A third criterion, representativeness, seeks to determine whether the document is typical of such accounts—perhaps described as “reliable”—and whether the material represents a collection of produced materials rather than an idiosyncratic portrayal. A document’s representativeness may be distorted with the passing of time as the survival rate of certain materials becomes greater since the items may have been viewed as less valuable and, thus, stored away, rarely seen after their point of origination, and thus preserved. The acquisitions process—archival staff members “weeding” the collection (eliminating what are considered non-essential items)—may also distort provenance and representativeness. Similarly, some important documents do not survive because their great significance caused them to become used and worn and, subsequently, discarded while less important documents survive because they are so little used. Matters of generalizability and reliability are constantly hovering above documentary researchers as they examine materials and decide what items should be drawn upon in their work. Interestingly, Scott (2006) recognizes that determining whether documents are fully authentic, credible, and representative may never be able to be confirmed by the researcher; thus, he reverses the process and asks whether the materials may be deemed as inauthentic, non-credible, or unrepresentative. This has led to a perspective described as “methodological distrust” where researchers take a general approach of questioning all materials and demanding that documents must prove their own authenticity, credibility, and representativeness before being used.
A final criterion—meaning—represents the textual analysis of the document and whether the evidence is clear and comprehensible. Coupled with this semiotic and intertextual examination is whether the document’s content is appropriately situated within its historical context; this is ascertained, in part, by the method in which meaning is constructed and perceived by its originally intended audience. While these four criteria are fundamental, McCullough (2004) underscores a fifth criterion of document analysis: theorization—the anticipated theoretical, hermeneutic framework for interpreting the material. Such theoretical perspectives are commonplace for those in the field of curriculum studies. Documentary research, however, underscores an important dimension to theorization and the construction of meaning of a document: the reconstruction of a text’s meaning as it moves from author to audience. Scott (2006) notes the transition of intended content (the author’s intended meaning), the received content (meaning as constructed by the reader/perceiver), and internal meaning (transactional understandings derived from the intended and received meanings).
Related analysis and assessment of documents occurs as materials are ascertained as being public or private, primary or secondary (noting that a primary source need not be the sole original document; primary materials are first-hand documents), and whether the researcher has direct-proximate contact (being able to examine the original or primary document) or indirect-mediate access (facsimile or scanned e-version).
The Biographical and Documentary Research SIG will be making a concerted effort to develop further our involvement and programming in the area of documentary research theory. We encourage all members to begin exploring this research realm. A wonderful introduction to this area is (SIG member) Gary McCulloch’s
Austin, T. & de Jong, W. (2008). . London: Open University Press.
Hill, M. R. (1993). . Newbury Park, CA: Sage Publications.
McCulloch, G. (2004). . London: RoutledgeFalmer.
Nichols, B. (2001). . Bloomington, IN: Indiana University Press.
Scott, J. P. (Ed.). (2006). . Thousand Oaks, CA: Sage Publications.
By Craig Kridel, University of South Carolina
Maggie Burnette Stogner
Storytelling for Impact
A guest blog by David Borish, www.inuitvoicesherd.com
Intro — I was very fortunate to meet David at the recent #Jackson Wild Summit and learn about his amazing community-based film and visual-based research project HERD: Inuit Voices on Caribou . The following is a summary provided by David of the “video-based qualitative analysis” process they used to co-produce both award-winning documentary films and academic research articles that address environmental, health, and social issues.
What if video interviews could be used not only for video production, but also as a form of data to be analyzed and gain a more in-depth understanding of the knowledge participants are sharing? This document provides an overview of a video-based qualitative analysis, which is a strategy that blends the strengths of documentary filmmaking and qualitative research in order to examine human experiences and their embedded visual contexts, while also producing a creative storytelling output that can be communicated to various audiences.
This approach was developed as part of a larger community-based film and research project called HERD: Inuit Voices on Caribou . Led by Inuit from across Labrador, Canada, and as part of David Borish’s doctoral work, the goal of this initiative was to create impact-driven documentary films and qualitative research papers about Inuit knowledge and experiences with caribou population declines. Rather than working on the research first and then the documentary film, the HERD team worked on both processes simultaneously. In this way, the video content was not about the research — it was the research! The result was the co-production of both award-winning documentary films and peer-reviewed articles published in high-ranking journals about a range of social, environmental, and health topics, all based on the same video interviews!
A video-based qualitative analysis allows you to work towards both creative and research outputs by repurposing the coding, searching, and filtering tools within two distinct video editing softwares: the Lumberjack Builder application and Final Cut Pro X.
Starting with Lumberjack Builder, you can connect interview transcripts directly to video interviews, and apply keywords and other metadata to specific sections of both the transcripts and video interviews. We repurposed this text-video-coding feature for creating qualitative codes for themes, characteristics, and other elements of interest within the data. With the ability to watch, listen, and read all at the same time, you can review not only what participants are saying, but how and in what context they are saying it, which is especially important for place-based, cultural, and health-related knowledge.
All codes and metadata from Lumberjack Builder can be imported directly into Final Cut Pro X®, which can be used not only to edit the video content into a film, but also repurposed for qualitative analysis by leveraging a variety of search, filter, and categorizing tools within this software. Keywords and other metadata can be searched for, which can help identify relationships and trends across the video interviews based on what people said.
Through these two programs, you can do an in-depth exploration of the oral and visual content shared in video interviews, which can support with the creation of research outputs. But this data isn’t just important for the qualitative analysis — there can be storytelling benefits too! For example, in the HERD project, this process contributed to our understandings of what themes were being discussed most across the interviews, and therefore what to focus on when developing the film’s narrative. In this way, it was possible to create a film that was data-driven, and directed (at least in part) by the collective knowledge being described by the people in the film.
