates in this "masterly account" of Queen Victoria's relationships with the ten men who served as her prime ministers, Victoria was "frequently far from moderate". In her private letters and memoranda, she made clear her dislike of "vivisectionists, Russians and four-time prime minister William Ewart Gladstone" (depicted together, above). And she remained unswervingly convinced of her right to meddle in politics – railing, for instance, against the "miserable democrats" in the Liberal Party. This caused friction, inevitably. Gladstone referred to her as "the leader of the opposition". Even the Conservative Disraeli, who was one of her favourites, found her "wilful and whimsical, like a spoilt child". 

"Victoria supposedly wrote 60 million words during her reign, or 2,500 a day," said Gerard DeGroot in The Times . Somerset has immersed herself in this "huge mass of correspondence" – but while the result is "impressively well-researched", she doesn't entirely succeed in her apparent mission to "emphasise Victoria's positive contributions". Indeed, at one point she admits that her subject's behaviour "verged upon the monstrous".Covering Victoria's 63-year reign, from 1837, the book is billed as a "personal history" – but what it really reveals is the gap between "Victoria's public image and the queen her ministers saw". Perhaps this gap is inevitable: "for a constitutional monarchy to work", reverence "must be heaped on an individual who might, in truth, be a despot, a psychopath or an idiot". Nevertheless, this account is an "eye-opener", and Victoria's reputation does not emerge well from it.

What we see is that Victoria "loved power", said Philip Mansel in The Spectator . She was an enthusiastic reader of despatches. "Far from being fatigued with signatures and business, I like the whole thing exceedingly," she wrote in 1837. She also appreciated "British patriotism, British successes", and what she called the "deep devotion and loyalty of my people". Despite the "tragic living conditions" of many of her subjects, she was cheered even on her last visit to Ireland in April 1900, although she couldn't stand the Irish: "abominable... a dreadful people". As Somerset's "magnificent, disturbing" history reminds us, in the 19th century, "most people wanted more monarchy, not less". 

"Mad, bad and dangerous to know" was how Lady Caroline Lamb famously characterised Lord Byron. It's a fair description, in many ways, said John Banville in The Guardian . But George Gordon, the 6th Baron Byron, "must also have been, at the simplest level, wonderful company". He didn't take himself too seriously, and his lust for life was immense: "I shall not live long," he wrote to his publisher John Murray in 1819, "& for that reason I must live while I can." In Byron: A Life in Ten Letters, Andrew Stauffer uses Bryon's "vivid and hugely entertaining letters" as a series of entry points into his tempestuous life. Each chapter begins with an extract from a letter; Stauffer then discusses the context that inspired it. It is an impressively "rounded portrait, venereal scars and all, of one of the prime movers of the Romantic movement".

Stauffer concedes that his approach is not particularly original, said D.J. Taylor in The Wall Street Journal : fragmented biographies are in vogue. "But there is something about Byron's headlong scamper about the world of his day that lends itself to this miniaturist treatment". We first see him as a Cambridge undergraduate, "planning endless bachelor parties"; then en route to Greece in 1810, where he swims the Hellespont with his friend Lt William Ekenhead; and later writing ghost stories on Lake Geneva with Percy and Mary Shelley. "The letters are practically Messianic in their intensity, aflame with relish for the incidental scenery or the women Byron is pursuing." It's a wonder, given the pace at which he lived his 36 years, that Byron had any time for serious writing.

The poet depicted in these pages often emerges as a "cold-hearted shit", said John Walsh in The Sunday Times . During his short-lived marriage to Annabella Milbanke – a "brilliant mathematician with a strong moral centre" – he installed his half-sister Augusta Leigh at their Piccadilly home, and "made the women compete with each other in caressing him". The night his wife gave birth, he "sat in the empty drawing room below, throwing empty bottles at the ceiling". In time, polite opinion turned against him, and he left England, never to return. Stauffer sometimes brings an incongruously "21st century perspective to 19th century behaviour": he describes Byron as a "sex tourist in Italy", and talks of Shelley's bisexual experiences as "polyamory". But no matter. This is a "devilishly readable book", which brings Regency England to "howling life", and its "disgraceful but irresistible subject into dazzling focus".