Documentary Film — This technique supported the HERD team in producing short-length, broadcast-length, and full-length documentary films about the links between caribou and Inuit well-being, all in collaboration with community members. Our films have had wide-ranging reach and influence, including: broadcasted on CBC in Canada; screened at more than 15 international film festivals; and screened at various museums and geographic societies.
Qualitative Research: This technique also allowed us to use the same quotes from participants in the films for co-creating qualitative articles published in high-ranking journals, including: 1) “It’s like a connection between all of us” : Inuit social connections and caribou declines in Labrador, Canada (Ecology and Society, 2022); 2) “Caribou was the reason, and everything else happened after” : Effects of caribou declines on Inuit in Labrador, Canada (Global Environmental Change, 2021); and “You can never replace the caribou” : Inuit experiences of ecological grief from caribou declines (American Imago, 2020).
Education — The HERD team is currently working with Indigenous curriculum specialists to develop teaching resources and lesson plans for students in K-12 based on the film and research. The coding done through the video-based qualitative analysis is allowing us to create educational content about specific themes geared towards different classes and age levels.
Based on the success of the HERD project, we’ve developed a variety of resources that can support other researchers, filmmakers, and community-based groups in blending video production with the social, health, and environmental sciences.
Video Summary — We created a short video that describes our community-led and research-based film process, including how a video-based qualitative analysis works (starting at 6:15). Watch it here!
How-To Guide — We developed a step-by-step guide that details (40+ pages) the process of undertaking a video-based qualitative analysis, including tips, lessons learned, and areas for further exploration. Read it here!
Journal Article — Our peer-reviewed article about blending film and qualitative research was published in the International Journal of Qualitative Methods. Read it here!
Contact Us — We are happy to connect and brainstorm how this approach might be of use for your work, no matter what field you are in or the discipline you are coming from!
www.inuitvoicesherd.com [email protected] @inuitvoicesherd
For more case studies and information about how to create meaningful impact with your films, go to www.cefimpactmedia.org
Text to speech
Documentary film jornals, limiting to "peer reviewed" articles, what is google scholar how should i use it, google scholar.
A very large database that covers all subject areas. You will need to use the bar on the left hand side of the page to narrow the results. Listed below are other databases that you may want to use.
"Peer-reviewed" or "refereed" journals are those that subject content to a critical review by other experts in the field prior to accepting a manuscript for publication. Limiting your literature search to the peer-reviewed journals ensures a higher level of scholarship and research methodology.
Magazines, trade journals, and newspapers tend to be "non-peer-reviewed," meaning perhaps just the editor or someone who is not an expert in the field has reviewed the content before publishing.
Google Scholar is a time-saving, scholarly search interface accessible from within the Google interface. With Google Scholar, you can access peer-reviewed journal articles, books and book sections. For literature searching, specialized databases have more functionality and access more comprehensive results, but Google Scholar is a good tool to use for a search for a known item .
The next time you search scholar.google.com, the GetIt at NYU option will be available next to accessible article citations.
Google Scholar provides a simple way to broadly search for scholarly literature. From one place, you can search across many disciplines and sources: peer-reviewed papers, theses, books, abstracts and articles, from academic publishers, professional societies, preprint repositories, universities and other scholarly organizations. Google Scholar helps you identify the most relevant research across the world of scholarly research.
Customize your "Scholar Preferences" for automatic linking to NYU's full text. Enter "New York University Libraries - Get at NYU" in the Library Links box; save your preferences.
All good documentaries require research. It’s a form of filmmaking that often seeks the truth of an event based on factual evidence. As a documentarian, it is your job to gather that evidence and to inform and educate your audience.
Research is essential to every documentary. It’s what will connect all the raw video footage you shoot or gather into a coherent story. It will help you organize and plan out your documentary so you have an idea where you want to take your project. In this article, we will walk you through the research process. That way you’ll have a starting point when you dive into researching for your documentary.
Often times, documentaries center around one main question. The question can be simple: who is this person? Likely, this is a starting point for many biographical documentaries. You then can branch out. Start asking deeper questions: What did this person do in his or her life? What was his or her crowning achievement? What were some of his or her biggest struggles? Was this person tied to any major historical events? As you ask questions, more will arise. It is important to keep asking questions because it’s likely someone else will ask them when watching.
Sometimes, you don’t even have to answer the questions you ask, leaving it up for interpretation. In the documentary, Who Killed the Electric Car? , the central question of the entire documentary is in the title. Viewers watch the documentary wanting to know the answer: who actually killed the electric car. While watching, they are presented with the facts and different viewpoints. In the end, however, it is up to the viewer to answer the ultimate question of the film.
When asking questions, you’ll want to revisit some of the common knowledge around the subject to build a strong foundation for the film. However, be sure to dig deeper so that you can include new information that people don’t know. The point of a documentary is to inform the audience and uncover new perspectives. Everyone will have different varying levels of knowledge on the topic. That’s why it’s important to put the time and effort into finding information that isn’t as readily available — especially information that runs counter to commonly helped beliefs about the issue. In many ways, documentarians are detectives. They investigate and discover the unknown.
After you have articulated a few questions about your topic, it’s time to get to work. There are many different ways you can acquire sources and information. Most of the time, they fall into these three categories: written, visual or interpersonal.
Written sources are the traditional way to acquire a lot of information fast. You can find many scholarly articles on Google Scholar or your local library. When reading articles, be sure to look at all the sources they’re referencing. Check the citations provided by each of your sources to verify information and dig deeper into the subject matter. Even the references at the end of a Wikipedia article can be provide guidance.
As you spend more time researching, you will likely find new information you never considered. 5-time Emmy Award winner Ken Burns says when it comes to archival research, more is more. It’s typical to collect up to 40 times the amount of material you plan to use in your film. You will only be able to find your documentary’s story if you have sufficient information to sift through and piece together.
Depending on your topic of choice, there could be tons of archival footage you can dig up. For instance, if you’re documentary is following a political controversy, there’s bound to be loads of videos of interviews, news reports and public reaction to the event. Thanks to the internet, it is easy to find past footage of events. Use archival video for research as well as potential footage you can use in your documentary.
Talk to as many people as possible. This is where a lot of interesting, unknown information might come out. You can try identifying key people and reaching out to them or you can attend rallies, meetups or conferences pertaining to your topic. There you can meet people important to your research and hear them speak.
It’s wrong to think that the researching process stops once you start filming. It is essential you continue to look for information during and after production. Oftentimes, while you’re in the middle of the production, new information will surface. The creation of documentaries is full of discoveries. You have to be open to these discoveries and explore them even when you think you have all that you need to make your film.
The key to making a great documentary film is research. In this genre, accuracy is as important as aesthetics. To acquire the truth, you need to put in the work and find sources that contribute to a deeper understanding of the subject matter.
Google’s new pixel 9 smartphones get advanced cameras and ai features, aputure’s new sidus four can control up to eight dmx universes, boxx launches new professional workstations with amd ryzen 9000 processors.
Ai generator.
Have you heard of the event October Revolution? Also referred to as the Bolshevic revolution, Bolshevik Party leader Vladimir Lenin led a bloodless coup to overthrow Duma’s provisional government on November 6-7, 1917, which is equivalent to October 24-25 in the Julian calendar. As a result, this Russian revolution earned the term October Revolution. However, did you also know that this event was filmed and used as propaganda? This event is just one of the numerous historical documentary films that journalists shot. As one of the essential parts of producing a documentary film, documentary film research must take place. Through the documentary analysis, you can gather the necessary setting, visuals such as footage, narrations, and interviews which you will include in the film. Other types of research that you can carry out to produce an educational and entertaining film are archival research and academic research. You can also include in-person interviews to make your project more factual.
Aside from ethnographic research and surveys, documentary research is one of the major types of research that researchers use in social sciences. Documentary research is a type of study that uses personal and official documents as a source of information or evidence. These documents may include government publications, photographs, newspapers, diaries, stamps, directories, handbills, maps, paintings, recordings, tapes, and computer files, etc. The purpose of this analysis is to create a larger story or report which you can obtain through an evaluation of a set of documents concerning your topic. This research uses qualitative and quantitative research as its research methodology.
There are three ways to organize the documents that you can use for your documentary research .
You can classify the documents you hold to support your work according to the three-sector structure. The information that you can obtain from the individuals or organizations who witnessed an event are the primary resources. On the other hand, the pieces of information that you can collect from books and other mediums that the authors didn’t personally witness are secondary sources. To complete your research paper, you need to include the indexes, abstracts, and bibliographies for reference. We call this information as tertiary sources.
Grouping the data according to accessibility level is also one way to classify the research documents. Through this classification method, you can categorize your data into four categories. You can tag confidential police records as closed documents. You can also classify a file like a medical record as restricted, open-archival, such as census reports, and open-published, such as government published statistics.
When you say solicited documents, these are the documents such as government surveys and research projects that the authorities conducted as a request of an organization or individual. In contrast, individuals can create unsolicited materials for personal use, such as diaries.
Now that you know what documentary research is, take a look at how it should look like by going over the following documentary research samples.
Size: 88 KB
Size: 134 KB
Size: 60 KB
Size: 49 KB
Size: 1,018 KB
Size: 340 KB
Size: 204 KB
Size: 69 KB
Size: 131 KB
Size: 394 KB
Conducting documentary research can be tough. However, you don’t have to worry because we have included instructions below on creating this type of research. Read through the following guidelines so that you can write a more structured research paper.
Determine the topic that you wish to analyze. If you don’t have one, you can watch any documentary film or read documentary content that interests you. This step can help you come up with the topic that you want to dig deeper. While reading, determine if the author of the content picked a side to argue. Then, list the arguments that it discussed. Also, think of possible thesis statements that you can use as the main idea, and don’t forget to take note of the necessary information that will support your assertions. As part of gathering the required information, you need to choose at least three other resources that you can use to study your topic. We recommend looking for at least two relevant websites and a printed document such as magazines and books. You don’t need to read the printed text. Instead, you can just read the parts that are relevant to your study.
Before you start writing, it is essential to create a strategy in putting your research on the paper. We recommend you to organize the facts that you have gathered during your investigation. Create an outline that will shape your research paper .
You can start by writing your main ideas and jotting down the facts that will support the idea. You can also include a sub-idea and other additional information that you can incorporate into the central concept of your research. Typically, in writing documentary research, you only need to include five paragraphs, but it can vary to the requirements that your professor may provide. Nevertheless, you need to ensure that your research paper has detailed information and contains evidence.
To ensure the credibility of your research, we recommend you let at least two editors check and criticize your work. You can exchange papers with your classmates and agree to make constructive criticism with your output. Your editor should put marks all over your work as evidence that he or she checked it. You should also observe proper quotation usage and ensure that your work is grammar and punctuation error-free. For your convenience, you can browse for editor or grammar checker application online.
Documentary research plays a significant role in many sectors, such as social sciences and medical science. This analysis allows us to learn from past events and come up with a better approach to the events that we are going to face. Now that you have enough knowledge about documentary research start conducting this research with your team!
Text prompt
10 Examples of Public speaking
20 Examples of Gas lighting
Stretching from Cape Cod to Nova Scotia, the Gulf of Maine is a sanctuary of extraordinary biodiversity, a regional economic engine, and a natural laboratory for studying the impacts of climate change. This summer, it’s also the star of a new NOVA documentary that showcases the efforts of Bigelow Laboratory scientists and others to understand and protect this critical body of water.
Sea Change, the three-part special presentation produced by GBH, premiered on July 24 and concluded on August 7. PBS has also organized a series of public outreach events coinciding with the film’s airing. Senior Research Scientist Doug Rasher, who features heavily in the second episode of the series, participated in a screening and panel discussion with the filmmakers in Portland on July 26. Senior Research Scientist David Fields, whose work is highlighted in the first episode, is participating at a similar event at the New England Aquarium in Boston on September 10 .