Although Keir Starmer is almost certain to be our next prime minister, he remains an "oddly elusive" figure, said Gaby Hinsliff in The Guardian . People often complain that they don't really know what he stands for, and he talks about personal matters somewhat stiffly, as if holding something back. All this makes a book such as Keir Starmer: The Biography feel long overdue. Tom Baldwin is a former journalist who worked for five years as a Labour spin doctor; he was originally recruited to ghostwrite Starmer's own memoir, but Starmer backed out of the project last year, agreeing instead to cooperate on this biography. The result, while not exactly revelatory – Baldwin warns that his pages won't be "spattered with blood" – does a job that "very precisely mirrors its subject": it is careful, nuanced and eminently capable. "It is, in short, as intimate an insight into Britain's likely next prime minister as readers are probably going to get." 

The most interesting chapters concern Starmer's "difficult early life", said Robert Shrimsley in the FT . Starmer grew up in a cramped semi in Surrey with a "seriously ill mother", Jo (she had Still's disease); a "cold, difficult" father, Rodney (a toolmaker); and three siblings (one of whom, Nick, has learning difficulties). Television was banned in the Starmer household, the "radio played only Beethoven or Shostakovich", and Rodney "barracked and bullied" visiting schoolfriends, said Patrick Maguire in The Times . Although Starmer was the only one of the siblings to go to grammar school and university, and then became a leading barrister, his dad never once told him he made him proud. Only after his death in 2018 did Starmer find out this wasn't "the full story": hidden in his father's wardrobe was a "scrapbook of every newspaper story about his son".

Many politicians pose as regular people, but Starmer emerges from this as someone who really is quite ordinary, said Matthew d'Ancona in the Evening Standard . He is happiest spending time with his family, or organising weekend eight-a-side football games. As his deputy, Angela Rayner, puts it: he is "the least political person I know in politics". The "one nagging question" is how much Baldwin's political sympathies have coloured his portrait, said Ben Riley-Smith in The Daily Telegraph . Had he discovered "less laudable aspects of Sir Keir's story", would he have "forensically interrogated" them? This may not, then, quite be a definitive biography – but it is engaging and "skilfully done".

The fame of the novelist and poet Thomas Hardy rested largely on the heroines he created, said Norma Clarke in Literary Review. With the likes of Tess Durbeyfield (Tess of the d'Urbervilles) and Sue Bridehead (Jude the Obscure), he displayed, as one young reader wrote to him, a "complete understanding of a woman's soul". But as Paula Byrne shows in this fascinating book, the women Hardy knew in real life were less fortunate. Byrne doggedly details them all, from Hardy's "strong-minded" mother, Jemima, to the "pretty girls" who "turned his head" in his youth, to his wives, Emma Gifford and Florence Dugdale (pictured, with Hardy). Hardy's women, she concludes, "paid a large price" for the "magnificent fictional women he invented". "In a sign of trouble to come, young Hardy fell in love violently and often," said Susie Goldsbrough in The Times . His first serious entanglement, says Byrne, "was with a Dorset maidservant called Eliza Nicholls, whom he dumped for her young sister". 

In his mid-30s, Hardy married Emma, a solicitor's daughter. Although initially happy, the marriage soured as "Emma gained weight" and became increasingly eccentric. By the time of her death, aged 72, in 1912, she was living in the attic of their Dorset home – and the much younger Florence was living with them, having been employed as Hardy's typist. After Hardy married Florence in 1914, she had to put up with him "enthusiastically mourning the wife he had spent years complaining about" – and who now became the subject of an "astonishing" series of love poems. Although Byrne is sometimes hampered by a lack of evidence (Hardy destroyed most of Emma's letters, together with the journal she wrote about him), this is still an "absorbing" portrait of the women who suffered for Hardy's art.