Blending natural history, science, and exploration, the film dives into the rich ecosystem of the Gulf of Maine and follows the fishermen, Indigenous leaders, entrepreneurs, and scientists working to untangle and preserve this diverse food web. It also looks at the threats facing the Gulf — and the communities that depend on it — as it warms faster than most of the world’s ocean and portends some of the potential global consequences of climate change.
The first episode , "Bounty in the Gulf of Maine," features Fields, Research Associate Maura Niemisto, and Senior Research Associate David Drapeau as they collect copepod samples aboard Bigelow Laboratory’s research vessel, the R/V Bowditch . Fields describes these tiny animals as the true “charismatic megafauna” of the Gulf of Maine. The team is collecting monthly samples to understand their outsized impact on the food web and see how their population is changing over time and space.
“Understanding the smallest scale organisms and systems and ecosystems really helps us start to understand how the world works in a way we can’t really see when we zoom out to larger-scale things,” Niemisto says in the film. Almost on cue, a right whale and pod of dolphins make an appearance to feast on this essential food source.
The second episode , "Peril in the Gulf of Maine," features Rasher and PhD Student Shane Farrell as they dive into the kelp forests of Cashes Ledge, an underwater mountain range 90 miles off the coast that the narrator describes as one of the Gulf’s “bright spots.”
Rasher and Farrell appear throughout the episode to discuss how Maine’s kelp forests are faring in an era of climate change, how environmental DNA is helping scientists track these changes, and how the thriving forests of Cashes Ledge can help scientists understand the past — and possible future — of Maine’s coastal ecosystem.
“We have healthy kelp forests in the north, collapsed kelp forests in the south, so where Cashes Ledge lies relative to the story along the coast is something I’m really excited to see,” Rasher says in one clip. “It’s a very different world out here… It’s just unbelievable.”
The third and final episode, titled “Survival in the Gulf of Maine,” highlights the people charting a new course of the Gulf of Maine through conservation, policy, and entrepreneurship — including several research partners of Bigelow Laboratory.
Sea Change is produced and inspired by Brian Skerry, an award-winning photojournalist and Bigelow Laboratory advisory board member. Each episode was written and produced by Stella Cha and Chun-Wei Yi.
Photo 2: Bigelow Laboratory scientists David Fields, Maura Niemisto, and Dave Drapeau collect copepod samples in the Gulf of Maine aboard the R/V Bowditch (Courtesy of WGBH Educational Foundation, image captured by Chun-Wei Yi).
Photo 3: Senior Research Scientist Doug Rasher speaks at a screening and panel discussion at the University of Southern Maine in Portland on July 26.
Producers say film will be 'definitive look' at smartphone maker from waterloo, ont..
Mark Wahlberg's documentary production house is ringing up "the real BlackBerry story."
Wahlberg's Unrealistic Ideas says it is moving ahead with a feature-length documentary centred around the history of the Waterloo, Ont.-based smartphone maker.
The company says the still-untitled BlackBerry doc will tap into interviews with former executives and staff at the company once known as Research In Motion to recount the hand-held device's rise and subsequent fall in the mobile phone wars.
Last year, BlackBerry was the focus of a satirical comedy from Canadian director Matt Johnson that earned awards and critical praise, but scorn from some in the local tech community who complained it played too loosely with the facts.
Producers of the untitled documentary say their project will be the "definitive look" at BlackBerry, led by filmmaker Eddie Schmidt, a director on the Chelsea Handler series "Chelsea Does" and producer of feature docs This Film is Not Yet Rated and Twist of Faith .
Wahlberg's company is behind several notable HBO projects, including the docuseries McMillions , about con artists who scammed the McDonald's Monopoly game, and Movie Pass, Movie Crash , which recalled the origins of the popular cinema membership.
WATCH | Actor Jay Baruchel talks about becoming BlackBerry CEO Mike Lazaridis :
The BlackBerry documentary, which does not have a release date, will be made in co-operation with Canadian technology firm Viral Nation.
The Mississauga, Ont.-based company partnered with the RIM alumni association to develop a historical online archive of BlackBerry's history and originally shopped around the idea with various documentary makers.
David Friend is a reporter with The Canadian Press.
For many people, reaching their mid-40s may bring unpleasant signs the body isn’t working as well as it once did. Injuries seem to happen more frequently. Muscles may feel weaker.
A new study, published Wednesday in Nature Aging , shows what may be causing the physical decline. Researchers have found that molecules and microorganisms both inside and outside our bodies are going through dramatic changes, first at about age 44 and then again when we hit 60. Those alterations may be causing significant differences in cardiovascular health and immune function.
The findings come from Stanford scientists who analyzed blood and other biological samples of 108 volunteers ages 25 to 75, who continued to donate samples for several years.
“While it’s obvious that you’re aging throughout your entire life, there are two big periods where things really shift,” said the study’s senior author, Michael Snyder, a professor of genetics and director of the Center for Genomics and Personalized Medicine at Stanford Medicine. For example, “there’s a big shift in the metabolism of lipids when people are in their 40s and in the metabolism of carbohydrates when people are in their 60s.”
Lipids are fatty substances, including LDL, HDL and triglycerides, that perform a host of functions in the body, but they can be harmful if they build up in the blood.
The scientists tracked many kinds of molecules in the samples, including RNA and proteins, as well as the participants’ microbiomes.
The metabolic changes the researchers discovered indicate not that people in their 40s are burning calories more slowly but rather that the body is breaking food down differently. The scientists aren’t sure exactly what impact those changes have on health.
Previous research showed that resting energy use, or metabolic rate , didn’t change from ages 20 to 60. The new study’s findings don't contradict that.