In January 2008 – 11 months after the notorious occasion when she shaved off her own hair in a Los Angeles salon – Britney Spears was asked by her parents to meet them at their beach house, said Anna Leszkiewicz in The New Statesman . "There she was ambushed by police and taken to hospital against her will." A month later, the state of California placed the pop star under a "conservatorship" – a legal arrangement giving her father, Jamie, full control of her finances and personal life. For the next 13 years, Spears was "told what to eat, what medication to take, when she could see her children", even when she could and couldn't use the lavatory. Meanwhile, her father "paid himself a $6m salary" from the proceeds of her endless concerts and recordings. It's no surprise, in the circumstances, that Spears's memoir reads "like a dark fairy tale". Powerful and compellingly candid, it tells of how a "young girl, both adored and vilified for her beauty, talent and fame", was effectively "imprisoned" by her jealous and avaricious family.

The truth, of course, is that Spears had always been controlled and infantilised, said Neil McCormick in The Daily Telegraph . She became a "people-pleasing child performer" at a young age, supporting her family by appearing in theatrical musicals. Aged 16, male music executives moulded her into "America's teen pop princess" – and soon she was being taken advantage of by "narcissistic self-serving boyfriends", and "hounded by paparazzi". When she rebelled against her "powerlessness", her sanity was called into question – a process she "specifically likens to a witch trial". Her memoir, written without self-pity, is gripping and "forensically convincing". Finally, we know what it feels like to be the "madwoman in the attic of pop".

"Imagine a story of sex, drugs and secrets inside Downing Street. A story of a political wife accused of meddling, and a resignation honours list mired in scandal," said Gaby Hinsliff in The Guardian . But no, it's not the one you're imagining: this biography by Linda McDougall tells the "irresistible tale" of Marcia Williams, political secretary and "office wife" to Labour PM Harold Wilson. Baroness Falkender, as she became in 1974, was one of the most controversial and vilified political figures of the 1960s and 1970s. According to many, she was a "hysterical tyrant" with a "dark hold" over Wilson. McDougall offers a more nuanced portrait. Without ignoring Williams's flaws, she outlines the strains she must have been under, as a high-achieving woman with a troubled personal life living in rampantly sexist times. Her Williams, while "no heroine", is "fascinating". 

Williams, the daughter of a Northamptonshire builder, first met Wilson in the mid-1950s, when she became a secretary at Labour HQ, said Frances Wilson in The Daily Telegraph . She began sending the then-shadow chancellor anonymous letters, alerting him to machinations within the party. She soon became Wilson's private secretary – at which point, McDougall admits, they probably had a brief affair. (She later allegedly told Wilson's wife, Mary: "I went to bed with your husband six times in 1956 and it wasn't satisfactory.") In 1964, when Wilson became PM, he appointed Williams his political secretary, a newly created role that made her one of Britain's first unelected political advisers. She stayed in it when Wilson lost power in 1970, and went with him back to Downing Street when he regained it in 1974.

It was then that Private Eye revealed that "Lady Forkbender" had a shocking secret, said Anne de Courcy in The Spectator . In 1968 and 1969, Williams had given birth to two children – the result of an affair with political journalist Walter Terry. The births had been hushed up; Williams concealed her pregnancies by wearing a baggy coat at work. Amid a public outcry, McDougall suggests, Williams resorted to taking amphetamine pills and Valium, "prescribed by Wilson's doctor", which contributed to the "hysterical outbursts" for which she became known. Further scandal followed in 1976, when it was revealed that Williams had hand-written Wilson's controversial resignation honours list (dubbed the "Lavender List") on a sheet of lilac paper. McDougall's sympathetic book is a "gripping" portrait both of an "extraordinary woman", and of the "emotional dynamics of Downing Street".

Lou Reed, the lead vocalist of the Velvet Underground, who died in 2013, already has a longish shelf of biographies. This one is the first to make use of his personal archive, "and it shows", said David Keenan in Literary Review . "It feels more like a coolly researched biography than one written by a passionate fan." What's more, Will Hermes tries to repackage the "violently aggressive, drug-huffing", gender-bending, "sexually unhinged" rock star to make him acceptable to the modern world: Reed and his circle were "nonbinary", Hermes informs us; he suggests that Reed was a troubled person who tried to become "someone good" (as he wrote in one of his best-loved songs, Perfect Day), not the sociopath that his behaviour suggested. The result is an "awkward love letter to the 20th century", but "the perfect biography of Lou Reed for 2023": a defensive depiction of a man whose stock in trade was "all that was difficult and dark and destructive in what it is to be human".

It's "the only Lou Reed bio you need to read", said Stephen Metcalf in The Washington Post . It's really two biographies: one of Lewis Allan Reed, the sensitive, middle-class, midcentury music fan; and one of the louche, sardonic, drug-addled persona he invented and inhabited. From Reed's early days with Andy Warhol to his  breakthrough as a solo star, with a little help from David Bowie, it's all there, written up with a judicious blend of "love and scepticism". Hermes doesn't conceal the evidence that Reed became a pampered celeb who could be as obnoxious to waiters as he was to journalists. But he's good on Reed's "musically confrontational" yet "unabashedly romantic" songwriting. The book gets the balance between the person and the poseur "exactly right".

This "devastatingly good" memoir recounts how its author "swapped a love of Jesus for a love of Class-A drugs", said The Daily Telegraph . Following his strict evangelical upbringing in Swansea, Hill won a scholarship to Harrow and then went to Oxford – where he became addicted to heroin. The themes of this book are not exactly original, said The Guardian . But it proves "propulsive" and "brilliant" – thanks to Hill's black humour and his "lacerating candour".

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Book excerpt: "Connie: A Memoir" by Connie Chung

September 13, 2024 / 9:52 AM EDT / CBS News

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In "Connie: A Memoir" (to be published September 17 by Grand Central), veteran journalist Connie Chung writes about a four-decade career in which she broke through barriers in the male-dominated field of broadcast news, becoming the first Asian woman to co-anchor a nightly network news broadcast.

Read an excerpt below, and don't miss Jane Pauley's interview with Connie Chung on "CBS Sunday Morning" September 15!

"Connie: A Memoir" by Connie Chung

Prefer to listen?  Audible  has a 30-day free trial available right now.

Good Girl/Bad Girl 

Like so many working women in the 1970s, I strove to be the good girl, the Goody Two-shoes. I listened earnestly and obeyed the orders of my superiors or those who supposedly knew better. As if being female weren't enough, I was also Chinese, meaning that in me, CBS got a double dose of obedient, respectful, and dutiful. 

However, there was another side of me that the men did not anticipate, that left them puzzled. I was like the girl Henry Wadsworth Longfellow described in his poem "There Was a Little Girl":

When she was good, She was very very good, And when she was bad she was horrid.

Well, maybe not horrid. Let's say snarky.

The devil-may-care baddie (who sat on my left shoulder) would taunt the goody (who placed herself on my right shoulder) for being stuffy and urge her to say anything that popped into her head. But the good girl resisted because she knew better.

The good journalist diligently did her job. Men in politics and government at the White House, Capitol Hill, the Pentagon, and the State Department would size me up from head to toe and greet me with a look as if I were an ice-cream cone or a little china doll. Newsmakers I approached for interviews often toyed with me. When I caught up with Nixon's Attorney General John Mitchell on Capitol Hill, he said as cameras rolled, "You look just as pretty as ever." Did he expect me to smile and thank him? I was there to do my job and proceeded with my questions. Same with Secretary of State Henry Kissinger. As I approached him with my microphone in hand, he'd flirt. There was little I could do or say to avoid those creepy old men.

But if I knew the men, I was the sassy bad girl. Before the dude could toss a sexual innuendo or racist remark at me, my modus operandi was to lob a preemptive strike. I did it to him before he could do it to me. The male would be so darn shocked, he'd laugh nervously. I am not saying my approach is advisable, but I owned it, and soon those who dealt with me knew that I could get to the bad side—faster, better, and funnier than they could. It worked. They would not mess with me when I was willing to offend first, then laugh it off.