The changes in metabolism affect how the body reacts to alcohol or caffeine, although the health consequences aren’t yet clear. In the case of caffeine, it may result in higher sensitivity.
It’s also not known yet whether the shifts could be linked to lifestyle or behavioral factors. For example, the changes in alcohol metabolism might be because people are drinking more in their mid-40s, Snyder said.
For now, Snyder suggests people in their 40s keep a close eye on their lipids, especially LDL cholesterol.
“If they start going up, people might want to think about taking statins if that’s what their doctor recommends,” he said. Moreover, “knowing there’s a shift in the molecules that affect muscles and skin, you might want to warm up more before exercising so you don’t hurt yourself.”
Until we know better what those changes mean, the best way to deal with them would be to eat healthy foods and to exercise regularly, Snyder said.
Dr. Josef Coresh, founding director of the Optimal Aging Institute at the NYU Grossman School of Medicine, compared the new findings to the invention of the microscope.
“The beauty of this type of paper is the level of detail we can see in molecular changes,” said Coresh, a professor of medicine at the school. “But it will take time to sort out what individual changes mean and how we can tailor medications to those changes. We do know that the origins of many diseases happen in midlife when people are in their 40s, though the disease may occur decades later.”
The new study “is an important step forward,” said Dr. Lori Zeltser, a professor of pathology and cell biology at the Columbia University Vagelos College of Physicians and Surgeons. While we don’t know what the consequences of those metabolic changes are yet, “right now, we have to acknowledge that we metabolize food differently in our 40s, and that is something really new.”
The shifts the researchers found might help explain numerous age-related health changes, such as muscle loss, because “your body is breaking down food differently,” Zeltser said.
Linda Carroll is a regular health contributor to NBC News. She is coauthor of "The Concussion Crisis: Anatomy of a Silent Epidemic" and "Out of the Clouds: The Unlikely Horseman and the Unwanted Colt Who Conquered the Sport of Kings."
Parenting is hard enough without any additional complications. So imagine trying to parent from prison .
A new Netflix documentary film sensitively explores this challenge by profiling a father-daughter dinner-dance that took place at a Washington, D.C. prison in 2019, enabling select inmates to spend some quality time with their young daughters. The film follows four girls—Aubrey, Santana, Raziah, and Ja’Ana—over eight years, giving viewers an extended look at not only how they prepared for the dance and interacted with their fathers there, but also how they kept up with them in the years afterward.
Filmmaker Natalie Rae directed the movie with Angela Patton, who started the dinner dance and runs Camp Diva Leadership Academy and the nonprofit Girls For A Change, two programs that prepare Black girls for adulthood. Video of Patton’s 2012 TEDxWomen talk on the origins of the dinner-dance in Richmond—which launched that same year—have racked up about a million views on TED Talk’s website and led to the making of Daughters.
“Because a father is locked in does not mean he should be locked out of his daughter’s life,” Patton says in the viral talk.
The directors wanted to raise awareness about how difficult it is for families to stay in touch with incarcerated loved ones. Many inmates are not allowed to have in-person visits with their family members and can only talk to them via video chat. They also said in a statement that they sought to humanize the Black men at the center of the story, who are not always afforded that treatment in the media or in their lives. One key way in which they accomplish this is by refraining from discussing the crimes that landed the featured fathers in prison, allowing the viewer to get to know them separate from their convictions.
Daughters demonstrates the strain caused by separation. One of the girls in the film, 15-year-old Raziah, complains about only getting 15 minutes at a time to talk to her father Alonzo, who is serving a 30-year sentence. The distance bred by those limitations is hard on Raziah. Her mother Sherita gets teary-eyed when she talks about the two times Raziah talked about ending her life; one time, she found her daughter on the roof of their home, ready to jump, and talked her down by telling her that killing herself wouldn’t help her dad, that he’s already suffering enough.
Santana, 10, is very forthcoming about how much her father Mark’s incarceration has affected her. She’s seen in a car rehearsing what she wants to tell him when she sees him at the dance. “I’m done shedding tears because he wants to keep doing bad stuff that he shouldn’t be doing—it’s not OK. It’s affecting me.” She adds that she never wants to have children of her own. “You could give me a million dollars, still not going to be a mother.”
Some of the featured mothers were skeptical about the dance. In the film, Ja’Ana’s mother Unita questions whether her daughter’s incarcerated father deserves the opportunity for bonding. As she paraphrases a conversation she had with him, “Why do you want to bond with her while you’re incarcerated when all this time you had out here, you didn’t even really want to be bothered with her?”
In order to attend the dance, the participating inmates have to complete fatherhood coaching from an educator, Chad Morris. Over 10 weeks, Morris helps prepare them for what he calls an “emotional roller coaster,” from the excitement of seeing their daughters—for the first time, in some cases—to the snap back to reality at the end of the event. Patton joins one of the sessions to talk about how excited the girls are to meet their dads. As she explains the significance of the event to them, “This is about healing our families. This is about strengthening our families because we know, when our families are intact, that our community thrives.”
The dads are given haircuts, suits, shirts, ties, and shoes for the big event. Throughout the dance hall, there are craft tables and photo ops so the dads and daughters can get their photos taken and have souvenirs to remember each other by. But the gathering itself is bittersweet. As the dads and daughters dance to Beyoncé ’s “Before I Let Go,” some break down in tears singing along to the lyric “I would never, never…Never let you go.” Aubrey, 5, is seen at a table telling her dad to come home sooner, and he tells her he’ll be out of prison when she’s a teenager.
Studies show that recidivism rates are high. One analysis finds that 82% of individuals released from state prisons get arrested at least once in their first 10 years free. A debrief following the dance, during a fatherhood therapy session, suggests that programs like this dance could help change that. As one inmate says in the film, “That’s the day I actually felt like I can’t come back to prison no more…because of the power I felt that day."