If a man made a play for me, subtle or overt, I looked him in the eye and dismissed him. A swift "In your dreams" or blunt "Don't even think about it." "You are out of your league." "You must be hard up." A serious, quizzical "Really?" shut it down.

Never would I run to the ladies' room crying and shaking. A toughie, I determined there was no crying in news, just the way, years later, Tom Hanks shouted at his all-female team in A League of Their Own : "There is no crying in baseball!"

Maybe someone can figure out if being the only Asian reporter was a help or a hindrance. I still don't know. There was no doubt that the racism I experienced was as reprehensible as the sexism. Those who called me "dragon lady" or said to me, "You slant the news" or called my reporting " yellow journalism" thought they were so clever. Even men I knew would allude to my being Chinese, thinking it was funny. One referred to me as "OSE"—"Ole  Slant Eyes." Another asked, "Where are you staying? Is it near Chinatown?"

At daily White House press briefings, an Episcopal priest, Lester Kinsolving, would shout outlandish questions at the press secretary from the back of the room. He worked for various small newspapers but was considered a pesky gadfly.

One day, as I sat in the White House press room, Lester asked me, "Is it true what they say about Asians?"

I snapped back with remarkable haste, "Is it true what they say about priests?"

I don't know what "they" say about Asians or priests but it didn't matter, he was speechless.

Whether it was sexism or racism, I'd beat them to the punch with a self-deprecating joke. One time, CBS News Bureau Chief Bill Small said to me, "Tell them why I hired you." I don't know what possessed me to reply quickly, "You like the way I do your shirts." Bill laughed uproariously. He repeated that story for years.

My approach to these derogatory remarks was the only way I could handle them at the time. It was tiresome and insulting, but I lived with it. If I'd obsessed about the issue, I could not have done my job.

In those early days at CBS, I was often saddled with light features and women's stories like an art exhibition, toy safety at Christmas, and new orangutans at the National Zoo. I lumped it, figuring that's what reporters had to do to earn their stripes. But there was something about covering a dreaded First Lady Pat Nixon nonevent that made all reporters, including the men, cringe. The guys refused, but I didn't have the chutzpah to turn down an assignment.

Somebody had to cover First Lady events as protective coverage—just in case something happened. She was a nice lady, but she had a stiff, fixed smile, as if she was the long-suffering political wife which she was. Would anything she was doing really make news?

Eager to make something of what I knew was nothing, I would think of a question that might elicit a comment. Unfortunately for me, Mrs. Nixon would reply with a pithy sound bite. My reward? I was sent to cover her again and again.

On December 1, 1971, the First Lady went Christmas shopping with her daughter Julie, three months before the president's historic visit to China. I asked Mrs. Nixon about her plans for the trip. She revealed that a friend had been teaching her Chinese. That bit of "news" made it onto Cronkite's broadcast that evening.

About two weeks later, Mrs. Nixon gave reporters a tour of the White House Christmas decorations. Naturally, I was sent to cover it. I asked her to say something in Chinese. She laughed. "Oh no. You're an expert. I don't dare practice in front of you." I pressed on, graciously but insistently. She demurred again. 

What precipitated Nixon's extraordinary China trip was a simple exchange of table tennis players between the two superpowers.  Those matches were known as "Ping-Pong diplomacy"—games that thawed relations and created a breakthrough in talks with China. I did not ask to cover the visiting Chinese Ping-Pong players. I was assigned to cover them, probably because I spoke Chinese.

But later, I was also assigned to cover the arrival of the Chinese pandas at the National Zoo, a gift from the People's Republic of China to the US. Why did that story end up in my lap? The possibility that the pandas might understand my Chinese was not likely. 

When it came time for President Nixon's historic trip to China, This time , I thought, how about if I do to them what they did to me? I will play the race card. I pushed to be sent. My pleas were for naught. Too many CBS News executives were shamelessly angling to get their names on the trip manifest. The Washington Star newspaper in DC even noted the absurdity of my absence, saying CBS was "the only network with a Chinese American correspondent, Connie Chung, [who] would seem to be a natural choice, but apparently she was shanghaied somewhere along the line."