Write to Olivia B. Waxman at [email protected]
Newsletters
By Sammi Caramela
VICE makes excellent documentaries. Yes, that sounds arrogant, but also: it’s true. Available on the Emmy Award-winning VICE TV and on YouTube , they’re filled with firsthand information and exclusive interviews you can’t find anywhere else, covering topics ranging from the cocaine trade in Peru to the best New York deli in New Jersey.
There are also quite a lot of them. To help you keep up, here are seven of the best recent VICE films, with standalone docs and episodes of ongoing series.
Oobah’s great amazon heist.
Amazon has long had a rough reputation as an employer , with many claiming the company imposes long hours, low pay, and toxic work environments. To make this film, Oobah Butler—a writer, filmmaker, and internet trickster—worked undercover at a major Amazon fulfillment center in the UK, narrowly avoiding a lawsuit . Watch as he endures the less-than-ideal work conditions faced by Amazon employees.
In this episode of WEEDIQUETTE, which originally aired on VICE TV in 2016 and recently featured in full on YouTube, producer and host Krishna Andavolu traveled to Congo to meet mbuti pygmies who rely on marijuana for financial security and livelihood. Andavolu spoke with female dealers and farmers who smoke and sell weed as a means to survive.
American skateboard legend Anthony Van Engelen, who goes by the name AVE, was born in San Diego and grew up in Orange County, California—two places known for their skateboarding scenes. With sponsors like Vans, Alien Workshop, Fucking Awesome, Independent Trucks, and Spitfire, he reached professional status at the young age of 21. On a recent episode of Epicly Later’d , VICE dove into Engelen’s decades-long skating career.
Nearly 30 percent of the world’s cocaine is produced in Peru—and its production is expanding beyond its traditional region in recent years. This increase is affecting indigenous tribes, sparking violence for those who refuse to cooperate with the cartel. In this original documentary, Terror & Cocaine in the Peruvian Jungle, VICE embedded with local drug traffickers , visited an autodefensa militia group, and spoke with Amazonian community members about their experience dealing with cartels.
Would you believe it if we told you New York’s best deli is actually in New Jersey? (As a New Jersey resident, I’m not surprised.) Known for its homemade mozzarella and gourmet Italian deli sandwiches, Fiore’s House of Quality in Hoboken, NJ has been around since 1903. VICE recently got to speak with John Amato, Jr., owner of the deli who took it over from his dad and uncles. Learn all about how Amato maintains the deli’s old-school 50s vibe—while honoring his family and cultural traditions.
Michael Sieben is a popular artist and skateboarder—having the guts to pursue both as a career. From co-founding Bueno Skateboards to becoming the editor of Thrasher Magazine, he’s proven his dedication to skating and illustration. A recent installment of VICE’s series “Let It Kill You” explored Sieben’s art and skate legacy.
Who knew that learning how to remove boots from cars could turn into such a lucrative side hustle? The Boot Girls have grown to become Atlanta’s masked heroes, unlocking parking boots from clients’ cars for a small fee—much smaller than parking enforcement would charge. At times, they even offer their services for free if someone is short on money.
By Melanie A. Davis
This image released by Netflix shows a scene from “Daughters.” (Netflix via AP)
This image released by Netflix shows Aubrey Smith in a scene from “Daughters.” (Netflix via AP)
This image released by Netflix shows, from left, Donte Brooks, Allan James, Leonard Smith, and Jeffrey Saunders in a scene from “Daughters.” (Netflix via AP)
PARK CITY, Utah (AP) — Angela Patton has devoted her career to listening to the needs of young girls. Over a decade ago, the CEO of the nonprofit Girls For a Change and founder of Camp Diva Leadership Academy helped start a program in Richmond, Virginia, that created a daddy daughter dance for girls whose fathers are in prison. The “Date With Dad” idea wasn’t hers, however. It came from a 12-year-old Black girl.
The popularity of a 2012 TEDWomen talk about the initiative, which has been viewed over 1 million times, had many filmmakers clamoring to tell the story. But she didn’t feel anyone was right until Natalie Rae came along.
“Natalie actually made the effort and put the energy in to come to visit with me, to meet the families that I have worked with in the past, and just to learn and be a willing participant,” Patton told The Associated Press during the Sundance Film Festival in January.
The two began an eight-year journey as co-directors to make the documentary “Daughters,” which follows four young girls as they prepare to reunite with their fathers for a dance in a Washington, D.C., jail. Executive produced by Kerry Washington, the Sundance-prize winning film is begins streaming on Netflix on Wednesday.
With intimate moments inside the homes of the girls, and glimpses into the intensive 12-week therapy session the fathers participate in prior, “Daughters” paints a moving and complex portrait of fractured bonds and healing.
“It was just one of the most powerful stories I had ever come across,” Rae said. “For me, it was a beautiful example of what change can happen in the world when we listen to the wisdom of young women. This is a young Black girls’ idea, and she knew what her and her father needed.”
In the same spirit, the two filmmakers agreed that they wanted “Daughters” to be from the girls’ perspectives.
“I am always an advocate for them,” Patton said. “I hear them saying that ‘My dad is valuable to me but I’m really ticked off at him right now.’ Or ‘My dad is great, and someone else is trying to tell me that he’s not and I want you to not see my father as the bad man because he made a poor decision. But he still loves me.’ I’m hearing all of these lived experiences through many girls in the community. I want to see how we can help them.”
Though Patton has for many years worked with Black families in Washington and Richmond, for the film there would have to be another level of trust in establishing close relationships with the girls and their mothers, asking what they needed and were comfortable with and knowing when to turn the cameras on and off.
“You have to get to know the families. I come from understanding that in order for us to build trust in the community, I have to co-create with them,” Patton said. “I’ve been doing it for over 20 years. I kind of got a reputation. ... Sister Angela is what they call me. You know, ‘She’s got our back. She’s going to protect us.’”