I watched on television as Nixon opened the doors to China after two decades of Cold War isolation. I could not help but chortle when President Nixon made an all-too-obvious comment as he stood before China's Great Wall and declared, "I think that you have to conclude that this is a great wall."

The president's success in normalizing relations with China had more of a personal impact on me than a professional one. My father had not been able to write to our relatives in China for more than twenty-five years. My parents did not know who was still alive. Letters flowed again, but my parents kept what they discovered to themselves, probably because none of it was good news. 

* * * 

While China and diplomacy were left to experienced CBS correspondents, I was frequently sent with a camera crew on what were called "stakeouts," in which I'd ambush someone with questions while cameras were rolling. I begrudgingly did what I was asked, even though I agreed with CBS News State Department correspondent Marvin Kalb, who took me aside one day and said, "Stake-outs are not reporting." They were all about nabbing a sought-after interviewee, catching him off guard, and confronting him with a question he had been avoiding. It was known as "gotcha journalism." Mike Wallace of CBS's 60 Minutes perfected gotcha moments in which his victims would squirm.

I was assigned to "get" Deputy Attorney General Richard Kleindienst when his nomination for the top job at the Justice Department was thrown into doubt over an antitrust deal.

One day, after his confirmation hearings were gaveled to a close, I ran outdoors to link up with a camera crew. I asked Kleindienst three questions. Each time, he answered with a version of "I don't wish to comment," all the while smiling, chuckling, and laughing.

Not content with his non-answers, the crew and I gave chase on a raucous ride ten miles out of Washington to suburbia and the Burning Tree Club in Bethesda, Maryland. When Kleindienst ran into the golf club's front door, I was right behind him, following on his heels. The door slammed behind him, right in my face. 

Undaunted, I burst into the lobby of the club. Much to my surprise, I was unceremoniously ejected. I felt like a character in a Bugs Bunny animated cartoon being bounced out the front door, tumbling and rolling in a ball, head over heels, down the driveway. I thought I was being booted because I was an inquiring reporter. But the actual reason was that the club was the exclusive domain of men. Burning Tree remains men only to this day.

The next day, I was once again poised to question Kleindienst, this time outside the hearing room. I was pleasantly surprised when he stopped and calmly answered every question I asked. Cronkite was mighty proud of my exclusive. That night, the CBS Evening News ran three long minutes of my interview, prized real estate on the broadcast.

I always thought Kleindienst stopped to answer my questions because he wanted to reward my doggedness. Maybe not.

Some fifty years later, at our yearly lunch, Lesley Stahl, my buddy from those CBS News days, remembered that Kleindienst interview completely differently. Lesley said she vividly remembers watching my first Q and A on television with the rest of us in the CBS newsroom, when he laughed off my questions. She believed Kleindienst knew he was seen unfavorably by the public and felt compelled to rectify his behavior the next day by cooperating with me instead of blowing me off. Lesley said it was a rude awakening for all male interviewees that they had to take all reporters seriously, including and especially female reporters.

        An excerpt from "Connie: A Memoir," to be published on September 17, 2024. Copyright © 2024 by Connie Chung. Used by arrangement with Grand Central Publishing. All rights reserved.   

Get the book here:

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For more info:

• "Connie: A Memoir"  by Connie Chung (Grand Central Publishing), in Hardcover, eBook and Audio formats, available September 17

See also: 

• Maury Povich + Connie Chung: A newsworthy love story ("Sunday Morning")

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Amanda Nguyen Memoir Coming In March

BY Michael Schaub • today

Activist Amanda Nguyen will tell the story of her life in a new memoir, People magazine reports .

AUWA, the MCD imprint founded last year by drummer Questlove, will publish Nguyen’s Saving Five: A Memoir of Hope next year. The press describes the book as “a heart-wrenching memoir of survival and hope.”

Nguyen was raped in 2013 while she was a student at Harvard University and opted to wait to press charges. She learned that her rape kit would be destroyed by the state of Massachusetts if she did not officially report the crime within six months.