Rae was a newcomer to this world, but Patton said that her co-director “took it to the next level” getting to know their subjects and earning their trust.
“These are really lifetime relationships,” Rae said. “Most of the time we’re not filming. It’s going and spending time being invited to see someone at the hospital, going to a birthday party. Aubrey (one of the subjects) and I made her dad a birthday cake one year and got to talk to him on the phone and just told him what it looked like.”
“Daughters” is what some people are calling a “three tissue” movie that is sure to pull at heartstrings. The filmmakers hope that it can also be an agent of change, a powerful example of the importance of visits in which girls can hug their fathers.
“We really want to show the impact on families and daughters from this system and incarcerated fathers and bring more awareness around the importance around touch visits and family connection,” Rae said.
Patton added: “I think there’s so many things to take away because it’s a film that just fills your spirit. You cannot leave not thinking that you should do something, even if it’s just to dial your father’s number, and just say, ‘I love you, dad.’”
This story first ran on Jan. 23, 2024 as part of The Associated Press’s Sundance Film Festival coverage. It has been updated with details about its Netflix debut.
Aside from disease prevention, elements of sexual health, including pleasure and orgasm, don’t receive much research funding, limiting what’s known.
Photo via iStock/Prostock-Studio
In a splashy piece in 2022, the New York Times detailed what many doctors and medical researchers know, but rarely talk about: we really do not know enough about the clitoris. This component of female anatomy has been routinely overlooked and ignored by the medical establishment, despite its substantial role in sexual pleasure for many people. When asked why, the medical experts interviewed in the piece shared the same sentiment: female sexual pleasure has long been viewed as secondary to male sexual pleasure. Unnecessary, even frivolous. Why, then, would this organ, perceived by many to play no role beyond orgasm, be suitable for serious scientific research? I believe the deep-rooted ignorance of the clitoris is a good example of the consequences of a larger, pervasive problem in the field of medical research: the routine dismissal of sexual pleasure as something worth studying.
This year, the National Institutes of Health (NIH), the largest funder of scientific research in the United States, will allocate an estimated $388 million towards the study of sexually transmitted diseases. This is a critical effort, particularly as cases of some sexually transmitted infections have increased in recent years. But the risk of sexually transmitted infections is just one component of sexual health. In 2022, the World Health Organization published an updated definition of sexual health, defining it as more than just the absence of disease. Their definition includes the “possibility of having pleasurable and safe sexual experiences.” Elements of sexual health beyond disease prevention, including pleasure, orgasm, or even pain, do not receive much research funding, which limits what is known.
In addition to little funding, sexual health research is also curtailed by scientists themselves. Researchers are impacted by cultural influences. Across different cultures, it is common for sex and sexual pleasure to be considered a taboo topic. Researchers’ discomfort with topics related to sexual pleasure poses real barriers to the meaningful study of sexual health. If someone is uncomfortable even saying the word “orgasm,” how can they effectively research the full range of human sexual experience?
The lack of scientific research focused on the positive elements of sexual behavior, including pleasure and orgasm, has real consequences. Beyond the ignorance of female sexual anatomy, research also suggests that public health programs that incorporate sexual pleasure might work better. Downplaying or ignoring pleasure may result in less successful efforts to promote sexual health. A narrow research focus on the risk of sexually transmitted infections can also obscure other important issues that are deeply relevant to people, including sexual dysfunction, which is estimated to affect 40 percent of women and 30 percent of men in the United States. The stigma against discussing sexual pleasure and pain also pervades medical care. Research shows that people experiencing sexual health issues often do not discuss them with their providers and providers do not routinely ask about them. This contributes to the often years-long wait that many people experiencing chronic pelvic pain conditions, like endometriosis, experience before receiving a diagnosis.
I believe that scientific and medical research that aims to improve sexual health should incorporate a sex-positive lens. By this, I mean taking into consideration the many reasons people may have sex, including interpersonal connection, pleasure, and joy. This is the focus of a recent commentary I published in the American Journal of Epidemiology , alongside Dr. Jessie Ford of Columbia Mailman School of Public Health. We emphasize that sexual pleasure is important to many people, and therefore should be integrated into scientific research on sexual health. This could help public health research be more aligned with people’s lived experiences, in which pleasure and connection are often central to sexual experiences. In an era where humans have gone to the moon, the intricacies of the clitoris should not be a mystery. Scientific researchers have the potential, and, I would argue, the responsibility, to help bring sexual pleasure out of the darkness, and into the light.
Julia Bond (SPH’24), a research associate in epidemiology at Boston Medical Center, can be reached at [email protected] .
“POV” is an opinion page that provides timely commentaries from students, faculty, and staff on a variety of issues: on-campus, local, state, national, or international. Anyone interested in submitting a piece, which should be about 700 words long, should contact John O’Rourke at [email protected] . BU Today reserves the right to reject or edit submissions. The views expressed are solely those of the author and are not intended to represent the views of Boston University.
Julia Bond (SPH’24) Profile
Julia Bond (SPH’24), a research associate in epidemiology at Boston Medical Center, can be reached at [email protected].
Boston University moderates comments to facilitate an informed, substantive, civil conversation. Abusive, profane, self-promotional, misleading, incoherent or off-topic comments will be rejected. Moderators are staffed during regular business hours (EST) and can only accept comments written in English. Statistics or facts must include a citation or a link to the citation.
I heartedly and fully agree with you.
Your email address will not be published. Required fields are marked *
Should health researchers ask if you’re a democrat or a republican, to do today: 14th annual african festival of boston, will the new massachusetts law on ghost guns, assault weapons, and gun-carrying pass legal muster, after historic year for bu athletics, what comes next, to do today: copley square farmers market, to do today: yappier hour at the liberty hotel, double chocolate banana pudding pie, to do today: river fit summer fitness series, university makes new contract offer to graduate students, to do today: get your groove on with the tito puente latin music series, questrom student helps women artisans in india become entrepreneurs, bu white coat ceremony welcomes 141 students to the profession of medicine, what does tim walz bring to kamala harris’ ticket, to do today: clue: a walking mystery, bu experts on boeing’s legal and technical troubles, to do today: boston parks movie nights, does it matter if boston mayor michelle wu doesn’t take maternity leave, to do today: explore the boston lights show at the franklin park zoo, what’s hot in music august: new albums, local concerts.