Her experiences led her to found the nonprofit group Rise, which advocates for sexual assault survivors, in 2014. Nguyen and Rise were behind the Sexual Assault Survivors' Rights Act, which was signed into law by President Barack Obama in 2016 and which established a bill of rights for victims of sexual assault.

Nguyen, a former NASA intern, is scheduled to be the first woman of Vietnamese descent to fly to space next year.

Her memoir, AUWA says, is “a groundbreaking work that seamlessly blends memoir with a moving journey toward acceptance and hope, forging a path ahead that is as inspiring as it is instructive.”

Saving Five is slated for publication on March 4, 2025.

Michael Schaub is a contributing writer.

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September 13, 2024 by Betsy Bird Leave a Comment

On Writing Memoir and NOT Autobiography: A Ruth Chan Q&A on Uprooted

September 13, 2024 by Betsy Bird   Leave a Comment

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When I was at the last American Library Association Annual Conference this past June I had a few goals in mind. One of them was to get my hands on a certain graphic novel that was getting all kinds of attention. Called Uprooted by Ruth Chan, the book falls squarely into the graphic memoir genre that’s been doing so well since the rise of Raina Telgemeier’s Smile . Ruth Chan has always been better known for her work on picture books like How Old Is Mr. Tortoise? or Have You Seen Gordon? Now she’s come out with a book that has garnered five (count ’em) five starred reviews with praise like, “Earnest, funny, and evocative,” from Kirkus and, “A truly uplifting read” from SLJ .

The plot as the publisher describes it is:

“Ruth Chan loves her hometown in Toronto, hanging out with her best friends for life, and snacking on ketchup flavored potato chips, which are the best. What Ruth doesn’t love is having to move to Hong Kong after her dad gets a new job there. Her mom is excited to reunite with her family, but it’s not the same for Ruth. In Hong Kong, her classes are harder, her Cantonese isn’t good enough, and her parents are never around. Ruth feels lonely and completely uprooted. But as Ruth’s dad tells stories about her family, about how they relied on their strength, courage, and each other to survive the most difficult times, Ruth realizes that she too can be strong. Gradually, she puts down roots, knowing that home will always be where her heart is.”

I never got a copy of the book at ALA but at least I had a chance to talk to Ruth now about the book and the process of making it:

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Betsy Bird: Ruth! I’m so pleased I get a chance to talk to you about this book. I would have said hi at ALA but your line was approximately 5 miles long, full of people clamoring to get their hands on this title. In any case, your book is fantastic. Now you explain this a bit in your Author’s Note at the end, but for the uninitiated, where did this book come from?

Ruth Chan: Hi Betsy! I saw you from a distance at some point at ALA and wished I had had time to run over to you to say hi too. Alas!

Anyway, thank you for the kind words about Uprooted ! The book originally started as a love letter to my family and our history, including the story of my father’s birth while fleeing their home during the Sino-Japanese war. Very quickly, I began incorporating my own story as I realized how years of hearing my grandmother and aunt recount this story of survival had shaped my values. In the end, Uprooted tells of my move from Canada to Hong Kong when I was a teen while interweaving the story of my father’s birth. There’s a lot of 13-yr-old life happening in the book, from making friends to liking (many) boys, to trying to speak a language I was unfamiliar with. In both stories, there is a quest for belonging and finding out what a home means, while learning how to tackle hardship with courage, perseverance, and patience.

BB: You’ve done many a fine picture book in your day, but a graphic novel memoir feels like an entirely different beast. You undoubtedly had some idea of what you were getting yourself into, but surely there were surprises along the way. What was the process like for you overall?

Ruth: Oh boy. I thought I was prepared. I was not. I knew it would be a lot of work– emotionally and physically– but I hadn’t quite anticipated how hard it would be to craft a story that is memoir (and more than 32 pages in length!). Trying to tell a story as an adult looking back on myself as a child felt very strange. It was a mental exercise to write as “little Ruth’s” 13-yr-old voice and not that of “adult Ruth” reflecting on her past. I also wanted to include all the details, all the back stories, all the funny moments, all the relationships of that time because that’s how I remember it. But my wise agent, Rebecca Sherman, reminded me that I’m writing a memoir not an autobiography, and that I could always make another book about other stories I couldn’t fit in this book.

Another surprise– I didn’t think I’d be watching so many TV series and Netflix Christmas romance movies while working on the final art for this book. Final art is a great stage in the process because you’re just drawing over sketches and your brain can turn off. I think I watched 8-10 hours of TV a day. Eventually, I finally figured out I can listen to audio books too. Who knew!

BB: Living the dream! So to get back to what you were saying about your father and the Sino-Japanese war, the book does an excellent job of introducing a family history where the contemporary kid has to understand that the family that came before suffered, escaped, and survived in ways she never could. I was admiring how deftly you included that serious information alongside the lighter stuff. How did you find the right balance for this book?

Ruth: This was a little big of a struggle for me because it felt disrespectful to claim my 13-yr-old problems were akin to those that my family suffered during a war. But the two stories also naturally aligned in the form of Talk-to-Talks, the bedtime chats I’d have with my dad. Talk-to-Talks offered the space for both of us to share our stories, for me to learn from my family history, and to feel seen and heard. Having Talk-to-Talk scenes throughout the book helped me tell the story of my family while keeping the book funny and relevant to the reader.

BB: I’m always curious when folks do fictionalized memoirs, how much they keep the same from their life and how much they change. What were some of the key points in this book that you absolutely had to get on the page? And what did you feel okay changing along the way?

Ruth: The big scenes in the book (e.g. meeting Bonnie for the first time, or the climax of the book where I explode at my parents) still hold an emotional sharpness to this day so those are the scenes I knew had to be as accurate as I remembered them. Being such a slice-of-life book very much embedded in the time and geography, I also wanted to make sure the environments were accurate, whether that was the inside of the school or the Hong Kong skyline in 1993. Thank goodness I was an extremely sentimental teen and took photos of everything.

The things I changed along the way are things I felt weren’t the most crucial to the heart and soul of the book but would help move the story along, like changing a bit of the timeline or condensing a few moments into one.

BB: Were there any scenes or elements that you wanted to include but that eventually fell out of the book along the way?

Ruth: So many! But the one story I wish there was enough room to fit in was the epilogue to my dad’s birth story. When my dad was 13, he remembers his mother (my grandmother) bringing him to see one of the friends who had told her to throw my dad away upon his premature birth. My grandmother said, “You remember when you told me to give up on my child? Well look at him now!” My dad remembers standing as straight and as tall as he possibly could in front of this friend. It’s our family’s Pretty Woman “Big Mistake” moment.

BB: Hey, every family should have one. Last but not least, what’s next for you? What else can we expect? And is there a chance for any more comics in the future?

Ruth: I’m currently working on a second graphic memoir! When my mom read an early version of Uprooted and saw that a lot of it centered around my relationship with my dad, she jokingly asked, “When are you going to make a book about me?” Well, mom, your wish is my command. This second book will focus on the relationship between my mom, me, and her OCD, and what it means for a teen to be a ‘good daughter’. It’ll also take place in Hong Kong and I’m already questioning why I’m choosing to draw dozens of complicated building landscapes again. But being to hold Uprooted in my hands– I have to say, it’s all worth it in the end!

Big thanks to Ruth for taking the time to talk to me today. Thanks too to Morgan Rath and the team at Macmillan Children’s Publishing Group for helping to put this together. Uprooted is on shelves now.

Filed under: Interviews

About Betsy Bird

Betsy Bird is currently the Collection Development Manager of the Evanston Public Library system and a former Materials Specialist for New York Public Library. She has served on Newbery, written for Horn Book, and has done other lovely little things that she'd love to tell you about but that she's sure you'd find more interesting to hear of in person. Her opinions are her own and do not reflect those of EPL, SLJ, or any of the other acronyms you might be able to name. Follow her on Twitter: @fuseeight.

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