COMMENTS
Documentary research is a type of research method that involves the systematic investigation and analysis of existing documents or records. These documents can be in the form of written, visual, or audio materials, such as books, articles, photographs, videos, and audio recordings.
This case for research innovation also draws upon the first author's previous experiences with video ethnography and the second author's expertise as a documentary film maker. Their collaboration resulted in a longitudinal research project that foregrounded documentary practices as key to data gathering and sense making.
Documentary research is a critical aspect of research in the social sciences and beyond. Indeed, it might be said to be endemic, as all researchers use documents - whether they be academic articles, national policy statements, historical records, online materials or personal accounts - to some extent in their research.
As documentary research does not create new data but analyses existing data, it offers considerable opportunities for social researchers in terms of both the accessibility and the scale of the research they can undertake within given time and resource constraints.
This article describes and advances the methodological process of using documentary film as a strategy for qualitative inquiry. Insights are drawn from a multimedia study that explored Inuit-caribou relationships in Labrador, Canada, through the co-production of community-based, research-oriented, participatory documentary film work.
Documentary Analysis Methods Documentary analysis as a qualitative research method involves a systematic process. Here are the main steps you would generally follow: Defining the Research Question Before you start any research, you need a clear and focused research question.
The documentary research method has been incorrec tly identified with the professional historian, librarians and information science specialists, whilst the social surveys and in-depth interview
From diaries and letters to surveys and interview transcripts, documents are a cornerstone of social science research. This book guides you through the documentary research process, from choosing the best research design, through data collection and analysis, to publishing and sharing research findings.
This book guides you through the documentary research process, from choosing the best research design, through data collection and analysis, to publishing and sharing research findings. Documentary Research by Gary McCulloch. Publication Date: 2004. Documentary sources have become increasingly neglected in education and the social sciences.
The purpose of this article is to show that documentary research in social science is a useful and under-utilised approach that can be adopted by researchers in the full confi-dence that it is also a scientific method that requires rigorous adherence to research protocol.
Use documentary research to do your own historical research using print media, pictures, videos, and other credible documents.
In this article, we would define the concept of documentary research, the various types of documentary research, its applications, and some valid examples.
This article describes and advances the methodological process of using documentary film as a strategy for qualitative inquiry. Insights are drawn from a multimedia study that explored Inuit-caribou relationships in Labrador, Canada, through the co-production of community-based, research-oriented, participatory documentary film work.
An Introduction to Documentary Research. Documentary research, serving as both a complement to and extension of biographical inquiry, takes on different meanings in the field of education. In one sense, documentary research becomes synonymous with archival research and addresses issues related to the role and use of documents and public and ...
A genre-based approach to the issue of the truthfulness of documentaries reveals that the truthfulness or fictionality of any documentary cannot be judged from examination of the film text alone, but also requires attention to the historical and institutional context for which it is produced.
Documentary research is the use of outside sources, documents, to support the viewpoint or argument of an academic work. The process of documentary research often involves some or all of conceptualising, using and assessing documents.
1. Reviews and Documentary Research Methods i n a. Scientific Article: Brief Reports. Dr Wilfredo Molina Wills. DDS, MSc,MShr, PHD. Researcher at the University Latina of Panamá. Abstract. There ...
In a context of information overload (infobesity) and diversity of media, the processes of documentary research and information validation require the application of an effective methodology. One or more methods for documentary research? There are different methods for defining a good documentary research strategy.
The result was the co-production of both award-winning documentary films and peer-reviewed articles published in high-ranking journals about a range of social, environmental, and health topics ...
From one place, you can search across many disciplines and sources: peer-reviewed papers, theses, books, abstracts and articles, from academic publishers, professional societies, preprint repositories, universities and other scholarly organizations. Google Scholar helps you identify the most relevant research across the world of scholarly research.
All good documentaries need to have a solid foundation created by research. In this article, we will help you research for your next documentary film.
Documentary filmmaking requires research to provide the context, footage and other visuals, narration, and interviews that will appear in the film. There are several types of research that documentary filmmakers might undertake, including archival research, academic research, and in-person interviews.
Documentary research is a type of study that uses personal and official documents as a source of information or evidence to create a larger story or report which you can obtain through an evaluation of a set of documents concerning your topic. Learn more about this type of research by visiting the page.
This summer, it's also the star of a new NOVA documentary that showcases the efforts of Bigelow Laboratory scientists and others to understand and protect this critical body of water. ... PBS has also organized a series of public outreach events coinciding with the film's airing. Senior Research Scientist Doug Rasher, who features heavily ...
Unrealistic Ideas, a documentary production company owned by actor Mark Wahlberg, says it will tell the real story of Waterloo, Ont.-based smartphone maker BlackBerry.
Research shows our bodies go through rapid changes in our 40s and our 60s. These metabolic shifts may be causing significant differences in cardiovascular health and immune function.
The Netflix documentary 'Daughters' goes inside a dinner dance for dads in prison and their daughters.
Stream these original and unfiltered films from around the globe, featuring standalone docs and episodes of ongoing VICE series.
The tear-jerker documentary "Daughters" follows four young girls as they prepare to reunite with their incarcerated fathers for a dance in a Washington, D.C., jail.
We emphasize that sexual pleasure is important to many people, and therefore should be integrated into scientific research on sexual health. This could help public health research be more aligned with people's lived experiences, in which pleasure and connection are often central to sexual experiences.